VOD special sale
Quartz Mirliton Cassettes
Biggest Tip! Quartz-Mirliton Cassettes has been among the most obscure of 1970s experimental music labels. This forthcoming VOD release, presented in two boxes, throws light on this mysterious cassette venture, its context and associated recordings. Closely associated with the London Musicians Collective, Quarz was launched by Paul Burwell and David Toop in 1977. Produced in tiny editions with handmade covers, the cassettes largely documented live sessions and field recordings made by a close ne…
Los Angeles Free Music Society -1974~1983+
Building on the back of a pretty stunning series of releases over the last year and beyond, Vinyl on Demand returns with one of their most ambitious outings yet, Los Angeles Free Music Society's "-1974~1983+", a stunning, deluxe 13LP box set - issued in a limited edition of 500 copies - of early material that has never before been issued on vinyl, from one of the most important outfits in underground, experimental music from the American west.
Vaulted visions filmworks, synth pop, demos 1978-85
A founding figure of New York's early electronic music underground, finally excavated in full. Richard Bone began his journey in the early 1970s, studying drama at the New York Academy of Theatrical Arts while obsessively collecting reel-to-reel tape recorders and rewiring their circuits to create his own primitive electronic compositions. This fascination with sound design led him to create scores for experimental off-Broadway theater, and by the late 1970s he had emerged as one of the key figu…
Campaign Volume I & II: 1979-2020
Sutcliffe Jugend Vol. I and Vol. 2 'Campaign 1979-2000'. Two Box Sets and 20 LPs celebrating Sutcliffe Jugend’s 44th Anniversary of their first music experiments in 1979, VOD-Records is proud to announce the release of an ultimate deluxe retrospective set including 2x10 LPs wooden box with booklet, certificate and t-shirt with special sleeves + booklets + t-shirt.
Founded in 1982 by Kevin Tomkins, who would depart less than a year later to join Whitehouse, the English transgressive art unit, Su…
Requiem in the Sun / Re-Musick / Demise Symphonika
This is the first in a series of various compilations to come with a focus on the 80’s japanese Minimal/Synth/Wave and electronica. While Japan is very known for the Japanese Noise (almost as Germany is known for NDW (Neue Deutsche Welle) or 70’s Kraut (Progressive).Electronic Music this aspect of the 80’s Japanese Music Culture still seems to be less explored and exposed to the interested listeners. In the early 80’s you had several outstanding labels such as Vanity releasing great artist…
The Vanity Box Vol. 1
The Vanity Box Vol. 1 presents an anthology of releases by legendary Japanese DIY label Vanity, active in the late '70s and early '80s. The box includes 5 LPs which offer the following contents:LP-1 R.N.A. Organism - R.N.A. Organism Meets P.O.P.O.(Vanity 0006, originally released in 1980)This is the only album by the anonymous unit, R.N.A. Organism. The album is based on a cassette tape which was airmailed from London. It also happens to be the first group produced by Kaoru Sato of EP-4. R.N.A. …
Bryn Jones - Complete Oblique 1980-1983
Limited CD Box with t-shirt and slipmate. Vinyl-on-demand presents the definitive excavation of Bryn Jones' formative years with Complete Oblique 1980-1983, a comprehensive 7LP/7CD box set that collects every recording from the pre-Muslimgauze era. This extraordinary archaeological document captures one of experimental music's most prolific figures in the crucial period before his transformation into the underground legend we know today. Between 1980 and 1983, working under the moniker E.g Obliq…
1982-1989
Excellent wide-ranging minimal/synth & Wave-tunes by one of the most outstanding female artists in the 80’s cassette-culture and wave/underground releasing a total of 4 Tapes, one Lp and contributing to numerous Cassette- and Vinyl-compilation. Tara Cross was always exposed to music as a child. Her family, being second generation in the United States from Ireland, kept their roots by filling the household with lots of Irish and American music. Her father was a great singer and an admirer of Bing…
Studio 12 - Recordings 1980-84
Wonderful limited 444 Collaboration-Release between VOD and Blowpipe to celebrate one of the most exciting dutch 80’s Tape-Labels. Musical harvest of Studio 12, the postpunk cassette label of the Haarlem Dutch Ultra movement. Beginning of the 80's artists and musicians mingled in squatted places to create, in the true DIY-Vain, an unique blend of minimal- electronics, drones, soundscapes and tribal music.
Bands like Nexda, Smalts, Vitaal, Die Krü Blødt, Cargo-Cultus still sound fresh and exci…
Situation Modulaire
Local Distorsion is a French duo formed in 2012 consisting of Cyril (vocals, lyrics, synthesizer) and Caroline (vocals, lyrics). Explicitly described as an "illusory collective concept," the project draws on surrealist and nihilist literature, metaphysics, and the aesthetics of the 1980s DIY scene as filtered through a contemporary sensibility. Rather than claiming a fixed identity, Local Distorsion operates across different group names and tonal approaches to move freely between coldwave, minim…
Pointless
Greg Horn started out in West Lafayette, Indiana as guitarist and vocalist of Dow Jones and the Industrials, a punk and new wave band with a wiry, keyboard-inflected sound that earned them a split LP with the Gizmos in 1980 before the group dissolved in 1981. Horn relocated to Phoenix, Arizona, where he found work at the PBS station KAET and met synthesist Galen Herod. Together they formed Tone Set, the minimal synth-pop duo that released Cal's Ranch and Calibrate and earned rare praise from Mar…
Park Holme Recordings 1983-89
On Synth Pop Art, The Toy Shop turn Paul Klein’s one‑man Leeds project into a sharp, neon‑lit partnership with Philip Walsh, distilling early‑80s UK minimal synth, big‑chorus ambition and nearly‑was pop history into a tight set of lost singles.
Kinky Tape Collection 1981-1983
K2 is the project of Kimihide Kusafuka, born in Shizuoka, who began his musical activity in 1981 devoting himself entirely to recording noise and experimental music — before the term "noise music" as a genre had even been established. Over the following four years he released around 20 tapes on his own Kinky Tape Collection label (later renamed Kinky Musik Institute), working across several radically different noise styles simultaneously. Alongside Masami Akita (Merzbow), Hijokaidan, and Toshiji…
A Celebration of iDeath
Funeral Danceparty began in 1979 in Newcastle. Their debut cassette, The Curiosity Shop (1980), was advertised in the national weekly music paper Sounds in the established DIY fashion of the era: interested parties were requested to send a blank cassette and a self-addressed envelope. Approximately 100 copies reached destinations worldwide. A national fanzine review compared the music to Cabaret Voltaire, Faust, and The Residents. Their second cassette, The Attractions of Fixed Interest, was als…
Recordings 1979-1983
Everfriend was the project of New Jersey-based keyboardist Bill Rhodes (real surname Rupprecht), operating with drummer Mike Jacoby and bassist Paul Kozub, all previously connected through a band called the All Night Flyers. Rhodes self-released Everfriend's recordings between 1980 and 1983 on his own Jazzical Records label in very limited vinyl editions: Tropicsphere (1980), Sphere of Influence (1981), and Shoot to Kill (1983), the latter first released as a tape. The project sits in an unusual…
We Are Young And Stupid
On 29th April 1982, the final year degree show at the Royal College of Art in London gave birth to a project that had no clear precedent. The Death and Beauty Foundation, initiated that day by Val Denham alongside Mike Wells, Nick Coombe, Stuart Jane, Elita Denham, and Antal Nemeth, began as a performance/action group with experimental sound. The first recordings — the "Darlington Tapes" — were made by Denham and Andrew McKenzie of The Hafler Trio in 1982, establishing a connection to the wider …
Applied Synthesis
Bill Rhodes was a Florida-based synthesist and composer who spent the 1980s building an idiosyncratic body of work across a series of self-released cassettes and limited vinyl pressings, entirely outside the commercial music industry and largely unknown beyond the tape-trading network he plugged into through South Florida connections and fanzine advertisements. His music was described by Boomkat as spanning "lounge jazz flair to doomy John Carpenter feels," evoking a library's worth of themes an…
Thealonian Music
Ash Wednesday is an Australian musician from Adelaide who arrived at the late 1970s Melbourne post-punk scene via the proto-punk group JAB, whose tracks appeared on the Suicide Records compilation Lethal Weapons, and then via The Models, a band he co-founded with Sean Kelly that would later become a chart-topping pop group while Wednesday himself moved in a very different direction. His experimental work from the early 1980s unfolded across several parallel projects: solo electronic pieces; Mode…
Recordings 1979-83
Malcolm Brown is a Scottish electronics and minimal synth artist who has been active since the late 1970s, working from council flats in West Lothian with whatever equipment he could assemble: a Casio VL Tone, electric guitar, bass, piano, a Shinei Fuzzbox, a Dual Octave Box, a WEM Copycat echo unit, a Dr. Rhythm drum machine, electronic percussion pads, an Akai GX 4000D reel-to-reel recorder, and a Hitachi stereo tape deck. His early collaborations with Robert Lawrence of Quick Stab Products in…
The Blackwing Sessions | Demos 1982 / 83
On The Blackwing Sessions, Demos 1982/83, Robert Marlow opens the vault on his pre‑Peter Pan Effect sketches, capturing Basildon synth‑pop at source: raw Vince Clarke sequences, Eric Radcliffe grit, and songs caught mid‑mutation between bedroom dream and major‑label mirage.