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"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…
Oren Ambarchi live recordings assembled on Cheryl Cole's iPhone at her house in Winnipeg. Not really, but it's that's how I first misread the description. Amulet actually presents two iPhone recordings assembled at Chez Cole, Winnipeg, July 2013 by the inestimable Oren Ambarchi. We've no further info but from what we can hear these are rudimentary iPhone recordings excerpted and crudely edited from a live performance (a shard of applause possibly gives the game away) between rippling, dynamicall…
Intervisions documents select live actions by Andy Votel, Sean Canty of Demdike Stare, Jane Weaver, and N. Racker's NeoTantrik syzygy over the last 12 months. It breaks down to five parts recorded on location in Bristol, Rotterdam, and Stockport -- some previously issued on tape -- in mutating alignments of personnel all deeply focused on common goals of abstract sonic transcendence uniting a mind-field of mimetic and sensual references to nu-religious and metaphysical phorms. Three pieces…
Nigeria Special 2 is the second part to the best selling Nigeria Special album released to critical acclaim in 2007 and further extends the look at the most exciting period in Nigeria’s recording history. The range of styles vary from highlife to Juju and Nigerian blues in the languages of Yoruba, Igbo, Bini and Ijaw. With a peppering of ‘afro’ experimentation the same musical stew pervades volume 2 as it’s predecessor – some artists appear again alongside some new …
In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
Half High is Lucy Phelan and Matthew Hopkins, the duo at the centre of the group Naked On The Vague. In their musical lives the two members have explored the realms of rhythm/song based music in Four Door and Lucy's recently released solo outing under the name Lucy Cliche, as well as the complete outer bounds of music in Hopkin's solo work and as a member of The Bowels and Vincent Over The Sink. Whatever they're doing it's always quality stuff. ALWAYS. Half High create eerie, disorientating pass…
A collection of spiritual and gospel songs performed in informal non-church settings between 1965 and 1973. Most are guitar-accompanied and performed by active or former blues artists. "Most records of black religious music contain some form of gospel singing or congregational singing recorded at a church service. This album, though, tries to present a broader range of performance styles and contexts with the hope of showing the important role that religious music plays in the Southern bl…
Here’s the first part in Dekorder’s brand new series of highly limited Hybrid-Vinyl 12“ releases to celebrate the 10 year anniversary of the label. Future contributions will feature new & exclusive recordings by Leyland Kirby, Excepter, Sonic Boom, Bill Kouligas, Vindicatrix, Kemiallysät Ystävät, Ensemble Economique, Alien Radio, Black To Comm and a few lovely surprises to be revealed in the 2nd half of the year. Hybrid-Vinyl is a newly devised combination of a Picture-Disc and a regular …
In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music -- music of the south -- he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But…
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album n, on which he uses several remodeled counters. Shinjiro Yamaguchi, born in 1983, is an electronic music player. in October 2008 he released the minimal ambient solo album Kogai on the Japanese label Cherry Music.This is the debut album of Kawaguchi a…
Elsewhere, ‘The Love Didn't Go Anywhere’ sees Leafcutter John play guitar on a beautifully loping piece that has the subtle afterglow of classic Roxy Music, with Bryan Ferry’s vocal replaced by the rapier glide of the two reeds, while Tom Herbert’s hefty double bass pounds out concise but penetrating lines. Interestingly, prior to the sessions, Rochford listened to a lot of ‘60s soul (“Aretha and Marvin Gaye”), an influence that he has channelled with more guile than is immediately discernible. …
2010 release. Beautifully presented three-track 12" from Jamal Moss in his enigmatic Hieroglyphic Being guise, presented in a run of 500 copies on London's excellent Alter label - who're responsible for that OPN/Tomuttontu split 7" some months back. Jamal's unique and impregnable style is in full flow on the 12-minute A-side 'Sphere Of Madness', divining wandering, astral synthlines and frothing machine rhythms, all equally informed by vintage Chi-House, Industrial and New Age memes but entirely…
Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition through the brothers' brand new self-made strings and electronic instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Two tracks, 31 minutes. Southern are very excited to present the latest release in our Latitudes series from Master Musicians of Bukkake. Recorded at Southern Studios by Harvey Birrell on 17 April 2010. Additional tracking and mixing at Aleph Studios in Seattle. Produced by Randall Dunn. Mastered by Mell Dettmer. Artwork by Randall Dunn and A.Turner. Elogia de la sombra is the 24th recording in the Latitudes series.Master Musicians Of Bukkake are an enchanting collective, comprising a fine pedig…
Lyrically Freermasonry consists of a series of poems and discourses. Early on in Freermasonry during 'SOL,' the Mother allusion is referenced out of Faust Part Two. It's a small portion and short moment. Faust does an invocation to the Mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. Goethe found passages about dark goddess figures known as Mothers in the writings of Plutarch. The metaphor is ambiguous, generally associated with creative dar…