New Arrivals
Clear Memory
Mental Experience present the first ever vinyl reissue of Bomis Prendin, a collective of experimental “noisicians” from Washington DC formed in 1978, pioneers within the DIY, Industrial, cassette culture and experimental electronics scene. Using cassette recorders, mutated musical toys, electric guitars, bass, rewired circuitry, analog pedal effects, and cheap keyboards, they recorded and released in the late '70s a couple of astounding flexi-discs (Test and Phantom Limb) which led to them being…
Acoustic Shadows
SA Recordings present a new LP from the acclaimed New York composer, performer and sound designer Lea Bertucci. A work of three interlinked incarnations, ‘Acoustic Shadows’ began as an event, which then became an album and has inspired a sample library for other musicians.
The Event (recalled by Lea Bertucci)
“Acoustic Shadows I-III was a series of site-specific musical performances and a sound installation that took place in the enclosed hollow body of the Deutzer bridge in Koln, Germany, 2018.…
Histoires de la Nuit
Art brut master Olivier Bringer tell you stories in tongues, accompanied by Romain Perrot out of place synth music. Olivier Bringer, voice & Romain Perrot, keyboards, electronics, voice.
Course(s) contre l'enfer
Frahr is the meeting of Micro_Penis, Youri Potlatch, Angstrom and Roro Perrot. The recording dates from 2018, a year in which hospital staff must already have been on strike, allowing these dangerous oddballs to escape. How to survive the agony of the deep? Perhaps through the blossoming of a rarely heard music! Unique and fortunately incomparable!
How We Used To Laugh - Haunted and Defiant
**Housed in a beautiful handmade diorama sleeve and box. Limited to 100 copies.** Just a few months after fortuitously meeting Dean Brown in London’s Low Company I am delighted to be releasing this Little Skull 7”. For a few years I was listening to Little Skull LP’s unaware that Dean’s own brand of NZ underground music was in fact being recorded a short distance from my London home. Furthermore, Dean’s intricate homemade sleeves were crafted in London, shipped to Italy, then back to London wher…
Virtual Company
Simon H. Fell : double bass. Mark Wastell : violoncello, percussion. Derek Bailey : (virtual) guitar. Will Gaines : (virtual) tapdance. Recorded at Cafe OTO, Dalston, London; 2nd March 2018.
An in concert, virtual Company performance from IST (on this occasion the duo of Simon H. Fell and Mark Wastell due to the snow-bound absence of Rhodri Davies) together with pre-recorded fragments of Derek Bailey and Will Gaines. IST’s Virtual Company calls on ‘the powers of improvisation’ (D. Bailey) to int…
Social Distancing
If there is one artist who represents social distance, it's him, Vomir, alias Romain Perrot. The king of the Harsh Noise Wall without compromise or remorse. Released in April 2020, this record may not protect you from Covid19 but it will guarantee you a long and lasting social isolation.
Oscillations planétaires
Oscillations planétaires was realized in 2017-18 at the composer’s studio in Montréal and premiered on July 13, 2018 on the radio program Klangkunst broadcast by Deutschlandfunk Kultur (Germany). Oscillations planétaires evokes geology. In all the layers that make it, from its core to its surface areas, Planet Earth is inhabited by undulatory motions of extremely varied temporal scales. Some are inscribed in a geological timeframe while others follow a daily cycle. This oscillatory ensemble cont…
L'inaudible
Stéphane Roy is an acousmatic composer. His art esthetics allow him, after thorough experimentations with sound materials, to extract expressive properties and give these works teleological motion. He is also a musicologist. He has written a number of papers and a book on the analysis of electroacoustic music."In my approach to composition, the path a piece will take is never determined upfront. Form and structure do not exist prior to the realization of the piece: when I probe the imaginary wor…
Yegl
“The electroacoustic works of Elsa Justel are striking for their rich morphological invention: canvases made of minuscule yet consistently varied sounds; stratified figures made of multiple simultaneous shots, intertwining with one another; tremblings turning into sharp and lightning objects; objects of all sizes, objects so diverse they relentlessly keep hold of your attention. […] This music imitates nothing; it is there, warm and savant, controlled yet free, vigorous and intelligent.” - Horac…
Univers parallèles
The work of Todor Todoroff might be a bit closer to architecture and structural engineering than to conventional electro-acoustic composition. Almost all of the pieces on Univers parallèles are based on gestures and movements which create a sound, whether that’s a dancer on stage doing avant-garde steps, or a painter applying the brush to the canvas, or the action of flowing water. From quite small and intimate movements, large-scaled and mysterious sounds emerge. On Rupture d’équilibre, one of …
Bratschebraut
** Deluxe edition with extensive booklet, 300 copies ** First time vinyl issue of key works from the Belgian artist-musician Moniek Darge. Following a deep-excavation of the Logos archives London’s Horn of Plenty presents ‘Bratschebraut’ - four works utilising prepared violin, electronics, tapes, and voice. These recordings are from the same era as Moniek’s classic ‘Sounds of Sacred Places’ LP. 'Bratschebraut' extends the story of Moniek's work during this period: playful, intimate, raw, and qui…
Smoke Stack
On his second Blue Note album Smoke Stack, pianist and composer Andrew Hill used an unusual line-up of two bassists (Richard Davis and Eddie Khan) along with the masterful Roy Haynes on drums. Blue Note founder Alfred Lion considered Hill to have as distinct and important a compositional voice as Thelonious Monk, and the seven Hill compositions that the quartet explore here contain all the rare beauty to be found in his music. Designer Reid Miles photographed Hill himself for the striking album …
The Rumproller
After trumpeter Lee Morgan set the music world on fire with the runaway success of his hit soul-jazz single “The Sidewinder” in 1964, many artists tried to duplicate his triumphant feat in search of another boogaloo sensation. Even Morgan himself cooked up funky follow-ups using “The Sidewinder” recipe including “The Rumproller,” which was recorded the next year. Beyond the groovy title tune (which was written by Andrew Hill) the quintet featuring Joe Henderson on tenor saxophone, Ronnie Mathews…
Introducing Johnny Griffin
Johnny Griffin had been kicking around in R&B bands for years before his Blue Note debut in 1956. And what was "introduced" was a tenor saxophonist with a fresh sound, a warm, soulful style and the fastest technique in jazz. He moves from lyrical ballads to blistering tempos with ease. Within two years, Griff would become one of the leading tenor saxophonists in jazz as a member of Thelonious Monk's quartet.
In 'N Out
Recorded in April 1964, In ‘N Out falls square in the middle of the formidable run of five classic Blue Note albums that launched tenor saxophonist Joe Henderson’s legendary career. The line-up featured the transcendent frontline of Henderson and trumpeter Kenny Dorham along with a powerful rhythm section with pianist McCoy Tyner, bassist Richard Davis, and drummer Elvin Jones. The music charted expansive post-bop territory on three Henderson’s originals (“In ‘N Out” “Punjab” “Serenity”) and two…
Mr. Jones
After his six years with the seminal John Coltrane Quartet, the mighty drummer Elvin Jones signed with Blue Note Records in 1968 and made a series of 10 fantastic albums including 1972’s Mr. Jones, produced by Francis Wolff and George Butler, and featuring saxophonists Dave Liebman, Steve Grossman, and Pepper Adams, Thad Jones on flugelhorn, pianist Jan Hammer, bassist Gene Perla, and percussionists Carlos “Patato” Valdes, Frank Ippolito, and Albert Duffy. The music delves into expansive post-bo…
Doin' Allright
Though he first recorded in the late-1940s, Dexter Gordon’s Blue Note debut Doin’ Allright—recorded and released in 1961—marked a rebirth for the great tenor saxophonist after a decade in which drug addiction and legal troubles limited his output. But his Blue Note years put him back on top with a run of essential albums that stand as classics of the jazz canon. Doin’ Allright featured a top flight quintet with trumpeter Freddie Hubbard, pianist Horace Parlan, bassist George Tucker, and drummer …
A Swingin' Affair
Just 2 days after saxophonist Dexter Gordon recorded his classic album GO! in August 1962 he brought the same quartet with pianist Sonny Clark, bassist Butch Warren, and drummer Billy Higgins back into Rudy Van Gelder’s studio to record the equally sublime A Swingin’ Affair. All the joy and beauty of the great tenor man’s music can be found in the irrepressible opener “Soy Califa,” a Gordon original that moves deftly between Latin and swing rhythms as Dex holds forth with his commanding horn. Th…
Open Sesame
Trumpeter Freddie Hubbard burst upon the Blue Note scene in June 1960 with his auspicious debut album Open Sesame. Within 6 months Hubbard had already recorded a follow-up (Goin’ Up) and appeared as a sideman on sessions with Tina Brooks (True Blue), Hank Mobley (Roll Call), Kenny Drew (Undercurrent), and Jackie McLean (Bluesnik). Hubbard’s bravado style was already fully formed on Open Sesame with his brilliant tone and jaw-dropping technical prowess at the helm of sterling quintet with tenor s…