New Arrivals
Pluie Fine
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
Zwitzerland
Ursula Maehr, recorder. Carles Peris, saxophone, flute. Francis Petter, saxophone, bass clarinet. Valentin Vecellio, basset horn. Marco von Orelli, trumpet. Sabine von Werra, voice. Christoph Baumann, piano. Markus Fischer, double bass. Jacques Widmer, drums. Recorded 9-11 November 2007
Beam Stone
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, each with a distinctive personal sound. Their aim with Beam Stone is to explore sonic territories with the guidance of different pre-defined concepts. Listening and sonic exploration are considered the essential points of departure.
Strings.Lines
Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos. 'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
Sepsis
Large ensemble Sissy Spacek recordings featuring the cream of LA. The line-up: John Wiese, Mitchell Brown, Joey Karam (The Locust), Peter Kolovos, Rick Potts (LAFMS), Damion Romero, Corydon Ronnau and Shannon Walter (16 Bitch Pile-Up). All the source recordings used for Sepsis were taken from a group improv session recorded for the Dublab radio in 2008. The recordings from each individual channel were later chopped and rearranged into audio collages byWiese without any regard to preserving group…
Centralia
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
Fire And Frost Pattern
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
Out of the past
'Featuring Derek Bailey on electric guitar and Steve Noble on drums & cymbals. Recorded in a London studio in February of 1999 and not released until now.'
Lost Prayers
Originally released in a tiny pressing of just 200 CD-Rs by Digitalis Industries, this early James Blackshaw release is brought back in print by the Tompkins Square label, who on the back of last year's 'Cloud Of Unknowing' are intent upon reintroducing the guitarist' back-catalogue to his growing legion of fans (of whom there is almost certainly more than 200). 'Lost Prayers And Motionless Dances' is a single thirty-five minute composition, opening with droning harmonium passages and only…
Shrine Of The Post
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…
Endless Falls
Endless Falls is the fifth full length release by Scott Morgan under the loscil moniker. The album begins and ends with the sound of rain recorded by Scott in his back yard, precipitation being a constant presence in his home city of Vancouver. Many of the other sounds on the album are derived from these same recordings, processed and combined with other harmonic sounds to create the textures and drones. Something completely new to this release would be vocals, of a sort, a first for any loscil …
Shuffle
Limited copies back in stock. It's hard to believe that it's been almost a year since Rutger Zuydervelt helped nail our jaws to the floor with his exceptional album 'Dauw'. It used to be that there was a new Machinefabriek album almost every week (sometimes two or three) but since 'Dauw' it seems like Rutger's slowed down and withdrawn into a self-imposed silence . And that's no bad thing - 'Shuffle' is his first self-released record in some time and it shows in the near-obsessive quality of the…
Thing
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…
Coda (For WK)
The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…
Krewton the Knewtron
'Previously unreleased material by the legendary Rick Potts of the Los Angeles Free Music Society (LAFMS), to commemorate his solo tour of Japan. Raw, lo-fi avant-garde experiments with field recording, improvisation and tape music, recorded in the late seventies when Rick was in his early twenties. Featuring contributions by Le Forte Four and Doodooettes on one track, and two recently recorded unreleased tracks. " In 1977 I wanted to make an animated film filled with the strange creatures…
Book Of Angels Volume 13
Four exotic and talented women doing the Book of Angels. A capella. “Mycale” is definitely not my favorite entry in the already 13 albums long series (even though I only have half of those yet), but it is an entirely new approach to the material and therefore about as fresh and original as I suspect it can get after versions over versions of these kind of compositions. But mainly it’s just a lot of fun.
Aurona Arona
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
Aurona Arona
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
Live aux Instants Chavirés
Joëlle Léandre (doublebass) and Jean-Luc Cappozzo (trumpet) recorded Live in concert by Jean-Marc Foussat at Instants Chavirés( Montreuil, France), 2009. Mastered by Joëlle Léandre and Jean-Marc Foussat.
Castings
The title of Fern Knight’s 2006 release, Music for Witches and Alchemists, served simultaneously as a wonderfully apt description and an unambiguous product warning. If you prefer the mundane to the magical, move on: These are not the druids you’re looking for. Since then, the group has relocated to Arlington from Philadelphia, and while Fern Knight’s music evokes far-away times and places, it turns out the band fits in nicely with the D.C. area’s musical history—assuming you can stomach …