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Solo piano, performed by Roger Woodward. "A co-production between Celestial Harmonies and Bayerischer Rundfunk, Vom Klang Des Lebens/Of The Sound of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus. Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of li…
Luca Di Mattei is one of the Afe resident artists since the early days of the label. During the years he had several releases under four different aliases: Leeza, Hendy Van Morris, Jabba and Bill Catez. Leeza is his most well-known and prolific incarnation. Generated using laptop computer technology, Leeza's music has its main roots in what was once called Intelligent Techno, and is clearly inspired by the great records published during the '90s by labels such as Warp, Rephlex, Skam, etc.After t…
This is the first CD issue of Grouper's 2011 self released two part album subtitled 'Dream Loss' and 'Alien Observer,' comprised of songs written and recorded over the last four years. A chronological order informs the thematic trajectory of the dual release. 'Dream Loss' is the first album and is a collection of older songs, while 'Alien Observer' is mostly made of newer songs. Each is meant to stand solidly on its own, and also as a satellite in the other's system, subjects on either side of t…
One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark no wave band DNA, to her years as a regular in the downtown improvisation community and more recently as one of the epicenters of the international laptop electronic scene, Ikue has become an underground hero -- yet her work is still sorely underappreciated. This newest solo CD features Ikue's idiosyncratic take on contemporary dance rhy…
Another important piece of the elusive and hermetic Eyvind Kang puzzle. This newest studio project from one of the most consistently interesting young composer/performers working today is instantly Kang’s most adventurous, varied and ambitious recordings to date. Featuring many of his most illustrious musical associates as well as several orchestral ensembles from around the world, this new CD brings Kang’s exuberant gift for orchestration and lyricism together with a keen sense of the miraculou…
The soundtrack for the movie Blue (directed by Hiroshi Ando and starring Mikako Ichikawa, winner of Best Actress at the 2002 Moscow International Film Festival), which was based on acclaimed comic artist Kiriko Nananan's comic book of the same title, was composed by internationally renowned musician Yoshihide Otomo known for his borderless sonic creations. Utilizing the basic musical material used in the film and the same musicians, Otomo did additional studio recordings to create another sonic …
Blip is a duo collaboration between Jim Denley and Mike Majkowski: two of Australia's most prominent improvising musicians. They began playing together in 2002, as members of The Splinter Orchestra, and formed Blip in 2009. They have been developing their own approach to the woodwinds/strings duo arrangement, deconstructing and reconstructing this format. Blip music focuses on duration, the subtleties of sound, the pitch within timbre and texture, as well as pulse. Wi
Edition of 200 housed in vacuum sealed package* Chicagoan electro-acoustic trio present their 10th release and third full length album. The equipment list for 'Scilens' should give some indication of the breadth of sonorities they're working with: A-Bitrman, Acousticon hearing aid, A-52, air conditioner, bass drum, baoding balls, bows (cello and violin), cassette recorders, contact microphones, crotales, cymbals, DS-1, EHX-2880, e-bow, electric fan, electric bass, fabric, floor tom, found…
Blood & Time is an offshoot of Neurosis, featuring band members Noah Landis, Scott Kelly and Josh Graham, who take country blues into some seriously dark territory. Like, country navy blues, perhaps? As with all the releases in Southern Records' consistently excellent Latitudes series this set was recorded as a specially commissioned session, designed to capture a band at its rawest - or at least as raw as a band is likely to get in a studio environment. The results here are especially bewitchin…
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
12k presents Australian duo Solo Andata along with their second album, self-titled. Translated literally from the Italian as 'one way,' Solo Andata portrays the theme of a one-way journey that moves from (and represents a thread between) water and land, fluid/stasis, cold/hot. Following Solo Andata's debut album Fyris Swan (Hefty, 2006) and their 12k inception on Live in Melbourne, Solo Andata presents us with an ambient affair, with dark drones coupled with ethereal sonic environments. It could…
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
Tour only CD for the no fun acid project, see no fun acid 02 for description, this was recorded in an intense studio session with less than a week to go for the tour. Limited to 500, all copies left after tour sent to distributors. "They should be amazing in theory, Carlos Giffoni bringing a Noise mindset to the acid template and all that. OK, the first track on the CD starts off with a nasty little drone which slowly subsides as the 606 kicks in, very satisfyingly as it happens, and continues …
An album of unreleased music made by Jeff Keen, one of the UK's great avant garde artists. This is music found on cassettes in his studio after his death. It was made by Jeff (throughout the 1980s) using field recordings from his local amusement arcade: radio, TV, films, an Atari, a ZX Spectrum, a delay unit and a WASP synth. This is the first Jeff Keen album ever issued. Jeff Keen is one of the great undiscovered artists of our times. A missing link between the Dadaists, Cocteau, Warhol, …
Ultrealith' is an electro-acoustic sound-adventure exploring sounds that exist on the periphery of human perception, such as underwater recordings (such as fish-songs, crustaceans etc), ultrasounds (sonar of bats and dolphins, insects), electromagnetic signals and other textures. These recordings were sourced in the Amazonian rainforest, Africa, Canadian Newfoundland, northern Australia and in various parts of Europe.
The follow-up to our "Danza de la Muerte" compilation focuses on the more song orientated Syntactic releases. Also, you will find tracks that were planned as Syntactic or Klanggalerie 7"s, but never made it onto vinyl. The track list reads as follows: Andrew Liles - In this vegetable Glass of Nature Le Zappalot (Rehberg/Bauer/Birnbach) - Erika goes to Leopoldau O Yuki Conjugate - Madal (Circular…
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
A suggestive gallery of abstract images, confused fragments of life and real living experiences, sights of urban landscapes... Noisy and electronic interferences, mechanical machines movements, concrete noises, low frequences fluxes, hissing sounds, interferences, but also melodic acoustic guitar pieces, human voices and other field recordings... A brave, uncompromising and heterogeneous "decomposed" mosaic of avantgarde sound art beyond time, beyond any point of view and any geometric coordina…
For a couple of years Ryoji Hojito, together with his wife Yoshiko, were coming to Lithuania for a one week autumn vacation. We've met in the course of their explorative journeys around the country and without thinking too much went to a studio for a spontaneous session and a year later played a concert at St. Catherin's Church in Vilnius. Both of us were happy about the music we've got on tape and today we want to share with you seven impro peaces!