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M.B. : Theocratictronics, spiritual sound effects, intangible pictures. Recorded during the month of Tishiri, in the year of 6039 A.M. Decicated to the genial german writer Stephan Kraus (1963 - 201?). Appreciative thanks fo Pharmakustik for his modular structures applied during the period 2005/2014. New Sacher Pelz album !! Brand new album by Maurizio Bianchi that under his early moniker Sacher Pelz presents us a very meditative and deeply atmospheric work. Instead of concrete Sacher Pelz noi…
Singulacra
Bristol, England-based sound artist and producer Sophia Loizou presents Singulacra, the follow-up to her 2014 debut, Chrysalis, which is itself a staggering exploration of the conflict between nature and technology and the space between natural and synthetic sounds. With Singulacra, Loizou builds on the framework of Chrysalis for her most ambitious offering to date. Ghostly remnants of hardcore and early jungle percolate throughout while fragments of radio transmissions seep in and out through t…
Queimada
A very dark little score by Ennio Morricone – written for an obscure 1969 period film that starred Marlon Brando (and a very disheveled Brando at that!) – filled with cool tunes that mix the Morricone western mode with some haunting elements that almost have a spiritual approach! Many numbers have these moody, airy notes floating through – on organ on some of the best cuts – and even the overall orchestrations tend to hang in the air, but with a lightness that's often different than the …
Uccellacci e Uccellini
“Uccellacci e uccellini†is a film directed in 1966 by Pier Paolo Pasolini and starring Totò, Ninetto Davoli, Femi Benussi, Umberto Bevilacqua, Renato Montalbano, Flaminia Siciliano. The strange wanderings of two funny characters is musically represented by the short,but varied soundtrack by Ennio Morricone introduced in the opening titles as performed by Domenico Modugno in the manner of storyteller, alternating with sacred music, experimental and danceable tunes. At the time, …
aus den fliegenden blttern eines fahrenden waldhornisten
'aus den fliegenden blttern eines fahrenden waldhornisten' (2013) ('from the flying leaves of a traveling horn player') for horn (F. Wilfried Krüger, horn).
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Un…
Air - works for flutes and organ
'ein schlummer (a slumber)' (2013) for flute(s) and organ. 'aufhören (coming to an end)' (2013) for recorders: g-bass, c'-tenor, c-bass (1 performer). 'atmen V (breathing V)' (2014) for recorder(s) (1 performer) and organ. Ruth Walser, recorders. Barbara Müller-Hammerli, organ. Eva-Maria Houben, organ.
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Se…
Orgelbuch
14 five-minute pieces from Eva-Maria Houben's 'Organ Book'. Eva-Maria Houben (organ).
Works for piano
Composer: Eva-Maria Houben. Performer: Eva-Maria Houben (piano). 'the sound of the piano decays. it cannot be sustained. I let it loose time and again. it appears by disappearing; starting to disappear just after the attack. in disappearing it begins to live, to change. the piano: an instrument, that allows me to hear how many ways sound can disappear. there seems to be no end to disappearance. I can hear, how listening becomes the awareness of fading sound.' 'Klavier' (2003). 'Drei chorle…
Song of the Second Moon
Considered one of the most influential recording in the history of electronic music, Song Of The Second Moon is far more than an historical curiosity. For the very first time electronic music was conceived as popular music, an incredibly listenable mélange of jazz and musique concrete. Composed by Dutch Philips Research Laboratories employees Tom Dissevelt and Dick Raaijmakers (Kid Baltan) between 1957 and 1961, Song Of The Second Moon’s dynamic and playful futurism would inspire legendary figur…
Things Our Bodies Used To Have
Things Our Bodies Used to Have”, the second LP by Chicago-based trio Good Willsmith, explores possible intersections of textural noise collage, cosmic synth meditation, and abstract music in a live suite of layered improvisations. Limited clear vinyl edition of 300 copies, packaged in uncoated stock jackets with double sided insert, black inner sleeve & free download coupon. In-house design featuring original photographs by Sam Prekop.“Things Our Bodies Used to Have”, documents a 36 minute sessi…
Navigating by Starlight
"Navigating by Starlight is the elegantly distended fourth LP by a New York band known for its fine taste in bourbon as well as its ability to explore strangely forested nooks of space. Composed of two side-long excursions of heavily bearded improv, this is what Bruce Dern should have been listening to throughout Douglas Trumbull's Silent Running. The first side is called 'Lovejoy Vapor Trail,' after the recently discovered comet said to be releasing enough alcohol to fill 500 bottles of G…
Saturday Night Fever
"Saturday Night Fever takes the concept of the movie of the same name and stretches the night a bit later, the fever a bit higher to the point where the party ends up blending into something much more sinister and wild. What starts out as a disco drumbeat with funky guitar swagger and melodic horns may slowly deteriorate into some sort of corroded ambient loop that eventually morphs into melodic horn samples. Basically every track is subverting its own gestures, carving out a narrative of …
Tiento de las Luz
The completely singular drone and ambient pioneer Thomas Köner is back on Denovali. Köner’s Tiento de la Luz is a unique release for the artist as it subtly blends classical instrumentation and live electronics in homage to a 15th century musical form. This deep and graceful drone album comes on heavyweight vinyl in a variety of colours and includes a download code and extra thick sleeve.
Thomas Köner's first encounter with this musical genre goes back to a commission from Frankfurter Gesel…
The Throne of Blood
Masaru Sato, who worked at Toho Studios under the legendary Fumio Hayasaka, composed this chilling score for Akira Kurosawa's 1957 masterpiece based heavily on traditional Japanese music, especially influenced by Noh dramas. Limited edition first press of 500 copies on white vinyl.
Almasty
Solo bass played and composed by Kasper T. Toeplitz. Layers of noise full of details like the voice of dead machines !“A purely formal présentation of Almasty would point that it is a composition for solo bass – electric bass, which implies a few electric/electronic machines around the string instrument, which change or modifiy its resonances somehow, but nothing more that what is seen those days around any electric instrument. And Almasty is also a solo composition, as it is recorded and presen…
Grand Tour
Tilbury left communist Poland in 1964 and his visits grew rare. He got involved with Cornelius Cardew’s Scrath Orchestra and the AMM; later he went on to become known for his performances of Morton Feldman’s compositions. Meanwhile Zygmunt Krauze, aside from his work in the Musical Workshop, grew to be his generation’s leading conceptual composer, mainly thanks to his reception of Wladyslaw Strzeminnski’s unism. The worlds of Krauze and Tilbury were separate, but adjacent.
The Musical Worksh…
plays Parallel Winter
Voice, guitar and zither by Richard Youngs. Composed, recorded, mixed and mastered by Richard Youngs.Motto of Populista Winter Triangle came about on 13th of December, 2014. It was a cold and windy day, a classic of pre-winter Warsaw, cold, wet, transparent yet at the same time grey, or perhaps mostly grey. It was also a day of the first Warsaw show of Richard Youngs in Komuna// Warszawa. Not fully by accident, there was a piano in the room, which made Richard propose performing 'ParallelWinter'…
Silent Night at the Crooked Forest
Ole-Henrik Moe, viola. Kari Ronnekleiv, violin. Sheriffs of Nothingness is a stringduo consisting of two of Norway's most distinguished artists in contemporary music: Ronnekleiv as a performer and Moe mostly as a composer. Moe and Ronnekleiv won the Norwegian Grammy for best contemporary album in 2007, and in 2011 Moe was nominated for the Nordic Council Music Award.Sheriffs of Nothingness interplay is remarkable. They move inside their music like one organism with all kinds of materials and pas…
Playing with a Dead Person
When you contacted me about the duos, I thought there is nothing more original than playing with a dead person […] which is curious because Derek Bailey is very much alive, especially when we hear his voice and I feel he's sort of sitting here, in the studio, and he's waiting for me and I'm waiting for him and we're not quite sure what's gonna happen. „Derek and I always wanted to do a duo recording together and we never quite managed that. Within the later years that we were trying to set somet…
Pianophonie
'Forte e piano' is one of Serocki's lesser known and acclaimed works, while 'Pianophonie' is considered his greatest masterpiece. However, it's worth remembering that 'Forte a piano' and 'Pianophonie' are interrelated. It's difficult to imagine the latter without the former. Serocki was born in Torun. He studied composition with Kazimierz Sikorski and piano with Stanislaw Szpinalski at the State Higher School of Music in Lódz and graduated in 1946. He continued in Paris, studying composition w…