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The Lost Jockey was a large aggregate of British new music performers who came together on this LP to play compositions by three of its members: Andrew Poppy, John Barker and Orlando Gough. Poppy is the best known of the three-he worked with Psychic TV on their first two albums and made two rather dated EPs for ZTT in the mid-80s-and his pieces here are better than the later works but still forgettable. It’s Gough’s side-long “Hoovering the Beach I & II” that’s worth the price of admission-with …
Two seperately released live albums form Fenn O'Berg, featuring recordings taken from their 2009 Japanese tour. It features Christian Fennesz, Jim O'Rourke, and Peter Rehberg. Both recorded during the group's 2009 Japanese performances.
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Fantastic document of higher-minded drone ritual from a trio that features Taketo Shimada. Shimada is a shadowy figure in fringe minimalism. He worked as Henry Flynt’s assistant, put together the Yoshi Wada week at the Emily Harvey Foundation, was involved with Herbert Huncke, Alison Knowles and a bunch of other Fluxus artists. Messages is an extended investigation into the eternal music concepts of Wada, LaMonte Young, Charlemagne Palestine, Pandit Pran Nath et al, with Shimada on bass a…
Ultra limited LP re-edition, handsigned copies....like most of Maurizio Bianchi's fascinating works, "Armaghedon" is turned to noisy, long minimal sonic dreamscapes, including physical addictive sounds. In this early effort written for a non released experimental movie, Maurizio Bianchi explores sound intensity, somnambulism and "insolit monotony". Try to imagine something between "Phaedra" most intellectual, hallucinatory sequences, the destructive, destructured sounds of Whitehouse and the sac…
180 gram vinyl version. Tracklisting: "Circe," "The Nile," "Brazilian Sun," "We Travel the Spaceways," "Calling Planet Earth," "Dancing Shadows," "The Rainmaker," "When Sun Comes Out." First two tracks probably made during the same session at the Choreographers' Workshop, late 1962 or 1963. Remaining tracks recorded during different sessions around the same period. The master tape of side B is in stereo; all known pressings of the album are in mono, however. The master tape also includes …
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
Few copies available: this is Austrian reissue of Otto Muehl's AA Commune most sought after record from the 70's. "Musikalische Selbstdarstellungen 1974/75". Crazy group-therapy sessions, improvised music with different commune members coming forward and 'singing' about their parents, free-sexuality, mister jealousy, and how two-people-relationships kill sex-life, etc.. Record comes in fullcolour cover (reprint of the original), stamped label, plus 10-page A4 booklet with transcription of all te…
Day two of this rare live concert at the Storyville finds Ra and a 19-piece Arkestra again giving the audience a lesson in jazz with tracks like Rodgers and Hammerstein's 'My Favorite Things', Tadd Dameron's 'Lady Bird' and Miles Davis' 'Half Nelson', as well as a taste of his own classics ('Englight(en)Ment' and 'The Satellites')." Clear red vinyl in clear plastic sleeve with blue lettering (limited edition 500 copies).
'In the beginning there was Roland's founder Ikutaro Kakehashi and an arsenal of computer controlled analog jock boxes designed specifically to outmode the trad rock (read: human) rhythm section... the circuitry was so tightly wound however, so rooted in synthesis that it failed to meet its promise. It wasn't until the mid-80s that the TB-TR system took novel form as acid house; a simple but novel attitude shift that saw an embrace of extra-terrestrial machine funk aesthetics converging with the…
"Norway's Bjorn Torske returns with his fourth studio album 'Kokning'. Opening on a playful note with a slow-building title track, Torske strums a lone acoustic guitar against a background of shimmering synths setting the scene for a highly engaging piece of work. Throughout the course of the album a wide palette of genres are taken in and adapted to the Skrangle-House style (an open ended take on house music stemming from the Oslo nightclub 'Skansen'), and dub looms large over much of the music…
Software Recording Co. presents Tropa Macaca's fourth release, Ectoplasm. The ambient-noise duo of André Abel and Joana da Conceição have been going strong from their Portugal home base since 2005, while lunging out into the world with releases via Qbico and Ruby Red. The following to 2009's Sensação do Princípio on Stiltbreeze, Ectoplasm finds Tropa Macaca creating a quantic fantasy sound not unlike a cybernetically enhanced Taj Mahal Travellers interpreting a lost chapter of One Hundred…
This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Doom rock pioneer, influential drone-master, occultist and professed anglophile, Dylan Carlson ov Earth comissioned by the Southern studios on 16th April, 2012 to record six covers and one original song, found on his latest Drcarlsonalbion issue. Accompanied by Teresa Colamonaco on vocals and Jodie Cox on guitar, 'La Strega and The Cunning Man In The Smoke' continues a progression from his ace instrumental recordings for The Tapeworm to the more recent, collaboration-oriented work 'Modern…
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
Red Planet establishes Arborea's complex synthesis of acoustic folk and minimalist drone right out of the gate. From the opening motif of the acoustic guitar lament "The Fossil Sea", Red Planet conjures a panoramic aura, like a lost outtake from Ry Cooder's Paris, Texas soundtrack. As that echoes its way into "Black is the Colour", an eerie and utterly transcendent take on the traditional tune, it becomes mesmerizingly clear how the soft confluence of texture, sound and style meld to create the …
Veterans of the sprawling Chicago music scene, Zelienople have carved out a unique sound over their album releases. The World is a House on Fire is the latest chapter in the band's story, and frames their music more succinctly than ever before. Mike Weis (percussion), Matt Christensen (vocals, guitar) and Brian Harding (bass, saxophone) managed to perfect brooding, melancholy doom-pop on their last full-length Give it Up (TYPE 054CD), and this latest LP finds the band in a more evocative mood.…