New Arrivals
Southern Horizons
This is Harriott on the verge of the free form/abstract period, but here, still anchored in the hard bop mode. This is stylish, elegant, tight, swinging; whatever label of appreciation you want to attach to it, this is still fresh music creation. This record sticks to the quintet line-up of sax, trumpet, piano, bass and drums (as on Movement), but with the added pizzazz of a superb bongos player on a couple of tracks, just to heighten the sense of hepness to the proceedings. Partly original comp…
Warm World Of Joao Gilberto
In summer 1958, João Gilberto -an unknown 28 year-old Brazilian guitarist and singer from Bahia- made his recording debut as a singer with two songs "Chega de Saudade" and "Bim Bom." With a new rhythmic feeling, batida, and rich harmonies he laid the basis of the modern Brazilian samba, now known as Bossa Nova. Underpinned by his insouciantly swinging guitar, Joãos seductive, vibratoless vocals caressed both ear and soul in a mesmerizing, highly addictive combination, refreshing and modern. Cheg…
Seke Molenga & Kalo Kawongolo
Over the years, they would come to say that the Africans just appeared one day in Jamaica. That two Congo men somehow materialized on the streets of Kingston sometime in 1977, almost as if by magic, speaking not a word of English or patwa. The duo, they say, were musicians brought in by a Jamaican promoter – a woman who ditched them, leaving them to fend for themselves, stranded in a strange land.
What really happened is harder to fully divine. The two young Africans – Molenga Mosukola (aka Seke…
Embrujo
**500 copies** Chilean prog band Embrujo began as El Embrujo Ques Besa or Kissing Spell, formed by the guitarist, singer and drummer Carlos Fernandez with chief songwriter Juan Carlos “Tato” Gomez on bass and vocals and Ernesto “Kiko” Murillo on lead guitar, with organist/flautist Ernesto Aracena and pianist/flautist Guillermo Olivares joining later. Signing to Camilo Fernandez’s Arena Producciones in 1970, debut LP 'Los Pajaros' was issued under the Kissing Spell moniker, but Chile’s unstable p…
Tem Algo Mais
A strong figure in the development of Brazilian Pop music, a real superstar in the 60's, a key voice in Rio's soul scene, even though still largely unknown outside South America. In fact, Simonal never fit completely in the dominant Bossa Nova sound of the period. Tem Algo Mais, originally released in 1963 was his second album, a highly distinctive and very successful formula based on the idea of a marriage between Bossa Nova, Jazz, and stylized orchestral Pop arrangements. all that without forg…
Les McCann Sings
Here's a true West Coast soul-jazz gem originally released on pacific jazz in 1961. Les McCann's warm and emotional singing shines over some gorgeous big band arrangements signed by the great conductor and bandleader Gerald Wilson. McCann's usual trio with Herbie Lewis on bass and Ron Jefferson on drums is augmented by a phenomenal bunch of West Coast top musicians including clarinetist Buddy Collette, tenor sax lions Charles Lloyd, Teddy Edward, and Harold Land, and two absolute guest stars: te…
The Fox
Harold Land, one of the greatest West Coast tenor saxophone voices of all time. A strong player rooted in Bop language, famous for his role in the legendary Max Roach and Clifford Brown quintet and later as part of another great Los Angeles based combo such as bassist's Curtis Counce group. The Fox is a 1960 album originally released on the Hifijazz label and reissued by Contemporary in 1969. Here Land is at the head of a marvelous quintet, some sort of who's who of the LA jazz scene: Dupree Bol…
Letter From Home
Released on Riverside records in 1962, "Letter from Home" was the debut album of Jazz vocalist Eddie Jefferson. Often credited as the founder of vocalese, Jefferson wrote memorable lyrics to classic jazz standards including "Parker's Mood.", "Lady Be Good," "So What," "Freedom Jazz Dance,"... Eddie Jefferson is backed here by a bunch of Jazz heavyweights, all at the top of their game. Among them: tenor sax masters Johnny Griffin and James Moody, trumpeter Clark Terry, pianists, Winton Kelly, an…
Drumsville
Earl Palmer the man behind the evolution of the backbeat from Jazz and R&B to Rock 'n' Roll. One of the great figures in the New Orleans music scene and one of the most-recorded drummers ever. His highly dynamic drums style has served hundreds of hitmakers such as Fats Domino, Little Richard, Sam Cooke, Ray Charles, The Beach Boys, Eddie Cochran, Dinah Washington, Dizzy Gillespie, you name it. "Drumsville" originally released on Liberty Records in 1961 features a selection of rare gems produced …
Stitt Goes Latin
Musically born in the great tradition of Charlie Parker, Sonny Stitt was one of the alto sax giants in Jazz history. Recorded in 1963 and originally released on the Roost label, "Stitt goes Latin" catches him at the head of an all-star line-up, a highly distinctive combo in full Latin mood, featuring Thad Jones on trumpet, a young Chick Corea on piano, Larry Gales on bass and a fabulous drums + percussion section with the great Willie Bobo on drums, Carlos "Patato" Valdes - congas, bongos and Os…
In a State of Undress
**Edition of 200 copies. This is the sixth release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound** In the context of European free improvised music, it would be hard to find a name that towers to the heights of Peter Brötzmann. Trained as a visual artist, the saxophonist turned toward music during the second half of 1960s, and quickly became a focussed, creative lens for the…
Pearls
**Edition of 200 copies.** For fans of European free jazz, Globe Unity Orchestra needs little introduction. The project is nothing short of legendary, carving a path over the last half century. Formed as with a commission received by Alexander von Schlippenbach in 1966 - debuting at the Berliner Philharmonie late in that year - it joined three of the most powerful forces in German freely improvised music as a single unit - Gunter Hampel's quartet, Manfred Schoof's quintet, and Peter Brötzmann's …
Farewell Tonic
The recording of the last show ever in the legendary NYC club was only available in a limited run of semi-official cd-bootlegs. Now mastered for vinyl, screenprinted cover - design of course by Peter Brötzmann, handnumbered. Full Blast - with the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums) is the most consistent, the longest running. Recording by Bruno Soria, Ulrich Petereit. Mixed and mastered by Martin Siewert in Vienna. Artwork by …
The Second Sound
The Second Sound is an imaginary conversation between musicians and sound artists on the role of gender and sex within their field. Gathering testimonies from artists of different backgrounds into a single stream of (often contrary) opinions, the text addresses discrimination as a paradigm of otherness, the possibility of gendered music and sound art, and how sound artists and musicians navigate the field.
The text raises questions such as: How do life circumstances find their way into music and…
Y '59°54’54,76”N 10°44’46,03”Ø'
**500 copies. Double vinyl + publication (32 pages)** The H-block, or Høyblokka as it is called in Norwegian, was the Government Quarter’s main building. The was building was completed in 1958. Architect Erling Viksjø was inspired by the French modernist Le Corbusier, and set out to create an elegant, monumental but sober functionalism.
On 22 July 2011 at 15:25:22 (CEST), a car bomb was detonated outside H-block. The car, a Volkswagen Crafter, was parked just outside the main entrance. The bomb …
Imminent Death
The Flying Luttenbachers’ “Imminent Death” is the second release by the seminal cult band since its reincarnation in 2017. “Imminent Death” is very different in many ways from the previous Luttenbachers releases, but then again, you could consistenly say that about most of them. The group has always followed the direction set by its leader Weasel Walter, and reflects his desire to create music of a determinately less common quantity in any given era. The Flying Luttenbachers have always been sta…
Blue for a Moment
Blue for a Moment retraces the artistic career of the Berlin-based Swedish jazz musician, avant-garde composer, poet and visual artist Sven-Åke Johansson, one of the most singular and exciting figures in European improvised music.
Johansson (born 1943 in Mariestad) moved to Berlin in the late 1960s, where he has since been active in a variety of music and artistic contexts. His first performances took place in the context of the Zodiak Free Arts Lab on Hallesches Ufer, where young musicians and …
Taking the Dog for a Walk
After Sunny’s time now, his authoritative portrait of the American Free jazz drumming legend Sunny Murray, Luxembourg filmmaker Antoine Prum turns his attention to the British Free Improvised Music scene in this new feature-length music documentary. Branching out from a three-day festival in Berlin conceived and organised for the purpose of the film, Taking the Dog for a Walk maps the scene of British Improvisers, past and present, retracing the road that led from its emergence and emancipation …
Iberorromance
**60 copies** Paralelo is the solo project of Raul Q. de Orte (also member of Wind Atlas). Since his early dark wave and synth pop recordings he has evolved with strong personality to his own style that could be redefined as cold electronic amidst anxious pop. His last tape “Synth Protesta” can be consider as a pure underrated gem of the spanish synth wave. Retro and contemporary at the same time, Raul sings against the modern reality demanding explanations to the world.
This new record “Iberrom…
Louange à l’Éternité de Jésus (from Quatuor pour la fin du temps) - 10"
Louange à l'éternité de Jésus is the fifth movement for cello and piano from Olivier Messiaen's Quatuor pour la fin du temps (Quartet for the End of Time), adapted here for cello and organ. It was composed while Messiaen was a prisoner of war in Stalag VIII-A, Görlitz, Germany, and first performed with other detained musicians inside the Nazi camp in January 1941. Inspired by the Book of Revelation, this music invokes the composers vision of "immutable peace", in its infinitely slow, ecstatic pa…