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RESTOCKED!! An unreleased 30-minute piece by composer and sound artist Joe Colley. Composed from concrete materials and premiered at Field Effects, San Francisco, in 2002. Rehersal version discovered and slightly re-edited in late 2011. Joe Colley (b.1972 Ft. Lauderdale) is a self taught artist concerned primarily with the phenomena of sound and it’s unique ability to activate a consciousness set apart from rational understanding in a way very different from visual or verbal means. This co…
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
It's been a while since his last album, after many successful soundtrack works it's time for a new record, not connected to the movie world but still close to the visual media.On this new project Teho establish an unusual relation with the incredible photographic book by Charles Fréger: Wilder Mann, The Image Of The Savage.This album carries a profoundly moving feeling mixing strings, guitars and electronics, poignancy is the most evident feeling here. This music erases the space between our sa…
The most recent release on the lichen label; all releases are hand-assembled by zach wallace in his native ann arbor environs and offer of a lovely wave of art-sound, field recordings, improvisation with natural non-instruments, and, in the case of this particular title, a pair of pieces by greg davis and zach himself on farfisa, distorted vocals, and bells. the first appears to be a zonked “cover” of lamonte young’s “31 vii 69 10:26 - 10:49 pm munich from map of 49's dream the two systems of el…
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
'About the record. Live-recordings of Harddisko: 16 computer harddrives on power. Superreal computer music. Upon powering, each harddrive moves with its own speed and pattern, as directed by the firmware and mechanical constitution. Electromagnetic emissions picked up as acoustic signal reveal the specific tone of a drive. In various formations, the harddrives perform according to their past usage and current state.About the artist : Valentina Vuksic (CH - 1974) is a computer artist and progra…
2015 Repress. The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalis…
With any sizeable Brötzmann group, the temptation is always there to compare it to his classic Machine Gun unit. This new tentet doesn’t match up to the unbridled ferocity of that earlier grouping, but then what has? Perhaps the greatest sea change since the heavy-drinking glory days of 1968 is that ecstatic playing is now as much an idiom as an instinctive response. For all its supposed iconoclastic freedom, this idiom now has its own traditions, its own heroes, and its own stock cliches. Youth…
the Pyramids first album, recorded in Yellow Springs, Ohio in 1973. It was recorded in Ohio, yes, but band leader Idris Ackamoor grew up in Southside Chicago, & this album was recorded after the core of the band had made an extended trip to Africa, & these facts give a better idea of where this music is coming from. The Chicago thing is happening in that this is definitely informed by the AACM approach, especially the Art Ensemble. The African thing is probably the more important element, though…
More than a mere odds-n-ends collection, Kurt Vile’s latest LP is a compilation of tracks from Overnite KV, a tour-only CDR, along with a handful of extra tracks recorded specifically for this release. Here we find Kurt solo, four-trackin’ as usual, and blowing minds with his mix of bluegrass guitar, blazed singer-songwriterisms, and the knowledge of how to balance these contexts out with laidback precision. Psychedelic to its core, these twelve tracks speak to the will of the casual perf…
'On side one, a live performance of smegma and Liz Young at LAFMS Telethon Revisited 24hr performance on February 2009. On side two, studio recording of smegma + John Wiese. With member of Airway (Ace Farren Ford, Dennis Duck, Frederik Nilsen), Ju Suk Reet Meate, Nour Moborak, Oblivia, Parker Lemus, Victor Sparks, John Wiese with special guest vocalist Liz Young. With a poster, cover print on recycled paper, to open like a book... Art work by fleur D. Limited and numeroted to 500 copies.' label …
An uncanny channeling of Missing-Links-styled garage/psychedelia, Pere-Ubu-esque rustbelt trippery & the experimental post-punk spasms of The Work (SAKI)
Massively anticipated release of this mysterious Fever Ray related project for fans of John Carpenter, Emeralds, Cluster, Afx - on a strictly limited vinyl pressing* Roll The Dice is a very special collaboration between two Swedish studio boffins, Peder Mannerfelt and Malcolm Pardon. The keener eyed among you will recognise Mannerfelt from his involvement with the stunning Fever Ray project, while Pardon is known for his work as a behind-the-scenes producer of music for film and TV. They'…
Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…
Already out of print, this is the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true no…