Upcoming releases

Large-format hardback from Soul Jazz on the sleeves of Folkways Records, most by designer Ronald Clyne: hundreds of covers for Woody Guthrie, John Cage, Lead Belly, Allen Ginsberg and many more.

Morricone's 1972 score for Nino Zanchin's film, from the original mono masters: a love theme sung by Edda Dell'Orso and psychedelic harp pieces with echo, back on CD after twenty years.

First reissue of the Norwegian percussionist's debut, recorded in 1981 at Henie Onstad Kunstsenter: vibraphone, marimba, bells and synths over environmental recordings, between Midori Takada and Fourth World.

Three Panasonic remixes made in 1996 by Zoviet France and by Muslimgauze, found on DAT decades later and issued by Sähkö in 2020: one side of Zoviet France, two Muslimgauze pieces. Repress.

Pete Shelley's 1974 electronic recording, made two years before Buzzcocks on a home-built oscillator and a two-track tape recorder: drones, feedback and echo, on CD for the first time.

fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…

*200 copies limited edition* Twenty years after its original release, The Sound Of Lights When Dim remains a remarkable opening statement from Drew Sullivan’s Slow Dancing Society. First released on September 6, 2006, the eight-track album established a musical language that Sullivan would continue to explore and refine for the next two decades: slowly unfolding electronics, treated guitar, soft rhythmic movement and melody shaped less by conventional structure than by memory, atmosphere and emo…

Across the group's 20 year history, Martin Archer and Hervé Perez have never allowed Inclusion Principle to stand still.

Gidon Kremer and Kremerata Baltica play Georgs Pelēcis' title concerto, written for Kremer, Andrius Žlabys' Kaleidoscope of Lost Time and two works by Arvo Pärt, Passacaglia and Darf ich.

Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.

Lucrecia Dalt's score for Bryn Chainey's folk horror Rabbit Trap, a film about the power of sound: humming drones, unnerving loops and garbled fairy chatter, with Aaron Dilloway on one track.

Skullflower's 1989 Broken Flag debut, the birth of British drone-noise-metal, back on vinyl for the first time in over thirty years, with Matthew Bower, Stuart Dennison, Stefan Jaworzyn and Stephen Thrower.

Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.

The 1993 RRRecords session, the heaviest Skullflower record of the first decade: Matthew Bower, Stuart Dennison and Russell Smith in five long pieces of droning, chaotic dissonance.

Ikue Mori and Craig Taborn, the duo Highsmith, return after ten years and open up into three trios with Bill Frisell, Tomeka Reid and John Zorn, plus a few quintet pieces.

Raoul Björkenheim on guitar and Paal Nilssen-Love on drums, old partners from Scorch Trio, in nine pieces of free music recorded in Helsinki: wild and raw, at times delicate and introspective.

Giancarlo Toniutti in a book-length conversation with Aram Yardumian, from his teenage tapes to Xenakis, René Thom and field recording, with archival photos, a full index of works and a CD of three new pieces.

Alvin Curran conducts the Iato Orchestra, thirty musicians with voice, reeds, brass, strings, harp, accordion, guitars, vibraphone, basses, two drummers and four electronics players.

Spencer Clark returns as Monopoly Child with five electronic sound paintings inspired by Rome's Villa Borghese gardens: distorted voices, transformed bells and luminous synthesizers as a manual of levitation magic.

Wolf Eyes' first full-length as the core duo of Nate Young and John Olson since 2023: twelve tracks of warped kicks, skittering drum synth, narcotized vocals and Olson's homemade reeds.

Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.

Ennio Morricone's 1977 score for Pasquale Festa Campanile's road thriller with Franco Nero, Corinne Cléry and David Hess, with Edda Dell'Orso and I Gladrags: first reissue since the 500-copy original, restored from the master tapes, in a digipack.

Roxy Music's 1973 second album, the last with Brian Eno, remastered on 140g black vinyl with a second disc of unreleased AIR Studios outtakes and the Eno tapes of the title track, in a gatefold sleeve curated by Bryan Ferry.

Two unreleased late works by Pierre Henry for his centenary: Variance (2005), a fugal homage to Luc Ferrari, and Duo (2003), a gestural rhapsody for feedback and piano dedicated to Maurice Béjart. Licensed from Studio Son/Ré.

First vinyl reissue of Morricone's score for Henri Verneuil's 1971 heist film with Belmondo and Omar Sharif: crime grooves, lounge jazz and Edda Dell'Orso's voice under Bruno Nicolai's baton, plus two rare Astrud Gilberto sides.

A collector's field guide to 400 spiritual and cosmic jazz records, from the mid-1960s to today, chosen and annotated by Amir Abdullah and Manu Boubli, with rarity scores and lists by Gilles Peterson, King Britt and Matthew Halsall.

Isik Kural’s Motorcycles and Cherry Wind is a sonic travelogue of stories waiting and wanting to be told, of seekers passing through a loop of time as they become witnesses to the glories of the ancient ruins. The album holds sounds of timeless quality—like inherited folklore, draped with secondhand nostalgia—taking the shape of whoever is eager enough to claim it as their own. Rich and full of character like the dusty mystery of an archeological site, Kural whispers to the living and the long g…

Wil Bolton’s forthcoming album, Strewn with Crimson, is an evocative sonic portrait of East London’s Lea Valley. Shaped by the region's wetlands, marshes, and industrial edgelands, the project weaves together site-specific field recordings, found objects, modular synthesis, and processed acoustic instruments. The album’s title draws inspiration from the wild poppy and herb-robert flowers growing across derelict Victorian filter beds, symbolising a complex landscape where rich biodiversity and ec…

On his debut album, Genius Loci, London-based producer Pavel Doronin combines modular electronics with theremin, saxophone and a rich array of field recordings, mapping out a psychogeography that criss-crosses from the Bavarian banks of the Danube to the Irish Sea and back again. Doronin's breadcrumb trail suggests an urban drift from tennis court to medieval gate, eroded signs and municipal heraldry caught in relief like hallucinatory wax rubbings. Soaring melodies (courtesy of guests Grégoire …

While nightmares are deeply personal, they simultaneously reflect broader societal conditions. — m preis

*100 copies limited edition* I went looking for a dictionary definition of brutalism, trying to understand it a bit better. It had been our starting point since the first rehearsal. But did we actually understand it? Does any of it have something to do with our music? Does it even make sense — instrumental pieces inspired by buildings?We didn't set out to make a genre out of it. We set out to strip things down. Take a melody, take a rhythm, cut away everything that isn't essential — no polish, n…

Celebrating the 100th release on Kit, The Hague artist — and overseer of esteemed Plafond and Rubber imprints — Ruben Verkuylen squints through the telescope to reveal a high-rise debut of constructivist electronics and domestic bricolage, as The Social Lover. 'Vertical Vignettes' looms like a cutaway apartment block of overlapping lives and skintled brickwork. These are less songs than scenes; inspired in equal measure by Jacques Tati's 'Playtime' and Georges Perec's 'Life: A User's Manual', Ve…

“…pretty wild… with aspects of surrealism… a strange sort of pathos… a kind of absurdity… a kind of muted spectacularism…” — Neil Luck Nonclassical presents the latest instalment of the Outside the Lines-compilation series, co-curated with artist and composer Neil Luck, out on limited edition cassette and digital on 23rd October. Outside the Lines Vol. 8 brings together a seemingly disparate group of UK-based artists working in the gaps between composition, spoken word, performance art and elect…

Markus Müller's 288-page history of the Globe Unity Orchestra at sixty: Schlippenbach's liner notes, photographs by Gérard Rouy and Cristina Marx, interviews with Schlippenbach and George Lewis, new texts by Corbett, Lake and Gustafsson.

Since his 2013 debut album, Body Issues, Max Ravitz—better known to you and me as Patricia—has been zeroing in on the kernel of an idea. Across seven albums for labels like Opal Tapes, Spectral Sound/Ghostly International, and Acid Test, he’s applied his hand to a lean, focused vision of electronic music, paring away excess to lavish attention on carefully sculpted acid lines, stealthy drum programming, and warmly emotive melodies. For all their restraint, though, his tracks could never be calle…

Duo of Lino Capra Vaccina and Luca Formentini recorded during a five-day residency at Ritmo e Blu Studio in 2025, five movements between improvisation and composition; CD in digisleeve.

Dj Balli explores human pyramids from the Italian gabber scene to Catalan castells, Dahi Handi, Bo-Taoshi and the Venetian Forze d'Ercole; CD in an envelope with nine cards, November 2026.

Aldo Chimenti's history of Death In June, written with Douglas P.: from the punk years of Crisis to Operation Control (2023), with photographs largely from Douglas P.'s own archive, some never seen before. Softcover with French flaps, 516 pages.

Bassist, vocalist, & songwriter Al Cisneros lifts to higher heights his lifelong study of roots & dub musics on Dragonaut Dub. Lacquer cut at 45rpm by Kevin Gray at Cohearent & audiophile vinyl pressed by Fidelity Record Press to ensure dreadfully powerful sound system jubilations. 1st 200 direct order copies include eremite’s signature retro-audiophile inner-sleeves, hand screen-printed by Siwa Studios, Northern New Mexico.Al Cisneros is a founding member of the bands Sleep & OM. Dragonaut Dub …

A powerful "electric Miles" sounding band reinterprets a couple of classics  - In A Silent Way and Freedom Jazz Dance - and adds some wholly contemporary improvisation to the mix."2026 Is Miles and Coltrane's Centenary year and if Jazz music needs any Gods then surely they fit the bill without question. When I heard In a Silent Way for the first time back in 1970 when I was 17 (incidentally that was the first year I heard Coltrane as well) it truly was music like nothing I had ever heard before.…