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Catalog for an exhibition held at Corbett vs. Dempsey, October 26 - November 30, 2007. Includes an essay by John Corbett. Design by Kathi Beste. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art exhibitions in Holland and Germany. Brötzmann assist…
* In process of stocking * Improvisation rattles some listeners. Maybe they’re even suspicious of it. John Coltrane’s saxophonic flights of fancy, Jimi Hendrix’s feedback drenched guitar solos, Ravi Shankar’s sitar extrapolations—all these sounds seem like so much noodling or jamming, indulgent self-expression. “Just”improvising, as is sometimes said. For these music fans, it seems natural that music is meant to be composed. In the first book of its kind, John Corbett’s "A Listener’s Guide to Fr…
* Edition of 75 * Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and inv…
**100 copies, signed (by Hartmut Geerken) & numbered** Nuuk in the evening. The audience sits at round tables and drinks juices or beer. Kresten Osgood goes to the piano and immediately has the full attention. Hartmut Geerken with anklung, Tibetan short tube, Nubian Argool, Byzantine bells, waterphone and roll piano and the "Snoeleopard" on the electric guitar and various s.e. wind, percussion and string instruments, some of them self-made, answer, accompany, comment, and set new accents. The gr…
* 2021 Stock. English version * Transcript of four lectures given in Leipzig in 2010 regarding an installation Olaf Nicolai made in Paris back in 1998. This publication revolves around the theme of the labyrinth and its various manifestations and associations—from the Minotaur to geographical maps and Ikea's assembly instructions.
In 1998, Olaf Nicolai took green plastic brooms used by Parisian municipal employees to build a labyrinth in the “Art Grandeur Nature” exhibition at Parc de La Courneu…
* 2021 Stock. English edition * An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions. The Situationist Times was a magazine edited and published by the Dutch artist Jacqueline de Jong during the years 1962–67. In its multilingual, transdisciplinary, and cross-cultural exuberance, it beca…
* 2021 Stock. English edition * The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds. Inspired by the Petrified Forest in Arizona and its ability to change over time from an organic to a mineral state, the story was concieved by the musician and artist Félicia Atkisnon over the past five years, while its on-going writing has been the starting point of many of Atkinson's music lyrics and recent records and exhibitions.
A…
* 2021 Stock. English edition. * Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe. Judy Chicago says she wants to live as long as possible; not to transcend her mortal condition, but to be around as her works successively find recognition. A woman holding out against all odds: such is the image of an artist more a visionary than the pioneer she has so often been described as. Unlike the pioneers, Chica…
A multifaceted examination of sound as a central feature in urban planning. Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome.
Studio_L28 – Sonic Perspectives on Urbanism hooks into the debate here, experimenting with tools and strategies of observatio…
* 2021 Stock. English edition * The seminal tale of Iannone's advocacy for sexual liberation. “As much as Love and Eros have defined my work since its beginnings, so too has censorship or its shadow, accompanied it,” recalls Dorothy Iannone in her introduction to this facsimile publication of her legendary “The Story of Bern, [or] Showing Colors.” First published in 1970, the book documents the censorship of Iannone's work “The (Ta)Rot Pack” (1968–1969) and the subsequent removal of all his work…
* 2021 Stock. Bilingual edition (English / German) * This publication sheds light on Dorothy Iannone's work in relation to censorship, based on her artist's book "The Story of Bern." In spring 1969, the artist was confronted with the confiscation of her works in the exhibition "Freunde (Friends)" at Kunsthalle Bern, under the directorship of Harald Szeemann. Iannone responded to this boycott by producing a book, in which she made her perspective public and thus reclaimed self-determination over …
* Bilingual edition (English / French) * The first issue of the Cahiers du centre national du graphisme, around the relationship between graphic design and feminism. Speaking about Chaumont and its festival, Vanna Pinter once wrote rather modestly, “The graphic design faith has remained in dependable legitimate hands, the hands that ensure the transfer of power.” To act outside of those transfers of power, from a co-opting of use, is to run the risk of a possible delegitimization. Acting on the …
* Limited release of 500 in heavy weight gatefold jacket. Includes liner notes and fold out poster * Formed in 2016 as the collaborative platform of composer Justin Hicks and artist Steffani Jemison, Mikrokosmos mines the history of Black music. This ongoing project has manifested in many forms: workshop, study session, concert, listening session, book, prompt, score. “Another time, this time, one time,” the first Mikrokosmos LP, uses Gil Scott-Heron and Brian Jackson's “We Almost Lost Detroit” …
* 2021 Stock. French edition * The collection of typescripts of the pioneer of sound poetry: a monument of some 1200 pages that offers an original approach to one of the most inventive, striking and influential poetic works of the second half of the 20th century, through 120 facsimile "scores", revealing for the first time the writing, in its visual and graphic dimension, which precedes and determines public reading. This publication brings together all the typescripts of the Poèmes-Partitions, …
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
* Edition of 300* The end of the 1970s was an historical period of great social and cultural tensions and changes, the Gaznevada band was formed within this context. Their first recordings are collected in a K7 simply titled Gaznevada. Recognized by critics as the first publication of Italian punk rock, this production is a "time window" open to this historical period, it records intact the ingenuity and contradictions, but also expresses its creativity and energy. Released in 1979, the K7 Gazne…
Pietra di Langa extends Enrico Malatesta’s investigation on the oscillatory patterns by stones and ready-made objects. It consists in a solid made of concrete, whose shape has been obtained by silicone casting an actual stone.
With an original text by the British anthropologist Tim Ingold:
“Who says that stones cannot speak? Most of us, if asked. We are pretty convinced that stones are inanimate objects, and that they are therefore incapable of moving of their own accord. And without movement, …
Transducer derives form a functionally similar instrument built by the Australian sound artist Felicity Mangan.
Instructions:
• Turn on the transducer by the red switch in the tee.
• Turn on Bluetooth on phone or computer, pair your device with MH38.
• Check sound levels on phone or computer (about 3/4 of maximum is usually best), then play sound.
• Attach the stronger magnet (the disk shaped one) to any magnetic metal surface/object or clamp a non magnetic object with both the disk and the ring…
Trifoglio is a portable mid/side stereo speaker. The device is designed to be listened to while holding it in the hands (like a book) and plays music created specifically for it* by different artists: as soon as new contributions are available they are published online.
Current sound compositions by: Adam Asnan, Alessandro Bosetti, Andrea Belfi, Andy Guhl, Attila Faravelli, Choi Joonyong, Dario Lozano-Thornton, Enrico Malatesta, Fabio Selvafiorita, Felicity Mangan, Francisco Meirino, Giovanni L…