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Inspired explicitly by Eliane Radigue's Vice Versa..., Orphax records two source pieces in AudioMulch using nearly identical virtual modular settings, varying only a single parameter, and then sculpts the resulting material in Reaper into two strict …
Cinema Perdu is Martijn Pieck's solo vehicle for what he calls 'soundtracks without movies': field recording as compositional starting point, layered with synthesizers, contact-microphone material and other electronic sources to reconstitute the feel…
Recorded in Bad Zwischenahn in early 2016 as two live performances captured to a Zoom H4 - small Eurorack case, mixer, a couple of guitar pedals - Trübhand is built around long, slow modulations and resonant structures that rise and fall trying to fi…
Two pieces of multitrack composition built from sustained tones on solo acoustic instruments - a 'Jubel Töne' zither in the first, a 'Hohner Organetta' chord organ in the second - each extended through real-time electronic processing (feedback loopin…
A four-movement work probing the reciprocal interference of sound and space. The source material is reduced to elementary sonic primitives - sine waves, white noise - then physically degraded through tape manipulation to generate pulses, beats and em…
Recorded in Athens in July 2014, the second album by 300 Basses extends the trio's move from free improvisation toward fixed composition. The investigation here turns on minimal but precisely framed actions: the beating patterns generated by long ton…
Frans de Waard's first full CD under the Modelbau alias, a project built around a deliberate constraint: cassettes, small synthesizers, guitar effects, microphone and amplifier, with little or no computer involvement. Four Squared Wheel was captured …
Orphax's second proper CD, built from a live performance at the Bimhuis in Amsterdam (a STEIM evening shared with Yannick Franck and Thomas Köner) mixed and edited together with a parallel home recording into one continuous work. Sietse van Erve draw…