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If an artists’ work is a composite of influences from others, Beth Anderson’s Namely inverts that notion, creating a work from the names themselves of her influencers. The album consists of 65 short pieces, each using the name of one of Anderson’s varied influences as source material. Anderson applies a generative procedure to each name to create a text-sound poem that is performed as a vocal piece by the composer.
The collection of names reveals the intermedia nature of Anderson’s work — from t…
** Edition of 150. 2021 Stock ** There are two ways to use sound: in one way sound is close to music, however, it is also close to sculpture. In fact, it is not the medium that’s important but that you have a beginning and an end and that you can move around in the space. Noise is a material aspect of sound. SMDSii is an exploration of noise, space and time - as they are constituted formally through sound as well as through the tangential relations within and between audiences and the practice o…
** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
** Edition of 250 ** The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions. On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum duri…
** Limited edition of 300 copies with insert ** From the early days of the found-sounds recordings (like the downright scary Unga Röster album and the hilarious Mandys Bil 7"), the homespun kitchen recordings/tape collages of the still-going Idiotmusik series to the more carefully elaborated and precise Leendet Från Helvetet and Knutna Nävar albums, the massive Livets Ord dropped like a bomb when it originally surfaced as a self-released cassette in 2018.
Heavily based on synths and keyboards an…
In the spring of 2020, poet Anne Waldman will release her latest tour-de-force, Sciamachy: a 180-gram vinyl album on her New York label, Fast Speaking Music. Supported by Levy Gorvy Gallery, the album’s cover features artwork by the legendary painter Pat Steir. Derived from Greek, sciamachy means shadow war. The album has a formidable political message, dealing with subjects such as ecological ruin and war-mongering. Sciamachy is music for psychic defense.
In keeping with Waldman’s life-long eth…
It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, Kompakt co-founder Wolfgang Voigt has curated a series of peerless c…
'Seconds Mark III' is the third iteration of a unique work within the sprawling discography of Alastair Galbraith: poet-dilettante, improvisor extraordinaire and one of the most important figures of New Zealand's storied DIY underground.
"Commencing his collaborative musical activities in the early 1980s as part of Flying Nun outfit The Rip (with Jeff Harford and Robbie Muir), it was almost a decade earlier when Galbraith first invested in the violin, an instrument that would accompany him throu…
**1000 copies** We’re proud to introduce the new Superfly reissue of ultra rare 70’s Nigerian collection of some of their best 45’s, full of funky psych killers, check ‘Wodeka Roe’ or the hit ‘Gbeti Madjro’ (though every single track is dynamite!). As usual, beautiful quality repress with paste on covers made in Japan, Obi and 180grs vinyl, limited to 1000 copies only!
Orchestre Poly-Rythmo are much more than a band. They’re a window into the culture of Benin and the music associated with the Vo…
Astral Spirits presents Solid by Phicus. Recorded April 25th, 2019 at Rosazul Studio, Barcelona by Jan Valls Miralles. Mixed by Jan Valls Miralles. Mastered by Lasse Marhaug. All music by Phicus. Photo by Elena Márquez. Special thanks to Maciej Lewenstein.
Ferran Fages: electric guitarÀlex Reviriego: double-bassVasco Trilla: drums
Split release with Williams' own Soul What Records. Yet another yearly installment of "An Ayler Xmas" just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams!! The vinyl version contains only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. however, the vinyl version does come with a digital download of the entire album.
** First pressing of 200 copies with artwork by Jaime Zuverza ** Astral Spirits presents Recipe for a Boiled Egg by Macie Stewart & Lia Kohl. Recorded at Comfort Station in Chicago, IL. Recorded and Mixed by Nick Broste. Mastered by Matt Mehlan. Special thanks to Maren Celest, Nick Merryhew, and Jordan Martins.Lia Kohl- Cello and VoiceMacie Stewart- Violin and Voice
'Lux' is Brian Eno's first solo album for Warp Records and his first solo album since 2005's 'Another Day On Earth'. It's an absorbing 75 minutes of slow moving, glassy harmonics, plangent piano keys and evaporating strings, all bathed in reverb and allowed to serenely waft about the space with a seemingly aleatoric logic. The album breaks down to four long sections, yet in the classic tradition of Eno's finest ambient works, once you've settled into its pace and space it becomes hard to tell wh…
** 2021 Stock ** Post-Materialization Music presents From India To Siberia. Traditional songs from Siberia and India. Split tape made from old shellac records found at Russian flea markets. Limited edition cassette with riso printed j-card.
** 2021 Stock ** Post-Materialization Music presents Future Print by De Fabriek. Original edition of 100 from 2018. About 10 copies left. Riso-printed insert. De Fabriek (The Factory) hails from the Dutch City of Zwolle and original founded by Richard van Dellen and Andries D. Eker at the end of the seventies. Now the spil are Richard van Dellen, Louise Nanuru van Dellen (his wife) and Klaas Mons. Not considering themselves a regular band (for one thing, they are a label too) they present The Fa…
Vomir - the best HNW artist around - returns on Post Materialization Music with an Untitled Tape. 30 copies only in library boxes with glued riso printed card and an insert. 90minute recycled tapes with killer DIY art, PMM style. Warning – may cause hallucinations after prolonged periods of listening.
** 2021 Stock ** A tax haven and dream destination for wealthy travelers, the Republic of Mauritius is a multi-ethnic country that is currently experiencing full economic and social ascension. Banking, textile, tech, tourism industries… in this fast-paced melting pot, business is strong. But not too far from the heavenly beaches and luxurious hotels are quasi-shantytowns, reminding us that a large part of the population, often Creole (of Afro-Malagasy origin) are still excluded from the "economi…
** 2021 Stock ** In 1963, David Lean’s Lawrence of Arabia won seven Oscars. Launching its actors to stardom, including Peter O’Toole and Omar Sharif who played Prince Ali Ibn Kharish at the age of thirty. The latter incarnated the West’s vision of the Middle East which was simultaneously elusive, refined and elegant. His fiery stare, impeccable mustache and immaculate haircut had something to do with it: the Egyptian actor was a sex symbol of an era passionate for James Bond and OSS117 spy adven…
** 2021 Stock ** Ever since the late 1950s bossa-nova revolution, Brazil’s influence on French music has been undeniable. Pierre Barouh, Georges Moustaki and a vast array of lesser known artists, all made the Musica Popular Brasileira (MPB) an axis of promotion at the service of a cool and metaphysical, modern and mixed Brazilian lifestyle. Some were seduced by the poetic languors of the bossa, some were looking for fun, and others just loved the American hybridization of jazz-bossa, jazz-samba.…