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Collection of 20 unreleased tracks by the likes of ALASTAIR GALBRAITH, BLACK TO COMM, ARP, PIGEONS, IGNATS, ALVARIUS B, WILLIAM TYLER, SUPREME DICKS, FILIPE FELIZARDO, HAMILTON YARNS, & CIRCUIT DES YEUX. It also hosts 3 new collective projects: Mendrugo (feat. JOSEPHINE FOSTER joining forces with husband Victor Herrero, Jose Luis Herrero, Jose Luis Rico & Takuhiko Nochimoto); Raajmahal, the reunion of Pat Murano (NO-NECK BLUES BAND), Carla Baker, & Santa Wolanczyk; & Syracuse Ear, a 1st …
Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Luca Sigurtà is very active in the electronic music scene, playing solo and with the bands Harshcore and Luminance Ratio. In Hookers he composes a cold and frozing atmosphere, with gusts of noises and drones together with a bare drum, the song ending surprisingly with an ecstatic mood.
Noise veterans Panicsville plays Paura nella Città dei Morti Viventi mixing old schoool industrial together with their strong oniric and terrifying fantasy: organ, synth drums and samples are used to compose …
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…
Telmegiddo was the last tape-decomposition by Maurizio Bianchi and was recorded in February 1983 after the Armaghedon LP. Apocalyptic echo-sounds, originally decomposed at Mectpyo Studio in February 1983. Unofficially issued as cassette tape in 1990 with the given title of "Extreme Man 2". Bakterihabitat by M.B. contains sound sketches that were later used in Telmegiddo. Mixture of bacteriological wall of noises, originally decomposed at the Mectpyo Studio in May 1982. Unofficially issued as cas…
Church was always a drag when I was a child. Dressed in Sunday best, I struggled to enact respect and silence throughout the entire mass. However, if church had sounded more like GA’AN, I would have been there any day of the week. Nothing in Peoria sounded like this. This is music to sacrifice virgins to. This is the soundtrack to Everyman’s epic Norse BDSM fantasy of destruction and rebirth. The scenarios conjured by these jams make the death of Sardanopolus look like kid stuff. Captcha Records…
Compiled by Chris Menist, Qat, Coffee & Qambus: raw 45s from Yemen features vintage oud and vocal music inspired by the qat-chewing, coffee-sipping, qambus-playing culture of Yemen. Although part of the classical Arabic musical tradition, the music of Yemen takes its rhythmic lead as much from the East African coast (a mere 20 miles across the Red Sea) as the surrounding Arab Peninsula.Little has been written about the music and culture of one of the world's oldest civilizations, and each 45rpm …
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
The Sounds of Lindisfarne and the Gospels. To celebrate the exhibition of the Lindisfarne Gospels at Durham Cathedral from July to September 2013, awardÐwinning wildlife sound recordist Chris Watson has researched the sonic environment of the Holy Island as it might have been experienced by St Cuthbert in 700 A.D. 'A 7th Century Soundscape of Lindisfarne. Throughout human history artists have been influenced by their surroundings and the sounds of the landscape they inhabit. When Eadfrith, the B…
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides.The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Three open improvisations recorded in concert at Kunstencentrum Belgie Hasselt, Belgium in 2010 by sub-groups from the Electrocacoustic Ensemble, plus an extended performance by the whole ensemble: Richard Barrett, Peter van Bergen, Lawrence Casserley, Peter Evans, Agusti Fernandez, Barry Guy, Ishikawa Ko, Paul Lytton, Paul Obermayer, Evan Parker, Walter Prati, Ned Rothenberg, Joel Ryan, Marco Vecchi.
Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
HIGLY RECOMMENDED!! Haunting and enigmatic new Mudboy full lenght LP with a mindblowing packaging... Last temptation of Raphael Lyon's Mudboy, after dozen recordings as the seminal This is Folk Music (Last Visible Dog, 2005) and exciting Hungry Ghosts (Not Not Fun, 2007) the doctor of experimental organomics explore new approaches to his personal hallucinations.The works on this album are only the hapless product of stumbling fingers, hammered out by so many orangutans fighting over garbage.In t…
A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
LP edition, sold out at source: Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet. Harold Budd is a one-of-a-kind, modern neo-classical artist with a career spanning 40 years. Bandits of Stature has the characteristic Budd minimalism one may expect, yet in new, or classical, form. On Bandits of Stature, he has created 14 elegantly simple, av…