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Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
Seaworthy, a three piece collective based in Sydney, Australia that revolves around core member Cameron Webb as well as Sam Shinazzi and Greg Bird, was formed in early 2000 to explore melodic and experimental approaches to the construction of minimalist sound scapes from looped guitar, warm drones, piano, electronics and field recordings.Map In Hand often blurs the lines of conventional categorisation with elements traditionally considered part of “indie” or “post” rock blended with processed mu…
The first solo album of Patrick Gauthier (ex. Heldon, Magma, Weidorje) in 1981. Magma+Heldon sound! The original LP was released on CY Records in 1981. Featuring: Christian Vander, Bernard Paganotti, Richard Pinhas, Francois Auger, Didier Batard, David Rose etc. Reissue with elaborate miniature paper sleeve of the original LP. 2007 digital remaster version, limited 1,000 copies
"Cheerful Mats was dragged into the studio last year by David Grubbs for the ostensible purpose of contributing to a Thicket-in-the-works. The pair instead became terminally sidetracked with recording the two lengthy duets for harmonium and tenor saxophone and harmonium and fluteophone (Mat's invention -- a flute with a reed mouthpiece) that make up Apertura. Listening to Apertura, the first question is 'who is doing what?' It's not certain that even the artists themselves know." Two long …
The cracked, pinched, squeaked, and scraped sounds of the twin trumpets of Mazen Kerbaj and Birgit Ulher and the damped, scrubbed, and rasping sounds of Sharif Sehnaoui seem surprisingly familiar these days. Now that so many players have incorporated these techniques into their vocabularies, it allows one to focus on how they‘re used interactively rather than simply as sounds in and of themselves. Kerbaj and Sehnaoui have gained some visibility as core members of a group of free improvisers base…
At last, the reissue of German saxophonist Peter Brötzmann's long out-of-print first record, one of the most auspicious debuts of free music, and a trenchant tribute to the inventor of the saxophone. For Adolphe Sax is a roundhouse punch of European free jazz, delivered in1967 by the saxophonist's first classic trio featuring drummer Sven-Ake Johansson and bassist Peter Kowald. Initially issued in a tiny private run on Brötzmann's own BRO label -- silkscreened cover designed by Brötzmann, with h…
CD version housed in a Digipak following the immediate sell out of the LP version. Released to coincide with Ellen Fullman's new full length for Important titled "Through Glass anes." Full length collaboration between Ellen Fullman, Theresa Wong, and Barn Owl produced by The Norman Conquest. Barn Owl's extended drones and Theresa and The Norman Conquest's strings are the perfect accompaniment to Fullman's Long Stringed Instrument; a product of her own invention. This is an album of deep mater…
Keiji Haino (guitar, vocals & synth), Stephen O'Malley (bass guitar) & Oren Ambarchi (battery). Recorded by Chris Fullard at Gaîté Lyrique, Paris 8th November 2011. Edited by Oren Ambarchi in Sydney January 2012. Mixed by Joe Talia & Oren Ambarchi at Chinatown, Melbourne 8th February 2012.Mastered by Joe Talia at Chinatown, Melbourne 17th April 2012. Vinyl cut by Rashad Becker at Dubplates & Mastering, Berlin April 2012. Artwork: Lars Teichmann 'Bathing Girls' & 'Nymphos' (detail, 2010, …
An inedite work by the great composer Luc Ferrari: 'chantal, ou le portrait d'une villageoise' 1977-1978. Stereo magnetic tape. Mastering: Jérôme Joy, Meriol Lehmann-Avatar.
Following critical acclaim of Harvey Milk’s latest album Life… the Best Game in Town (2008), the band’s current home Hydra Head, has gone into the archives for this new/old album. Originally recorded in 1993 by one Bob Weston, these recordings never officially saw the long-playing light of day. Until now. The band is known for being somewhat curmudgeonly, and this proto-debut is fittingly nasty and strangely disconnected. Not for the ‘Milk the youthful exuberance of early spotty Metallica or gri…
Awesome reissue! Here sensitively remastered by Denis Blackham from the original master tapes at Skye Mastering and with a beautiful facsimile mini LP style sleeve, made in Japan.The Full Use Of Nothing was the first serious publication of music by Andrew Chalk/Ferial Confine on cassette in 1985. Early experimentation in acoustic percussion and primitive multi-tracking techniques shaped the sound and spirit of these formative recordings, somehow very tentative but leading to an on-going …
Christopher Willits and Ryuichi Sakamoto’s new release, Ocean Fire, is a sublime soundtrack for the ocean. It is an intense and stirring wash of cascading tones and textured harmony. Willits + Sakamoto surprise with rare form in this collaboration, creating a sound world unlike anything they have produced previously. Each artist has gently pulled the other into new sonic territory. Sakamoto’s gorgeous processed piano sound reflects Willits’ beautiful shimmering clusters of notes, a new aspect of…
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
Ah now, this is a lovely little CD. The group i treni inerti began life a decade or so ago now as the trio of Ruth Barberan, Alfredo Costa Monteiro and Matt Davis, and when their first album came out as one of the very first Creative Sources releases however long ago Brian Olewnick wrote what to this day remains one of my favourite opening lines to a review- something like “Yeah I can hear you sigh, yet another trumpet/trumpet/accordion trio…” In 2012, as David has long left Barcelona the group …
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
Fledg'ling's 2004 reissue of one of the highest-regarded British folk-rock albums, featuring Sandy Denny. Originally issued by Island in 1970 (previous Hannibal CD long o/p). With additional artwork and bonus tracks. Fotheringay's beautiful debut album was recorded in 1970, and has long been regarded as one of the greatest achievements of British folk-rock. Sandy Denny, Trevor Lucas, Jerry Donahue, Pat Donaldson and Gerry Conway created a magical ensemble sound and one of the finest albums of…
In Rene Daumal's Mount Analogue, a peradam is described as a clear and extremely hard stone, a true crystal. It is so transparent that it is nearly impossible to see. To discover a peradam was always the result of an inner act. At said moment in time, the stone's brilliance might catch the eye of one who seeks the truth. Most peradams were found on the rough and dangerous trails up the mountain. Peradam is the result of Marcia Bassett (Zaimph, Hototogisu) and Jenny Grf (Harrius, Metalux) collabo…
Athens weirdcore trio Harvey Milk is a blessedly difficult band to “know.” They frustrate category, aesthetic response, and heavy music scene politics in estimable, admirable ways. On the heels of their feedback-saturated return to recording – first the somewhat tentative Special Wishes and then 2008’s Life . . . the Best Game in Town – they return with A Small Turn of Human Kindness, an album named after the very first track on their 1996 debut. A seven-part dirge, this album continues …