New Arrivals
Schindler house
This cd documents a series of 3 sound installations originally presented at the Schindler house / MAK center for art and architecture Los Angeles in 2001. Garden was placed near the back of the lot facing the house in a bamboo grove via 8 small speakers. A quiet flexible background for a harmonious life was placed in a small hallway of the house on headphones. Pathway was placed along the front path to the house on 4 larger speakers. The outdoor works were set to relatively low volume lev…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
Honeysuckle
Honeysuckle is the new solo album by Alio Die.. trance & drones,acoustic and electronic sound-effects, melt together in five tracksthat are characterized with a touch of grace that expand consciousnessin new and unforeseen dimensions...after a few seconds the music absorbs the listener under induction into the internal space that vibrates and resonates..A lovely sensible experience is just close to be discovered and to spread its fragrance.Like the hummingbird that suck the honeysuckle's nect…
The Baroque Atrium
The Preservation label presents The Baroque Atrium, the second full-length album from Seattle's Panabrite. Panabrite is the solo recording project for Norm Chambers, who over a short time has grown a catalog of works showcasing a natural empathy for tapestries of sound that are eclectic, intricate and immediate all at once. Marking new ground in pursuit of pre-digital synthesis, Chambers' work as Panabrite is a shining light among those currently finding inspiration connecting sound explora…
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
Die Harke Und Der Spaten - About The Love Life Of The Garden Too
Sven-ke Johansson : accordion, vocals. Axel Dörner : trumpet. Mats Gustafsson : saxophone. Per-ke Holmlander : tuba, trombone. Sten Sandell : piano. Matthias Bauer : double bass. Raymond Strid : percussion. Die Harke und Der Spaten [The Rake and the Spade] is a musical stage play with 8 scenes, for one singer/speaker and a musical ensemble. The tools - the rake and the spade - are presented during the performance in differente positions, serving as the starting point for the scenes, reco…
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
Medea
"Medea" by Calliope Tsoupaki is the first in a series of chamber music compositions focusing on drama; a "melodrama for 8 instruments". The composition is written for Ensemble MAE, that distinguishes itself for its colourful, direct, physical and improvisatory character. Tsoupaki uses the ensemble's palette, composing solos, duets, trios, wrapped in larger sonic fields, with a strong associative and visual impact. Further there is no story-telling for the listener to be led into the piece;…
Live One
Michael Bullock (contrabass & feedback), Mazen Kerbaj (trumpet), Vic Rawlings (cello & surface electronics). “Mary Staubitz emailed me asking, “do you and Vic want to play with this guy from Lebanon?” Mary was booking a series of noise shows at the Midway Café in Jamaica Plain, MA, and had been contacted, apparently out of the blue, by “this trumpet player from Beirut.” She wanted to help him out but wasn`t sure what to do, since none of us in Boston really knew anything about him. Vic and I hav…
347
'Tim uses several boxes of speakers and Seijiro uses a snare drum as a resonance box, with microphones. They put boxes for their music in another box = the space. They create different levels of universe within the space. From micro to macro. Always with one clear intention: to improvise listening and to organize sonic space together in a very delicate way.Thanks to La Comète 347, Paris. 'Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to i…
Live
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
Because Tomorrow Comes #4
Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…
Class Insecta
One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark no wave band DNA, to her years as a regular in the downtown improvisation community and more recently as one of the epicenters of the international laptop electronic scene, Ikue has become an underground hero -- yet her work is still sorely underappreciated. This newest solo CD features Ikue's idiosyncratic take on contemporary dance rhy…
Litany Of Echoes
It was once easy to think of James Blackshaw as an inheritor of the Takoma tradition, a school of searching acoustic guitar playing pioneered by John Fahey, Robbie Basho, Leo Kottke, and others in the 1960s. But listening to the English guitarist's new album, it's clear it's not that simple. While echoes of those three and some of their contemporaries are still present in Blackshaw's music, these days you can hear just as much Terry Riley and Philip Glass in his work. His synthesis of acoustic e…
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
Phoenix & Phaedra Holding Patterns
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
1975
Intransitive Recordings is extra-proud to present 1975, the debut solo album of tightly-coiled, crackling electronic ambience by C. Spencer Yeh. While “debut” may seem a strange word to use to describe an album by a guy with such a deep discography, Yeh explains that 1975 is like nothing anyone has heard from him before. “One thing is I really wanted to focus on a certain feeling of stasis. So much of what else I do just kinda pushes and pushes forward. 1975 is more vertical than horizontal,…
Green & Cold
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
Scandinavian parts (immersive live salvage supplement)
The size of the stage, position of the equipment, monitor position and height, hall architecture and acoustics, capacity and attendance, temperature and humidity, and sound level (dB) or Leq Meter limiting all varied from event to event. Each of the final recordings documents the performed audio output, each hall's acoustics, the audience's reaction, and their proximity to the recorder, all from an onstage position, while retaining the auditorium's spatial impression. Recordings failed, or…
13 miniatures for Albert Ayler
Would it be that when everything finishes that everything starts? Rather than a postlude or a coda, the five minutes a cappella by Joe McPhee on the tenor saxophone placed here in thirteenth position, sound like a song of love and hope coloured utopia which condenses the invisibility of lives which are here and then are no longer here.from the effervescence of an aviary where chirpings and warbling intersect (from Raphael Imbert, Urs Leimgruber, McPhee, Evan Parker and John Tchicai each sax seem…