Rare Originals

*Dead stock copy coming  from the artist's archive. Possible wear due to the long storage* Pier Paolo Pasolini's lyrics in Friuli dialect from the collections "Poesie Dimenticate" (Società Filologica friulana, Udine, 1976) and "Tal cûr di un frut" (Edizioni Friuli, Tricesimo, 1953) are edited by Luigi Ciceri. All lyrics used thanks to the courtesy of professor Andreina Ciceri. Digitaly mixed and recorded in Bologna april 1987/august 1988.

* Dead stock copies coming  from the artist's archive. Possible wear due to the long storage * Incredible recordings of the trio of Andrea Centazzo in collaboration with David Moss and Alex Cline.

*Dead stock copies coming  from the artist's archive. Possible wear due to the long storage* Legendary international ensemble Andrea Centazzo Mitteleuropa Orchestra recorded live in 1980.

* Dead stock copies coming  from the artist's archive. Possible wear due to the long storage * Stunning radical impro session three Italian heavy weighs of the genre, recorded in 1975. Percussion, Drums, Synthesizer, Sistema Ictus 75 by Andrea Centazzo, Saxophone [Soprano, Tenor] by Maurizio Giammarco, Double-bass, Piano by Bruno Tommaso

* Dead stock copy coming  from the artist's archive. Possible wear due to the long storage *Amazing live recording of multi instrumentalist Kent Carter. Paired in a few tracks with Claude Bernard on alto sax and Michala Marcus on flute.

* Dead stock copy coming  from the artist's archive. Possible wear due to the long storage *Compositions by Sylvano Bussotti played by percussionist Andrea Centazzo, recorded in 1982.

Dead stock copy coming  from the artist's archive. Possible wear due to the long storage Studio recordings of this incredible trio of Italians Andrea Centazzo and Giancarlo Schiaffini together with British sax legend Lol Coxhill.

* Dead stock copy coming  from the artist's archive. Possible wear due to the long storage * The Italian imprint, Ictus, was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli.  Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logica…

*Originalo copy from first edition. 1984* 'Problemist are a San Francisco group that quietly makes tapes and communicates with experimental bands around the world. Organized religion is the target here, not only as a big business, but also on its subtle effect on people’s fears and behaviors. But this isn’t a noise band; it’s a mixture of electronic and rock that is aggressive, eerie, and not too arty.' - MRR

Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.

*2023 stock* First recording of Eric Le Lann under his name in 1983. Around him, a group composed of Césarius Alvim on bass, André Ceccarelli on drums and Olivier Hutman on piano and Rhodes which escorts the sublime phrasing of a trumpet entirely placed on the melody. The quartet is of a remarkable flexibility, sonority and unity. A hell of a quartet!

Edition RZ presents Inventionen by composers Bogusław Schaeffer, Ricardo Mandolini and Sukhi Kang. "Berlin 80 II" composed 1980 for piano, synthesizer and 4-track tape."Fabulas II" composed 1980."Inventio", subtitled Musicae clavichordii et sonorum artificiosorum, composed 1984 for piano and tape.  Comes with insert. Runouts are stamped except for 'Lt - B - II' which is etched.

*Deadstock. Last 85 copies. In process of stocking* Très toxique is the first ever recording of Un Drame Musical Instantané as a trio, three weeks before Trop d’Adrénaline Nuit, but already a year and a half after Défense De by Birgé Gorgé Shiroc (Nurse With Wound List). On December 21, 1976, it was the first time the three musicians met together in the basement of Studio GRRR. They had no idea what they were going to play, but the session was full of energy. Jean-Jacques Birgé plays the ARP 260…

*2023 stock* This LP by German synth music pioneer Hans-Joachim Roedelius features almost no synthesizers at all. When they do appear (most prominently on "Über den Wolken"), they're a background instrument, supporting his piano. At other times, Roedelius duets with saxophonist Alexander Czjzek. But the primary instrument is his grand piano, and the pieces aren't the droning marathons of 1970s German "kosmische" music, they're three- and four-minute vignettes (some tracks are in the six-minute r…

*B-stock* This record was brought to us at Dizonord by Julien, part of the shop Music Records in Saint Brieuc (Brittany, France), who is specialized in Brittany music. In the band are fantastic people. The group leader came back from an initiatory trip in India to Brittany with the belief that there was a mystic link between Indian music and Celtic music. Who could say the contrary?

*Rare original* "ARFI is an improvised music group from the south of France that continues to evolve, involving not only musicians but also cooks and street performers in its search for more freedom of expression. One of the core bands of the ARFI, with all the main improvising musicians, was the Marvelous Band, released on their own label in 1985. Carnivals on street corners, street performers, the hints of foreign lands wafting from the back alleys - the original landscape that lies at the hea…

Original issue of this obscure French experimental free jazz combo.

A rare original issue of Accordéon De Concert by Jean Luc Manca.

*Rare original* "As you can tell from the additional description to the album title, this album and the compositions on it are a collection of sound illustrations for performances, performances, dances, films and plays (mostly in the spirit of early cinematography and early century theatre, one would think). Illustrations, stylistically very different. From rather sad interludes, which for some reason remind me personally of films like Silence, Sadness, Silence with  to 'saspienza' moments, with…

*Rare original* French project combining flamenco and jazz. The music is reminiscent of recent bands around Ultra High Flamenco, recorded in 1985 at the Centre Autonome D'experimentation Sociale in Ris-Oragis, a suburb south of Paris on the Seine River. It sounds like an extension of sextet, innovatively brought bass, cajón and saxophone to flamenco. It's strange that neither the other works nor this project have attracted much attention, but they are unusually accomplished: the level of perform…

Original late 80s copies from the legendary (and high quality) Edition Michael Frauenlob Bauer LPs, covering some of the Dieter Schnebel best extended voices compositions from 1981-1985. Laut Gesten Laute is a seminal piece of experimental 'theater' that ranks alongside Schnebel's later collection Zeichen-Sprache (recall Poem for One Jumper) as examples of Schnebel's “visible music.” These two works help define Schnebel as a formative voice in this genre for voices and gestures. “Redeübungen für…

*2023 stock* Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: They borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (t…

*2022 stock* "While not the absolutely earliest of this excellent bassist, bandleader, and composer's projects, Dimension 5 still features a photograph on the back cover that has prompted comparisons with nervous high school kids at a dance, all dressed up but afraid to ask anyone to boogie. Except John Lindberg is already holding a bass in the picture, so doesn't need a partner, and in the process of creating this recording was putting his best foot forward not to boogaloo but to establish hims…

*2022 stock* "This is a pure gem, a beautiful and much enjoyable album, highlighting the immense talent and musicality of pianist Kirk Lightsey and his accomplices. Listen to the solos of Arthur Blythe and Chico Freeman, the music and humour of Lester Bowie, the pure life and joyful rythm by Cecil Mc Bee and Famoudou Don Moye. Be ready do move and rejoice with Heaven Dance ! " - All Music

*In process of stocking. This second-hand record is available through our collaboration with Parisian shop Dizonord, all items are in NM condition.* It was already a reference among the diggers’ community, and one day, our friend from Chouf made us listen to the record before Dizonord. We found Uli, one of the musicians, who still had a fair number of copies of this 1990 LP, a tricky year for vinyl. This record is a mix between jazz, funk and ambient but with a very special pop touch to it.

*In process of stocking. This second-hand record is available through our collaboration with Parisian shop Dizonord, all items are in NM condition.* À Travail Égal Salaire Égal was Un Drame Musical Instantane's third album, originally released in 1982 on the group's own GRRR label. Since its creation in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé, the group has decided to promote collective musical creation, co-signing their albums, which they consider as artworks in them…

*In process of stocking. This second-hand record is available through our collaboration with Parisian shop Dizonord, all items are in NM condition.* Rideau! was Un Drame Musical Instantane's second album, originally released in 1980 on the group's own GRRR label. Since its creation in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé, the group has decided to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their li…

** original copy ** Angedras is the mirror image of Sardegna (the Italian name for Sardinia). The long tale which unfolds in this record has been dedicated by Marcello Melis to this island, morred at the center of the Mediterranean Sea. It is a tale narrated in a language that draws its substance from several different worlds: the urban reality of jazz, the deep rhythms of Africa, the melodic tradition of Sardinian shepherds. ...The work is formed in four parts and immediately reveals the musica…

** original copy ** Altschul is the common denominator on these two excellent reissues of early ’80s records, and if anyone is unconvinced that he is one of the great drummers of his generation, there’s proof on every track here. He is joined on Irina by Enrico Rava, John Surman and Mark Helias in a program ranging from originals to “Jitterbug Waltz.” It’s great to hear the two hornmen in such fine fettle. Their solos are excellent, and much of the music involves group improvs with the horns in …

** original copy ** Recorded in Italy in 1986, this solo set by Mal Waldron draws from a rich range of sources and traditions. Update songs An inventive composer, arranger and player, these six pieces combines melodic directness with percussive harmonic support. Update album for sale Opening with his own "Free for C. Update CD music T., " he moves into the realm of standards for most of the set, visiting works by Dizzy Gillespie, Sammy Cahn, and Frank Loesser, among others. His "Variations on a …

* Original 1979 vinyl edition of the album. Few copies available. Sealed copies * Drummer Andrew Cyrille and alto saxophonist Jimmy Lyons developed an impressive chemistry during their years with Cecil Taylor. Cyrille's array of percussion instruments and mastery of multiple styles, from hard bop to Afro-Latin, enabled him to play rippling rhythms or light, tinkling lines, attack, or lay back. Lyons' alto solos were alternately driving and soft, sometimes searing in their intensity, sometimes mo…

** original copy ** 'The music is one of two tracks that make up the entire album, one on each side as it was originally released as an LP, and each over 20 minutes long. The other side is the titled “Psalm”. The recording was made live to two track at Studio Henry, later known as One Morten Street. The trio was put together just for this gig, and features Butch Morris on cornet, William Parker on bass, and myself on piano, some kind of crummy organ, and electronics-including an Aries synthesize…

*Original Divergo LP edition* As we’re becoming steadily aware, Gigi Masin and his mates made some truly beautiful music in the late ‘80s which is only just properly coming to light in recent years.  Blessed with an almost ineffable air of sophistication and a sort of Venetian play-of-light, their music had existed quietly on the fringes, minding its own business until Music From Memory illuminated their work with 2014’s gorgeous Talk To The Sea compilation, and we were subsequently smitten with…

** Original 1984 copies ** GRRR presents La Mise En Plis by Michele Buirette. Artwork – Patrice Roger. Recorded By, Mixed By – Jean-Jacques Birgé. Michele Buirette - accorden. Helene Sage - flute. Bernard Vitat - trumpet. Didier Petit - violancello. Ge Cabannes - contrabass.

Amazing find, a few original copies available (still sealed) of the rarest, privately released, Raffaele Serra album - "Second LP from prolific experimental Italian artist Raffaele Serra with '89 release Ritual In Transfigured Time.  This one's a real mish-mash of inspiration, drawing on his home country's rich history of avant-garde and minimalism whilst also nodding to the more dramatic synth themes a'la Tangerine Dream / Schultze as Richard Wahnfried and 4th world styles set out by Jon Hassel…

*In process of stocking. 2022 stock* "Alterations on record is a bit like listening to the soundtrack to a movie without the picture show. Essential to their 'performance' was the aspect that making music can be both visually & musically entertaining; which hints at the notion of entertainment as a valid musical form - and suggests that 'High Art' can be born from "playing for laughs" - (which the Alterations perfected to such a fine art as to become 'flavour of the month' for a year or two). At…

*In process of stocking. 2022 stock* "...the music you can listen here on this CD is result of collaboration of musicians from five countries gathered for participating in DIMC held in Rudme in summer 2001. Some compositions are examples of collective improvisation notated graphically, by different ways. Thus, graphical score can look like a sort of "verbal instruction" for performers, with a prescription how selected musical models interact. It is this way by which pieces by Henrik Rasmussen an…

*In process of stocking. 2022 stock* "This CD features music from concerts with Intuitive Music Group (founded 1990) and from some of its members' touring activities in Poland and Russia. It centers around composer and pianist Henrik Ehland Rasmussen. There are three long solo pieces, including one based on a formula given by his countryman Niels Viggo Bentzon, in which countless varied statings of the formula produces an astounding number of ever-developing pianistic phenomena. The other pieces…

*In process of stocking. 2022 stock* "The Group for Intuitive Music originated in 1974 around the Copenhagen University Institute of Music with Jørgen Lekfeldt and his piano teacher, Elisabeth Klein, as the founder members. Carl Bergstrøm-Nielsen, Anders Keiding and Niels Rosing-Schow, also students at the same place, joined the group. Pieces from Stockhausen's verbally notated collections From the Seven Days and For Times to Come constituted the group's first repertoire. Soon, however, it devel…

*In process of stocking. 2022 stock* "There is a particular approach to improvisation which can seem slightly strange when you first encounter it, although it's been around in free improv at least since the days of the AACM, and so probably since free improv existed at all. This approach finds a commonality with field recordings of "exotic" musics rather than with the studio, and seeks, one way or another, to embrace that commonality in a non-contradictory way. Rohstoff represent one way of doin…