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When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us. Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based…
"For over a decade Elizabeth Davis assumed the moniker Wilted Woman. This project was a key in bridging DIY subcultures in the United States and Europe both in contribution to sonic development and the subsequent performance events for her communities. Excelling in eclecticism, Wilted Woman’s sonic vocabulary was adept at deflating the self serious posturing found throughout the fields of various electronic music circles while also being pointedly driven, technically advanced, and with a prolifi…
Anarko free jazz from the North.
Signe Emmeluth: SaxophonesKarl Bjorå: GuitarAnders Vestergaard: Drums
Recorded by Martin Miguel Almagro Tonne at Studio ParadisoMixed by Kyrre Laastad at Øra StudioMastered by Karl Klaseie at Øra MasteringArtwork by Joe GilmoreExecutive production by Christian Di Vito
Smoove is one of the most prolific and consistent producers in the UK, whether writing and producing for his Geordie soul outfit Smoove & Turrell, as the producer behind the highly prized multi track vinyl re-edits series or indeed the remixer de jour for a whole host of hip hop, soul and funk artists.
Apart from Smoove & Turrell, his first solo outing on Jalapeno Records was a compilation of some of his finest remixes all collated together in one very DJ friendly package entitled ‘First Class’.…
An impressive psychedelic LP, highly recommended. Comparable to the early Pink Floyd. Unfortunately the only Vinegar release. One of the most wanted German LPs. "An unknown gem from an obscure and innovative band", as the Freeman brothers write. Drawn from the master tapes. With 40-page booklet in LP size. The original album sells for 1000€ in mint condition.
"An unknown gem", with that the Freeman brothers labelled this really impressive work. Psychedelic and mostly instrumental. Like early Pi…
German progressive with symphonic touch featuring Mellotron and flute, good keyboard playing and a fine guitar. Three of the six tracks are instrumentals. Dag Erik Asbjornsen lists the Troya LP in his book "Cosmic Dreams at Play" among the ten best Krautrock LPs of all time. The original album sells for 1000 € in mint condition. With 8-page booklet in LP size.
*200 copies limited edition* Furtherset, the musical project of Venice-based composer and visual artist Tommaso Pandolfi, debuts with his first album for Kohlhaas, the sixth in his career, 'Wounds of Melody'. A layered image of devastation and beauty, where Renaissance tears merge with the incandescence and violence of phosphorus, the artwork is the first encounter in the emotional itinerary that unfolds in the five tracks making up the LP. Over its forty-one minutes, the album's beatless but me…
2025 stock This set features the original album of Captain Beefheart & The Magic Band recut from the original master tapes at Bernie Grundman Mastering, please an additional LP of rare studio outtakes, alternate versions, and previously unreleased instrumental rough mixes from the Clear Spot sessions.
2025 stock Cobham's debut record after making a name for himself collaborating with Miles Davis and the Mahavishnu Orchestra remains a remarkable moment in progressive jazz. "Stratus" would later be sampled on Massive Attack's "Safe From Harm" and featured in Grand Theft Auto IV radio.
Laurie Anderson and Kronos Quartet's Landfall, inspired by her experience of Hurricane Sandy, is the first collaboration between the iconic storyteller/musician and the groundbreaking string quartet, who perform together on the recording. Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson\'s powerful descriptions of loss, from water-logged pianos to disappearing animal species to Dutch karaoke bars. The Washington Post calls it "riveting, gorgeous."
*Comes with Obi strip* “Next Millennium Vibrations” drifts through warped tape loops, ambient zones and sampled oriental percussion with comical electronics, conjuring a surreal, meditative and disorienting atmosphere. Mako weaves fractured beats with ethereal melodies, blending kosmische, lo-fi psychedelia, and avant-garde experimentation.
More Eaze and Claire Rousay’s collaborations are effortlessly joyful, their music evoking the warmth and respect they have for each other. Their bond goes back to their youthful hometown of San Antonio, Texas where they played in country outfits and noise rock bands respectively, and each pushed their music to extend beyond the traditions and conventions of genre. more eaze (the moniker of violinist/multi-instrumentalist mari maurice) and rousay have spent the past decade pushing boundaries, sta…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Return of the great American jazz trio that delivered the poll-topping "Nothing Ever Was, Anyway" in 1997. Material heard on "Amaryllis" is by turns thoughtful, touching, joyous and viscerally exciting. Some of the songs are well known – almost classics of new jazz – including Crispell’s "Rounds", Peacock’s "Requiem" and "December Wings, Motian’s "Conception Vessel". There are also a number of startlingly effective free improvised ballads. As leader Marilyn Crispell says, "There’s a great depth …
From the very first note, Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum (the Icelandic word for “write”) takes things a step further. With the aid of electronic audio tool the Spektrafon, which he helped develop, Balke is now able to directly manipulate ambient audio sound from the piano while playing –…
Pianist François Couturier and violinist Dominique Pifarély, major figures in French improvisation, have played together in many projects over the last 30 years, including their duo, which made its recording debut for ECM with the remarkable Poros in 1997. Preludes and Songs, carries the story forward, with its programme including music by both players as well as pieces by Jacques Brel, Duke Ellington, George Gershwin and J.J. Johnson. With sensibilities informed by jazz and contemporary composi…
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
*2025 stock * A holy grail! This is one of Marcos Valle's best-ever albums – and it's certainly the one to best realize the larger scope he was heading for in the years after the bossa – that sublime mix of jazz and more expansive arrangements – a perfect fit for the growing sophistication of Valle's songwriting. The record is fantastic – done with a sweeping sound that still leaves us breathless after all these years – and put together with an approach to composition that is virtually indescrib…