New Arrivals
N°3
As a cultural clue and a discipline subject to codes other than those of the visual arts, music turns out to be a medium and a bundle of eclectic references based on which it seems possible to spell out alternative conceptions of the world, and cast a critical eye over certain mechanisms at work in our societies. So-called 'popular' forms of music represent an inexhaustible source of inspiration for artists, whether they are raising the issue of their fetishization and their museification, or e…
Sound
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
Touch and Go: The Complete Hardcore Punk Zine \'79-\'83
Touch and Go fanzine was the brainchild of Tesco Vee and Dave Stimson and was launched in Lansing, Michigan, in 1979. Major fanatics of the new punk happenings in the late 70s, TV and DS set out to chronicle, lambaste, ridicule, and heap praise on all they arbitrarily loved or hated in the music communities in the US and abroad. In laughably minuscule press runs by today s standards, T & G was made by guys within the Midwest scene strictly for the edification of scenesters and pals in oth…
A Carrot is as Close as a Rabbit Gets to a Diamond: Captain Beef
A treasure trove of archival articles and interviews with the great one. Hard to find. This book compiles tons of articles interviews, and press clippings about Captain Beefheart and the Magic Band. It contains 40 separate pieces of writing, including Lester Bangs original reviews of Trout Mask Replica and Lick My Decals Off, Baby, interviews and articles from such diverse sources as Rolling Stone magazine, ZigZag, Hot Wacks, and New York Rocker, and transcripts of interviews from Late Night W…
Noise Music: A History
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provi…
N°2
bilingual edition (English / French). 21 x 27 cm (softcover). 144 pages (color & b/w ill.)Second issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history, around the problematics of voice and oralness. Featuring: monographs (Anthony McCall, Vittorio Santoro, Loreto Troncoso Martinez, Benjamin Seror, Anna Barham), analysis (Radiotopia by Manuel Cirauqui, From verbivoco-visual poetry to the spatial…
Det Skjedde Noe Når Du Var I Belgia
A thirteen year time warp and the bizarre narrative of a humble Norwegian discussing Ôtopical Belgian issues' from the very edge of West Yorkshire makes this a very strange recording indeed. Former Mayhem front man Maniac (Skitliv, Sehnsucht, Bomberos) has teamed up with Andrews Liles and Czral (Virus, Ved Buens Ende, Aura Noir, Dodheimsgard) to release an album that he and Czral began working on in 1996. The 14-track album will have the title 'Det Skjedde Noe NŒr Du Var I Belgia' (Something Hap…
Jean-Claude Jones with Friends
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…
Hell driver
'Performed, recorded by Juntaro Yamanouchi. Five years recordings 1992-1996. No overdubs. No EQ. No effect. As final tribute.'
The Wraiths Of Flying A
A three-way collaboration by Chicago based sound artist and renowned researcher in the field of Electronic Voice Phenomena Michael Esposito, Hamburg based operator of the Fragment Factory label Michael Muennich and long-time conceptual/performance artist, filmmaker, writer and core member of The Haters GX Jupitter-Larsen from Los Angeles. The origin of this project was a field investigation conducted by Esposito at American Film Studios, Santa Barbara, CA, additional sounds recorded by Michael M…
Megafauna
Dispenses a sinister frailty of howling swells in hissing static that combusts into crawling shock heaps, to the effect of Mayhem performing Twin Peaks incidentals in a prairie recorded by The KLF. A brief description casts them as black metal's answer to Throbbing Gristle.
Making Words
Realized at the Lutheran Church of the Messiah in Brooklyn, New York, April of 2010.Recorded live, mixed, and mastered by Adam Diller.Featuring the invaluable contributions of: Ann Adachi (flute), Adam Diller (tenor saxophone), Tucker Dulin (trombone), Kenny Wang (viola), Andrew Lafkas (bass, composition), Margarida Garcia (electric guitar), Gill Arno (electronics), Keiko Uenishi (electronics), Barry Weisblat (electronics), Bryan Eubanks (electronics), Sean Meehan (snare drum and cymbals)
It\'s Time For Tristram Cary
'Classical. Electro acoustic and widdly weird noises from the big brain. Over the last few years intrepid music lovers have been investigating and enjoying the work of pioneering electronic musicians, electro-acoustic artists and all the groovy folks who spent hours manipulating and cutting tape to make new and exciting sounds. It's meant that lots of interesting figures have been brought back into our musical view. But one of the most important, innovative, influential and almost forgotten arti…
Kontinent
Number 4 of the Salzburg Festival “Kontinent” series was dedicated to Wolfgang Rihm. We have compiled a selection of the works for your conven- ience – including a first recording! Wolfgang Rihm once claimed that the most appropriate statements about his oeuvre are his own compositions. In 2010 the Salzburg Festival adopted this approach. The result was a “Kontinent Rihm” which placed the manifold tone colors and modes of expression created by the former Stockhausen student into a broader contex…
Point Break
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
Costellazione Seconda
Constellazione Seconda is the follower of the Lombardi 1978 "Costellazione" a piano sound exploration based upon a map of sky constellation, planned as the first step of a large work focused on the exposition and 'performance' of constellations maps, planetaria and maps of the heavens. This new work breaks up into 21 short piano movements, concentrating on incredibly short staccato notes that sting violently between fractured harmonics leaving plenty of momentum-puncturing silences to really he…
Bruder Luzifer
23 Track CD Anthology. For three decades Hamburg's Felix Kubin operated as an undercover Sci-Fi pop visionary. Lurching from seasick electronics to dramatic outsider songcraft, the highlights of Kubin's engaging teenage experiments (Krematorien) and later pop masterworks (Lightning Strikes) mingle here with electrified spaghetti-western romps (Sabàta) and terminal noise-spasms (Dead End Brain). Lovingly curated, this deluxe collector's edition features exclusive liner notes, unpublished p…
800 000 Seconds In Harar
'CD digipak. CM von Hausswolff says: 'I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called 'Jag r en annan' (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud's life from being a young poet in Charleville ending with him being the trader in Harar,…
Michiyuki
'Thoughtful improvisation from percussionist Tatsuya Nakatani in a duo with Kaoru Watanabe on shinobue, noh kan & ryuteki, stunningly beautiful passages to active and unusual musical forms. The blending of traditional and radical new styles makes this a fascinating disc, with great communication and excellent pacing between the two players. Recommended for aural world travelers.'
Seven
Third album from Oslo's PAAL NILSSEN-LOVE & Chicago's KEN VANDERMARK who have previously worked together in SCHOOL DAYS & FME follows their 2 "Dual Pleasure" releases. While it seems barely possible, the duo have become even more groovy on this third album. Free Jazz w/roots in both the American & European traditions: warm, groovy, melodic & funky at the same time as it is raw, wild & energetic. The pure art of spontaneous music. Independent underground jazz at its very best & a free jazz master…