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A record as weird and wild as the cover – filled with really tripped-out sounds from the obscure Flipper sound library in Italy! The music follows strongly in the best style of the rock-driven sounds from Italian horror films – but there's also a more compact approach too, with some funky elements that really make the whole thing sparkle – and a restrained approach that's far less indulgent than the prog styles that Italy was famous for at the time. The whole thing's great – a wicked mi…
Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-deserved physical release, ma…
Awesome shimmery concept record about the foamy sea "Kye is proud to present the long-awaited new LP by Folkestone's Call Back the Giants. The Marianne takes the questing, narrative themes last heard on The Rising LP (2011) and Incidents of Travel EP (2012) and extrapolates them into a three-part conceptual odyssey. Set aboard the cruise liner of the same name, The Marianne charts the epic voyage of Capt Fletcher and his patrons as they passage across the 'sour ocean,' through a prism of supern…
2013 release. Mississippi Moonchile is the much-anticipated new installment of Matana Roberts' unique and forward-looking project and it finds Roberts conjuring some of the most nuanced, thoughtful and substantial American liberation music of the 21st century. Mississippi Moonchile was developed for an intimately woven New York jazz sextet and represents the next leap forward in Roberts' iconoclastic and complex project of memory and recuperation, where historical and contemporary musical tropes…
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
A rarity, while not being in higher atmospheres of any kind, the film "Kodomo Ga Mushi No Shigai Wo Umeni Iku" aka "A Child Goes Burying Dead Insects" forced up a third sleep state, third dream state and third reality check.., wishing the colours were really the colours one would see everywhere, instead of the disgusting digital prints or pixelated madness that get shoved up our body holes! It makes me wonder if I am really here right now or if I had seen the film before 2009 which is not …
2013 repress. Exact repro vinyl version of the debut Richard Hell album, originally issued by Sire in 1977; 180 gram vinyl . "Hell formed the Voidoids, whose unwavering individualism kept the group out of the big time while producing a demanding and impressive corpus of work. 'I was saying let me out of here before I was even born.' That lyric sums up Hell's attitude, which he expanded and perfected on Blank Generation with a new version of the title track and such powerful statements as 'Love C…
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
"As K.J. Gustin wrote, Piece Of Mind is a work of 'exotic psychedelic free-jazz-meets-rock, East-meets-West, progressive and smoky moment in late Twentieth Century music history'. Add to that a spice of jazzy brassed R&B and a touch of minor-key popsike sensitivity and you get an accurate description of the sounds contained in Roger Bunn's astonishing 1969 LP, originally released in the UK on the Major Minor budget label, but issued in some European countries (Ohr label in Germany or Phil…
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …
Back in stock in very limited quantity. 'Francisco Lopez is perhaps best known for his dynamic studio and live performances that sway between crushing silence and dynamic, shifting volume swells. Over the course of 25 years, Lopez has developed and honed a refined audio lexicon. Michael Gendreau entered the experimental sound community in the early 1980s with his project Crawling With Tarts. As a solo artist, Gendreau caught everyone s attention with the 2002 release of his CD 55 pas de la ligne…
This vinyl-only album fills a crucial gap in the evolution of legendary folk artist Spider John Koerner. Recorded in between 1965's Spider Blues and 1969's Running, Jumping, Standing Still (with Willie Murphy, both released on Elektra), Koerner is captured here live and unaccompanied at The Ash Grove in Los Angeles, bringing to light an exciting and previously-undocumented period in the career of Spider John. The excellent recording captures Koerner at the absolute peak of his guitar-playin…
After Sound Effects and Le disque contre l'insomnie (hypnose), Audio Technic Catalog is the third release of a series that reinvents sound library. With this one (LP + DVD with videos and audio, in a gatefold sleeve) the visual artist musician Vincent Epplay tackles the category of didactic records and movies (education, method, technique, instruction of use), with a lot of humour, weirdness and poetry. Like the first two releases, the graphic design, the texts and the music are combined…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Reissue of an extremely rare and essential Sunroof! CD-R released during a European tour in 2003 on Matthew Bower's own imprint, Rural Electrification Program (REP). On this LP, Bower is joined on guitar by Mick Flower (Vibracathedral Orchestra and Flower-Corsano Duo) and the result was once qualified as Sunroof's rock record and its tribute to Neil Young and AC/DC (hence the title). RockPower is a very singular record because it documents a very short time period in the M. Bower/Sunroof! evolut…
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
Delectable quartet of Polish jazz pieces for the heppest cats, re-launched by Finders Keepers' Cacophonic sub-label. "A record of contended mythical existence amongst fans of Euro cinema and rare jazz for decades, this Polish only EP contains all four themes to Polanski's first-ever feature film Knife In The Water composed by unanimously beloved Polish pianist Krzysztof Komeda. Featuring Roman Dylag (Bruno Spoerri’s Teddy Bär) and a radical inclusion of a Swedish trumpeter, the sought after Bern…
In 1978, Philippe Genion bought a guitar for 1000 belgian francs (25€). He connected it to his hifi amp, quickly learned how to play "smoke on the water" and a few punk songs with two fingers and within two weeks, pushing the amp more and more to the limit, blew his 200W speakers out. Later, around 1980, he bought an old ARP synthesizer from walloon band "Jo Lemaire plus Flouze" and started playing with these instruments and a few old flanger and distorsion pedals, and started recording so…
Reissue of earliest computer music "Originally released in 1960 and 1962 on two unique formats with over-lapping tracklists, the seminal Music From Mathematics Showcase Project marked the phonographic introduction of computer generated music for the first time in the public arena. Almost exclusively created at Bell Laboratories using an electronic to sound transducer and a state of the art IBM 7090 (complete with a gargantuan 32KB of disposable memory!) Music From Mathematics featured multiple r…