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SUNN 0))) & PAN SONIC / ALAN VEGA / STEPHEN BURROUGHS. Latest in Blast First's series of Suicide tribute, sees the original of "Che" teamed with covers of "13 Crosses, 16 Blazin' Skulls" and Goodbye Dear". Limited to 2000 COPIES only.
Follow-up to last year's well-received full-length of collaged live performances released on SHDWPLY. This is another half hour-plus of the Baltimore drum/drone collective at their most zoned and loose-limbed.
CS Yeh: violin, electronics (side A), computer (side B). Chris Rosing: additional climax electronics (side A). Full color heavy cover, LP. Edition of 500. Released February 2002. Burning Star Core's first vinyl full-length and first widely available recording after numerous private releases that began surfacing in 1993. Massive layers of sustained sound driven thru violins and electronics direct to climax -- backed by broken organs dropped into shifting darkness and cracked computer hypn…
Now that we've wrapped up our inaugural six-volume CD series, Azul Discografica continues in earnest with our first vinyl release, The Sakada Sessions. Sakada is the duo of Eddie Prevost (AMM) and experimental noise agitator Mattin (Billy Bao, Josetxo Grieta, and countless other projects). Since Sakada's 2001 inception, the pair has performed with a host of radical improvisers of the highest order. This record documents two such sessions: the first, a spare, inverted dronework featuring Alan Cou…
Reissue limited to 200 copies, originally released as private press in a limited edition of 100 copies in 1977, this ia a Major historical reissue: Slit And Pre-Slit was Jim Shepard’s first ever release, privately pressed in an edition of only 100 copies in 1977 and mostly given away to friends and musical/cultural heroes like Lester Bangs, Todd Rundgren, Lou Reed, David Bowie, Brian Eno, John Cale etc. Its extreme rarity has meant that few have had the chance to wrap their ears around it, …
Nigeria Afrobeat Special is the fourth addition to the Nigeria Special series, a project initiated by Miles Cleret, owner of the Soundway Record label back in 2004. Cleret’s ambition to distinguish the blossoming music scenes of 1970s Nigeria has lent to an indispensable series of CD and LP compilations documenting the influence of western blues, rock and disco amongst artists and musicians versed in the local musical styles of highlife and juju. It was Fela Kuti and his musical and politi…
Vinyl edition of this joyous improvised music drawing on South African roots and European free jazz from Chris McGregor and a group including Evan Parker, Louis Moholo, Barre Philllips, &c. This album only had a few test pressings at the time of recording and this is therefore the first vinyl release of this classic work. In 1969 the Chris McGregor Group were riding high on the London jazz scene, playing and hanging out with all the rising stars of British free jazz. Sessions for the pre…
Limited vinyl pressing of this excellent split LP self-released by Grouper in this scarce second edition* The music on this split release arrives remastered after its initial release via C40 cassette a while back. Likeminded souls Eva Saelens (inca Ore) and Liz Harris (Grouper) are in brilliant form on these recordings, so it's great to hear them in a cleaned up format - though of course with these two, it's fairly difficult to tell where the muddy cassette hiss ends and the foggy, dusty …
It probably wouldn't surprise most, but the Type label was originally formed with soundtracks in mind. The moody music that usually accompanied their favorite independent films was a starting point for the label, so it seems perfect that nearly seven years on, they are going back to their roots, if you like, with this album from acclaimed Icelandic musician/composer/producer Jóhann Jóhannsson. Jóhannsson emerged on the influential Touch label with the genre-defining Englabörn (TO 052LP) album in…
From Brian McBride: When George and Myriam approached me to compose for their film they suggested I concentrate on four different themes: the gloriousness of the bees, the endurance and hardships of traditional beekeepers, pesticides and the holistic nature of non-industrial agriculture. I was especially intrigued with the idea of combining some of their mournful aspirations with something more serene. Composing began in May of 2009. I had decided to start fresh not using anything that I …
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
Jawdropping new collection of crop circles etched in sonic candy-floss by New Zealand’s beardsmith / noise-farmer Campbell Kneale. Rated by the horses mouth as the best thing he ever made, EVER, ‘Blue Eyes Are My Reward’ shimmers like an icicle-clad forest resplendent in its own crystalline magnificence. Snakecharming groove, dublike boomph, and bleary eyed strum blast the path out of a decidedly greying world of so-so metalized myspace drone, into a miniaturized drone-prairie of superpow…
The mythical LAFMS collective Smegma really needs no introduction, where would we all be without them? How many bands were so ahead of their time (1973!), and have been for so long, like Smegma have? Well, here they are with a brand new LP of their famous mix of free jazz, industrial noise, improvisation, straight-up weird music so typical of these masters / US freaks. On the opening track, they are riding on the amazing drums of historical member Dennis Duck (of Dream Syndicate) to pay h…
Already out of print, this is the first-ever collaboration between these two legends, Wolf Eyes and Sickness. This is not haphazard but a symbiotic collaboration bridging distant roads. This full length LP is a dark casket of scorched earth sounds, the remains of the cracks at the after shock of discovery. Reminding us of the peaks in either artists' catalog, There Is A Part Of Me That You Will Never Know processes the deepest sounds of these four masters in a haze of lone atmosphere and true no…
There's no shortage of electronic reissue imprints operating these days, especially ones concentrating on 'lost' synth-wave recordings from the late 70's - mid 80's - but few have access to the kind of material amassed over the years by Forced Nostalgia, a brand new label curated by one of Belgium's most knowledgeable and methodical sound archivists: Fré De Vos. The breadth and quality of the material already scheduled for release by Forced Nostalgia is just jaw-dropping - extending the r…
We had heard a couple cassette outings by this Bloomington young-bloomer over the last 4-6 months and each one hit us better than the last but nothing had prepped us for Ettinger’s most recent evolution into neon skyline chase scene soundtracker and that’s part of what makes it so amazing. For Smokin’ he wrangled together a small posse of close comrades (enter The Heat) and tracked a sick session of smoky synth themes, Corvette noir moods, echo dystopia, faded voices, and sleazy Miami sax. The A…
It's no secret that Aaron Dilloway is one of the best around. Opening with some seriously demented synth growl, Weighted Ghost gets down to business in no time at all. Stoically repetitive sequences build and build until the pressure in your skull reaches the breaking point. Dilloway pushes past the point of no return, scowling all the way until each layer is sufficiently soaked in dirt and brine. This isn't pretty and it isn't meant to be. The flipside fakes you out in the beginning,…
Saxophonist Carlos Garnett recorded with Pharoah Sanders, Miles Davis and Art Blakey. His 1974 spiritual jazz album features an amazing line-up of Reggie Lucas (Miles Davis, Sonny Rollins), Buster Williams, Dee Dee Bridgewater, Alex Blake (Sun Ra), Charles Sullivan, Mauricio Smith (Tito Puente), Norman Connors, and Billy Hart. Exact repro reissue.
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…