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This is another lost private-press gem, from a Texas singer/songwriter who is remembered for “looping, melodically through often surrealist lyrics with a strong Tim Buckley influence.” Another description drops the always-intriguing “downer” folk tag on this record, calling it “stark, edgy real-people loner vibe, reverb, acoustic instrumentation, occasional hand percussion, piano, harmonica, as that off-the-chain Texas feel that approaches solo Roky Erickson territory.” The record label, Backbea…
Subtitled: 12 String Meditations For Jack Rose. "Limited to 1000 copies. Solo, untreated, 12-string compositions in tribute to one of the greats. An album of instrumentals in requiem."
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
After last years twice sold out and now long out of print record with Mark McGuire, the guitarist from Emeralds, Trouble Books are about to release 'Concatenating Fields'. Their most accomplished and fully realised work yet, it has everything from the perfect minimal pop song, to Eno like guitar symphonies, to a noise freakout with legendary cult Ohioan noiseniks, Tusco Terror. It's an unbelievable treat for MIE to be working once again with the band and their label, Bark and Hiss, in get…
"brad rose is an artist who is notoriously hard to pigeonhole. he might spend his days running the esteemed digitalis imprint (sidelining the wonderful foxy digitalis webzine) but his nights are wiled away chiselling at the petrified corpse of experimental music. donating sounds to ajilvsga, altar eagle, sea zombies and ossining (among many others) he has somehow found time to fashion a new solo work for type and it could hardly be further removed from his last outing. 'bloodlines' is an album r…
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
After a few years spent living in Sweden and touring with Cecil Taylor's Jazz Unit, Ayler moved to NYC to begin imposing his revolutionary style of jazz on the world through a number of groundbreaking records. Spirits, recorded at Atlantic Studios in New York City on 24 February 1964, was his first effort. Recorded a few months prior to his landmark album for ESP-Disk, Spiritual Unity (but only released in Europe on Denmark's Debut Records), for the occasion Ayler recruited Norman Howard …
The legendary American artist Terry Fox is known for his pioneering work in performance, sculpture, drawing and installation. Throughout his career, Fox (who died in Cologne in 2008), focused on sound as a fundamental artistic material. Many of his most important sound works were realized long before terms such as "sound art" or "audio art" became widely known.This recording, The Labyrinth Scored for 11 Cats (1977), is now recognized as an early classic of the audio art genre. It is one of Fox's…
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist."Frau Hjuler has few equals when it comes to shrieking like someone's tickling her with a hot poker. Here you start out with sound effects, in the form of cat meows & nippy dog barks, and move through some swooping feedback before the yowls and huffing noises begin in earnest" Weirdo records
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
Stunning five-song debut EP by this young Tokyo producer. Ghost-in-the-drum-machine rhythms layered with her exquisite Cocteau Twins vocal haze, but impeccably crafted into nuanced multi-movement compositions. Will be doing a full-length later in 2012 as well. Our fave new female artist
Field recordists Douglas Quin and Cheryl Leonard have gone to great lengths to capture their Arctic and Antarctic field recordings, spending countless frigid days with frozen fingers trying to hold tightly to hydrophones dangling amidst the ice floes and slushy waters. It's no wonder those two present their work in such an unadulterated fashion when the work came at such cost and at such peril. But Jana Winderen is far more creative in her approach to field recordings, only too happy to …
The first track of this is the side-long "Teilmenge 20," which begins as a set of indecipherable static electricity clicks that are quite warm and engaging, which quickly builds to a rhythmic cycle, continuing to mutate and diverge throughout the entire track. Most interestingly, as the rhythm sets in it truly begins to resemble a traditional 4/4 techno beat. The tempo and percussive elements are there, but the sounds in no way resemble the stale drum machines and overwrought synths. As the pi…
Dispossession is the second full length from Brooklyn’s Mike Wexler, and his debut for Mexican Summer. An artist who defies easy categorization—a songwriter/guitarist without a traditionalist bone in his body, with an ear for far flung sound-worlds and sonic atmospheres both high & low, Wexler brings all of his manifold interests to bear in carving out a space for a singular vision uniquely attuned to the present moment. Dispossession is the product of over two years of intermittent recor…
We had heard a couple cassette outings by this Bloomington young-bloomer over the last 4-6 months and each one hit us better than the last but nothing had prepped us for Ettinger’s most recent evolution into neon skyline chase scene soundtracker and that’s part of what makes it so amazing. For Smokin’ he wrangled together a small posse of close comrades (enter The Heat) and tracked a sick session of smoky synth themes, Corvette noir moods, echo dystopia, faded voices, and sleazy Miami sax. The A…
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
Limited Edition of 400 copies, already out of print: Erik Skodvin, the crown prince of nefarious Nordic doomscapes, returns with another incredible dark ambient grimoire for the Type label. Kappe finds the Deaf Center member peering yet deeper into the sonic abyss, concentrating his efforts on four lengthy compositions, each one following its own distinct subterranean tributary. 'Tunnel Of Love' opens the set with a blurry swell of dense tones and funereal howling before eventually throwing in a…
Red Planet establishes Arborea's complex synthesis of acoustic folk and minimalist drone right out of the gate. From the opening motif of the acoustic guitar lament "The Fossil Sea", Red Planet conjures a panoramic aura, like a lost outtake from Ry Cooder's Paris, Texas soundtrack. As that echoes its way into "Black is the Colour", an eerie and utterly transcendent take on the traditional tune, it becomes mesmerizingly clear how the soft confluence of texture, sound and style meld to create the …