New Arrivals
The Aporias of Futurism
This double album represents a new collaboration between long-time Umor Rex artists Andreas Gerth (one half of Driftmachine) and Carl Oesterhelt (11 Pieces for Synthesizer). Both developed their shared musical cosmos while playing together in the Tied+Tickled Trio. Oesterhelt is also known for his solo compositions for orchestras and for his collaboration with Johannes Enders and Hans-Joachim Irmler of Faust.
Since its beginnings, a kind of futurism has been inherent in Electronic Music through…
Rhapsodia / Battements Solaires (LP)
* Repress: Embossed cover artwork, incl. printed inner sleeve * A student of both Pierre Schaeffer and Eliane Radigue, since her emergence during the 1970s, the French composer, Michèle Bokanowski, has carved a fascinating trajectory with the fields of electronic and electroacoustic music. Working primarily for film, television, and dance, over a discography of works that span the decades, she has built a singular world of profound sonic densities, colours, and depth. In the words of GRM’s artis…
Guilherme Lamounier
Considered one of the masterpieces of seventies psychedelic, his second album, released in 1973, is the result of a partnership with Tibério Gaspar (author of: "Sá Marina", "BR-3" and "Teletema"). The album was recorded at Rádio Gazeta Studios in São Paulo, with the participation of musicians already known as: Wagner Tiso on synthesizer, Luiz Claudio Ramos on arrangements and conducting, Lanny Gordin on guitar, Oberdan Magalhães on flute and Guilherme himself playing guitar and piano. Guilherme …
Acosta
Leo Acosta was born as Leobardo Acosta Quintanar in Huetamo, Michoacán, Mexico in 1925. He was a notable drummer, composer, arranger, and orchestrator. In 1970, he recorded a last LP for Capitol with a small combo formed with some of his closest peers. The sound engineer for these sessions, Rogiero Silva, recalls that it happened in the night time. Leo was always very demanding in his studio hours with all of his musicians and that he did not tolerate mistakes or setbacks, but he was fully relax…
Tombstones
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…
In Better Shape Than You Found Me
* In pocess of stocking * In Better Shape Than You Found Me is a one-hour piece jointly composed and realized by American composer/violist Jordan Dykstra and Dutch composer/musician Koen Nutters in the year 2020. Dykstra plays viola, pitch pipe, crotales, piano EBow, electronic programming, field recordings, and Nutters delivers the piano programming and field recordings. The two bring together their sounds and structures in very organic ways, merging into a single, intriguing sound world. Maste…
Negative Infinity
"Negative Infinity" is a sort of return-to-form in a regard, featuring 6 tightly scripted doses of what they call "Brutal Prog" - the tag Weasel coined in the early 2000s to describe an elite breed of intense, complex bands who emphasised harshness and intensity over the typical prog-rock flutes and fairies positivity. This is prog for the Aocalypse, not your uncle.
We Forge The Future. Live At Reina Sofía
We Forge The Future is a document of a Laibach show, held in Museo Reina Sofía, Madrid, on November 26th, 2017. For this museum occasion, Laibach re-enacted the historic performance that was initially staged on April 23rd, 1983, as part of the XII Music Biennale Zagreb in Croatia – then still a part of Yugoslavian federation. The performance caused furious public/media campaign against the group, whose result was a formal ban on Laibach in Slovenia and Yugoslavia, that lasted until 1987. Musica…
Slow Dark Green Murky Waterfall
* Limited Edition Green Vinyl. Mastered by Giuseppe Ielasi, artwork by Mica Levi and Eliza McCarthy* Mica Levi returns to Slip with six piano pieces played by Eliza McCarthy in ‘Slow Dark Green Murky Waterfall’ - a crepuscular suite riddled with Mica’s inquisitive, conversational phrasing and smartly expanding upon their 7” track, ‘Riding Through Drinking Harpo Dine’ [Foom, 2017], a new recording of which also appears in this set. Gorgeous music, especially recommended if yr into Terre Thaemlitz…
Awakened Hyperspace
**Edition of 60 copies **the newest goop from Uton, Finnish grand master rrrof sound and splice, and dice feeling more calm and "awakened" from the previous release, this calms and soothes, and also quakes a bit of your high-ligh - - a dense, and yet awakened 40 mins or so of hyperbolic meditation and strange dirge. in its own way. Pulse, and quip
Nova Llum
Gorgeous Balearic floatation tank vibes from another choice debutant to Good Morning Tapes, introducing Nueen with a romantically introspective suite of fluttering electronic productions gilded with glyding subbass, highly recommended if yr into the sferic label, Bola/0161-era Skam, Brian Eno & Harold Budd, Roméo Poirier or Perila. Blessed with a play of warmth and dappled light recognisable to anyone who has visited or lives in the Mediterranean, ‘Nova Llum’ presents Nueen’s diaristic account …
Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With)
Originally created in 1977 as a single handmade copy, Dara Birnbaum’s Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With) gathers writings, working drawings, photographic documentation, and ephemera from the artist’s earliest video and installation works. The publication was originally produced by Birnbaum and exhibited in Notebooks, Workbooks, Scripts, and Scores at Franklin Furnace in 1977. The book’s vinyl cover and section dividers, hand-folded pages, and color images have…
Selected Sound Works (1981-2021)
Edition of 100 pro-duplicated tapes with a 6-panel J-card featuring extensive track notes by Nechvatal and liner notes by Laurent Fairon. Mastered by Giuseppe Ielasi. his is an overview of post-conceptual and multimedia artist Joseph Nechvatal’s sound collages and experimental music, from 1980s tape experiments to 21st century polymorphous, digital endeavors.
Born in Chicago in 1951, Nechvatal studied art and philosophy before relocating to New York City in 1975. During the 1980s, he co-founded …
Afterfly (LP)
Tim Goss (The Shadow Ring / Call Back The Giants) returns with his first outing under his birth name. Afterfly is a mature and compelling work that observes life as a set of repeating patterns, no matter the apparent differences everything has already happened. After one fly comes another and another and another ad infinitum.
You have the face of an old man, catch me if you can. Afterfly serves as an initiation into a more thorough overview of Tim's current practise followed with a book of rec…
Stanza 218
* Limited edition of 218 handnumbered copies on dark Red Vinyl * Tangiers, september 2002. Three italian musicians, after taking the never ending bus route from Bologna, settle in a cheap hotel close to the seafront. They sleep in one room, and set up their recording equipment in the next one. Until about one month earlier, Emidio Clementi was the singer and bass player of Massimo Volume, one of the best and most original bands in the history of italian music. Their four albums of angular post-…
Kwasy I Zasady
What do jazz improvisation, Polish Radio, dingy rap from Memphis, cassette tapes, trap, drill elements and hip-hop loops have in common? These are the ingredients that the Błoto quartet used in their lab to cook an explosive mixture for their third LP entitled “Kwasy i zasady” (eng,“Acids and bases”). Nobody thought that a band who appeared suddenly and unexpectedly on the jazz scene would develop so rapidly and in such an unforeseen direction. A year ago, critics and music journalists treated …
Discipline of Sun Ra
We already passed one millennium, in fact, we passed the apocalypse: we are living in End Time, all right, but in the last daze. It’s after the end of the world. Don’t you know that yet?” - considered Sun Ra a few decades ago. We are clearly living in a borrowed time. In a time plunged in darkness and ignorance when we need at least a little light and love… and that can come with the cosmic music of Sun Ra, which is deconstructed by EABS on their third album. In October 2019, after more than 33 …
Satanic Nafs
In Islamic psychology, each person has an aspect of the Self called the “Nafs” which is divided into multiple layers. Every day, a person enters into a spiritual battlefield with their dark side, their lowly desires, and Satan. Satanic Nafs is thus the lowest level of the self, due the love of oneself and evil desires. Achieving spiritual transformation involves a constant struggle against the lower nature of the self (Satanic Nafs). This struggle led Jaubi to discover the concept of “Nafs”. T…
Monika / Zabawa W Ciemności
After a very busy year in which Astigmatic Records made its debut as a label looking for lost, never before released musical treasures (Renata Lewandowska, "Dotyk"), the time has come for more attempts to deal with the history of Polish popular music. The seven-inch single "Monika / Fun in Darkness" begins a series of releases with undiscovered recordings by Henryk Debich, whose activities made the Polish Radio and Television Orchestra in Łódź famous all over the world. For the last two years, …
A Story Ended
This is the first official re-release on vinyl under licensed courtesy of BMG Rights Management,UK, remastered from an original master copy out of the vaults of BMG, originally released in 1972 on Bronze Records. Co-founder of Colosseum in 1968 with Jon Hiseman, Dick Heckstall-Smith knew from his Jazz Club years as drummer for Georgie Fame, Dick ran through this group`s hectic recording and touring schedule for over 3 years until November 1971, when it disbanded. In his late ‘30`s’ at that time,…