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eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a so…
“The interpreter is a very important person indeed in Cage’s piano music, and a top international expert like Steffen Schleiermacher is a must for a complete recording such as this one: he knows the nuts and bolts and all the fine nuances.”
"The Art of the Improviser", a 2XCD, is Shipp's most audacious attempt yet to answer the enigmatic question of what it means to be a modern jazz musician. Already having explored the possibilities of electronically infused jazz on critically acclaimed projects with the likes of DJ Spooky, Scanner, and Anti-Pop Consortium, Shipp revisits an acoustic sound for this fearless voyage into the psyche of the improviser. Shipp's "idiosyncratic genius" shines through on this album, explaining once again …
"There's a savage battle raging in the hallowed streets of Los Angeles, being fought by prehistoric megaliths spewing lava from their mouths. These acid-tongued shamans are interested in one thing and one thing only, and that's to raze this city to the ground. Okay, perhaps it's not so apocalyptic, but hot off the heels of opening for Sonic Youth, dirt worshippers Robedoor and their native sisters Pocahaunted have unleashed an army for the ages with Hunted Gathering. Drones painted with black ho…
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …
Totally essential two cd collection of some of the most elusive Moondog material of all . When the "Viking of Sixth Avenue" single volume compilation was reissued, we pleaded that here was truly a taste worth acquiring. Louis Hardin somehow managed to find the musical continuities between Bach, native american Sundances, be-bop, Stravinsky and yet still pursue his own musical paths and sound utterly unique. Strong claim, but the music truly bears it out. Drawing the entire disc one from the ultr…
Just arrived! The research-performance group kiva was created in 1975 by the American trombonist John Silber and the French percussionist Jean-Charles François as part of a research project at the Center for Music Experiment at the University of California San Diego. During the period of its existence (1975-91) various members (often graduate students from UCSD) joined the two permanent musicians, John Silber and Jean-Charles François, to contribute to the groups artistic production. Two persona…
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
Heavy, ominous psychedelic free-improv from Tokyo, Japan. Julian's Cope album of the month . Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised…
The ancient Greek philosophers thought that the world is constituted of a series of grains of space and time. When I walked around Miura Peninsula in the springtime, I felt the same way - the quality of the space and the time seemed to be formed by a series of grains of sounds. Each place has its own unique character. You could label it as a particular quality of the place. The quality of the sound.'-'This is one of my trials to present a 'subject' as a piece of work - which can be called…
This amazing CD contains some of the great works for solo percussion by the authorities in the field of contemporary music. The performances and recording quality are both superb! Clearly all care and effort went into the recording and text however, the dual layered dvd /cd is in PAL format, and will require said player or a media transfer to see the studio footage and interview with Xenikas. Considering we spend much time searching for the "right music" to add to our collection, this disc…
Terrific nine-CD box (digipack CD sleeves!) at a fantastic price! The heart of Ligeti's output, and the basis for the consensus that places him among the 20th Century's most important composers, is the series of masterworks written during his middle period, which lasted from roughly 1957 (after his escape from Hungary) to 1977 (marked by the completion of his opera Le Grand Macabre). The "sound surface" compositions from the period, including Atmosphères, the Requiem, Lux Aeterna and much of the…
In the summer of 1990, i released on Sub Rosa a recording of Triadic Memories by Morton Feldman (1926-1987). It was one of the first recordings of this long work for solo piano completed on July 23, 1981.The score i used had been published by Universal edition as number UE17326 in 1987. Shortly after my CD came out, Universal published a new edition. At the bottom of page 2, under a dedication to Aki Takahashi and RogerWoodward is a small-print mention: 'corrected edition: 14.2.1991. I disr…
This year, on 5 September, the music world is going to celebrate the 100th birthday of the American composer John Cage. WERGO very early turned to the oeuvre of the avant-garde musician and to the release of his most important works on LP or CD – including “Etudes Australes”, “Roaratorio” or “Sonatas and Interludes”, his “Concerto for Piano and Orchestra” or his “Diary: How to improve the World (You will only make Matters worse)”. The label now presents outstanding productions of the compo…
Salvatore Sciarrino, in league with the Neue Vokalsolisten Stuttgart, embarks on the investigation of a new ecology of sound, through a form of polyphony reduced to chamber-music scale. The lyrics selected by the Italian composer are based on six haikus by the Japanese poet Matsuo Bashô (1644–1694). A comprehensive explanatory text on the production is contributed by Max Nyffeler. The world premiere of the work was recorded at the 2008 Salzburg Festival and is now made available on CD for the fi…
Cage is by no means a synonym for obligingness. All the more astonished we listen to the melodious and harmonious objects Annelie Gahl and Klaus Lang present on this album. Lang, the trained organist and internationally renowned composer, performs these pieces on a Fender Rhodes for the first time. Gahl, known as a versatile interpreter of both Old and New Music, plays the violin exactly as requested by Cage, without vibrato and with minimum weight on the bow. The musical material dates …
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
'Objects 1’ is the latest release of Tasos Stamou combining improvised sets and sound installation. This 35 min. piece was live-recorded at ‘6.d.o.g.s’, Athens, using a variety of handmade mechanical and electronic devices. Self-operated cymbals, prepared ventilators and circuit bent toys accompany sampled murmuring whispers that reflect a sound landscape of ritual atmosphere, enriched with a solo of bowed ‘typatune’ toy piano.