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A project by the german artist Franziska Koch, edited by Fink Edition, Zurich. "The cleaning of the piano in the house Franziska Koch - Once a year - recurring as of spring cleaning . On this is both spontaneously and passionately played in their living environment for young and old . In the resulting recording is heard, like the piano cleaned, is rubbed and wiped. Knocking noises and random poking against the instruments body give the piece its own rhythm, so as to connect by wiping over the …
A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
This is Tomorrow's Achievements, an exclusive Public Information foray into the Canadian Library institution, Parry Music. With access granted by founder John Parry, Public Information have selected twenty-five of their favorite electronic tracks, an early autumn heat-wave of perfect melody. Parry Music was founded in 1974 in Toronto by John Parry and Chris Stone. John was formerly a manager of revered UK library Chappell Music and Chris was a Canadian music consultant; both brought some familia…
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
The album features two 23-minute halves that Fell describes as “almost live”. These tracks combine out-takes from his recent album ‘Multistability’, with bits he originally produced as part of a “quadraphonic piece” he performed live in Barcelona this year, which is called Supersimetria: New Languages In Computer Music.
‘Periodic Orbits Of A Dynamic System Related To A Knot’ was produced when Fell moved to a new home and studio, where he was limited to only internal speakers on his MacBook…
In October 2012, the Tamashek community lost one of its most luminous voices when Koudede's life was cut short by a car crash during his trip home to Niger from Ouagadougou, Burkina Faso. Koudede was a leading light among the myriad musical groups that have recently proliferated in Niger and Mali to voice the Tuareg struggle against exploitation and to exalt their proud but waning nomadic heritage. His outstanding reputation and corpus of songs garnered the respect of his contemporaries, and his…
Picture Disc in a plastic cover. Limited to 500. 'Cruisin' For A Bruisin' (Bacteria Bitch Mix)', 'Bei Mir Nist Du Schon', 'Thrill Of Romance...? (Burgo Partridge Mix)', 'The Bottom Feeder'.
Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba Harris. These playe…
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Mouthus are professionals. Not that their music is a full-time job, or is made out of obligation. Rather, Brian Sullivan and Nate Nelson approach every recording seriously and diligently, never bending their methods to fit expectations or pander to an audience. Often this devout methodology produces a glorious alchemy; other times it results in workmanlike exercises in sound excavation. But every Mouthus album comes with an implicit seal of quality craftsmanship. You may not find an epiphany in …
CD. Ken Vandermark, tenor sax, Paal Nilssen-Love, drums, Lasse Marhaug, electronics. Recorded live November 23rd 2011 at the Vortex, London UK by Mick Ritchie. Mixed by Lasse Marhaug. Produced by Fire Room. Artwork by Naiel Ibarrola.
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
Gatefold double LP version. Includes a CD with three bonus tracks, plus lyric sheet inserts. Richard Dawson has been a much-loved musical spectacle in his native Newcastle for many years now, a skewed troubadour who sings and plays guitar with a rare intensity and a very singular style. Beguiled northern audiences have long awaited the arrival of recordings that capture Dawson's genius, and it has finally arrived with his album The Magic Bridge, a 10-song collection out on CD (Pink Triangle…
In the 1980′s, New York City was a dismal wasteland filled with urban decay and creative miracles. It was only a matter of time before the suits saw an investment opportunity, with cash in hand they bought off NYC and started the criminal gentrification of downtown New York, sterilizing any sense of culture and fumigating all residents deemed financially worthless. This kind of invasion brought the perfect storm in the form of Missing Foundation. Founded by Peter Missing in the early 80′s, Mi…
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…