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Black Humor was an experimental rock band from San Francisco in the early 80's. (Not to be confused with "blackhumor," alias of noise artist Frazer Hall.) They released just one, very hard to find LP on Fowl Records in 1982. Only 1,000 records were pressed, each with unique handmade covers: thick slabs of paint, collage, parrot feathers, dirt, whatever else happened to be laying around their Tenderloin flat. Many of these have since gone for high, collector prices or ended up in oblivion.…
Recorded in the 1960s with Marshall Allen featured on Jupiterian flute and Danny Thompson on Neptunian libflecto. The original LP was pressed in very small numbers at the end of the 60′s, with purposely mislabeled details in the liner notes in typical fashion to Ra’s output during that phase. The contents are believed to be from 1963-64, a period that produced some of the composers most revered works and an era when Ra relocated to New York from Chicago. What we do know about Continuation i…
Amazing quadruple tape set comprising of 8 artists, 4 tapes for almoust 2 hours of unsustainable harsh noise. Tounge Knax, Mordant Karma from Japan, Blodvite and Arv & Miljo from Sweden, Elisha Morningstar, Endless Sea from Italy, Skingraft, Developer from USA. Each artist explains his idea of eros, the relationship between lovers, the power of physical and mental attraction.
Church was always a drag when I was a child. Dressed in Sunday best, I struggled to enact respect and silence throughout the entire mass. However, if church had sounded more like GA’AN, I would have been there any day of the week. Nothing in Peoria sounded like this. This is music to sacrifice virgins to. This is the soundtrack to Everyman’s epic Norse BDSM fantasy of destruction and rebirth. The scenarios conjured by these jams make the death of Sardanopolus look like kid stuff. Captcha Records…
Features six extended tracks from the Golden Age of the Moroccan record industry. 'Kassidat', the Arabic word for poetry, is one of the essential ingredients in Moroccan song. Despite the bewildering array of musical styles in Morocco, the Moroccan sense of poetry is found throughout the music, regardless of the style or language. This isn't the language of high art, but an often impenetrable vernacular poetry of oblique references, symbols, metaphors, and double entendres that describes the liv…
Double LP version. Pangaea Ultima, Steve Moore's debut record on Spectrum Spools, is an epic musical achievement, not simply for its sonic sophistication and compositional mastery, but also because Moore has crafted here an album that has come as close to any in transcending the boxed human logic of time and place. The album title refers to the name which geologists have given to the future super-continent that is suggested may form on earth in the next quarter-of-a-billion years. Over th…
Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Gastr Del Sol emerged from the remains of Bastro in 1992 with the brooding, mostly drumless album, ‘The Serpentine Similar’. This represented an unlikely evolution from the fury of Bastro, but evolution was only getting started - and ‘unlikely’ was one of the ongoing principles in Gastr Del Sol’s approach. Before the sessions for the second album, Bundy Brown left the group and David Grubbs asked Jim O’Rourke to come play. 1994’s ‘Crookt, Crackt Or Fly’ tangled the clean lines of the original ba…
The collaboration between Victor Meertens & Werner Durand dates back to the mid 90s, when they started performing together in art circles in Germany. At the time their performances consisted of Victor's Actions, which included bread making processes with text recitals in combination with werner's musical performances on his invented wind instruments and his playing of Victor's home baked Bread Instruments with inserted pipes.In 2003/4 Werner was artist in residence in the Worpswede artists…
Formed in 2009, Damien Dubrovnik is the Danish electronic duo of Christian Stadsgaard (Sarah's Charity) and Loke Rahbek (Sexdrome, Var, Lust For Youth), founders of the Copenhagen-based record label Posh Isolation. In their day-job as label managers, Stadsgaard and Rahbek have been instrumental in establishing the city's prolific and exciting noise/punk community and outgrowing their humble beginnings in noise/industrial culture by attracting a cult/fanatical worldwide following. Working to…
Coloured white vinyl in a run of 250 copies with inserts by each artist. A new pairing of minds and techniques on a steel-grey voyage across the treacherous Ifingr river. Kiyoharu Kuwayama, master of resonant spaces and junk objects holds the reins over three chapters of spiralling horror and madness. Sounds are coaxed out ashamed and blushing: the syphilitic cough, the cracked shin bone and the greasy sheen of night sweats wired up to a 9 volt battery. Wataru Kasahara plays the mysterious maske…
Very cool compilation of unreleased BeNe GeSSeRiT tracks. The husband & wife duo of Alain Neffe & Nadine Bal counted as one of the most frivolous & quite impressive live acts around during the eighties. On top of a catchy but minimal synth basis created by B GHoLa (Alain Neffe) runs the strange, & playfull voice by BeNeDiCT G (Nadine Ball). This is minimal synth pop for the crazy ones among us, but aren't we all a bit mad? Limited edition of 400 copies. Cover sleeve & insert by B GHoLa
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
French globe-tourist High Wolf has hand-rolled his way up Mount Fuji, trainspotted every corner of Europe, hitch-hiked across America and Australia, chugged Ganges water, and crouched on all manner of smoke-stained prayer rug since first looping a bongo back in ’09. His apprenticeship in the House of Wah nearly complete, he’s hinted at a potentially seismic shift in the High Wolf third eye doctrine lurking in the near future; perhaps his Away Team exfoliation moment is nigh. Fortunately, …
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.
Mindblowing comp of obscure, highest-calibre DIY Post-Punk and Synthwave from the archives, brilliantly compiled by Darren McCreesh and brought to you by Finders Keepers' Cache Cache sublabel - so damn good. There's been a deluge of post-punk reissues and rarity compilations in the past five years, and in turning their spades to the same ground, Finders Keepers have dug way deeper than anybody else, and come up with a cache lost classics that are both truly lost and truly classic - the quality c…
An oblique response to various antecedents of pulse-based electronic music without recourse to drum machines or sequencing (or — in the case of the Four Investigations — synthesizers). Tools include oboe, English horn, analogue synthesis and malfunctioning electric organs and piano. Mastered by Giuseppe Ielasi. Gratitude also to Niko Wenner and Monica Scott. Dedicated to Michael Randers-Pehrson, Jeff Bollaro, and HK Kahng — stalwart comrades in my very earliest electronic music misadventures.