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Upcoming releases

Sue​ñ​os acu​á​ticos
Water ripples all around, and echoing sounds stretch out into a shady sub aquatic habitat. Its dark corners slowly burst into view as cresting noises reveal fresh caverns teeming with liquid life. This is Sueños Acuáticos, the latest sonic exploration from Lamina, a musical project by French artist, Clarice Calvo-Pinsolle. Built from years of carefully gathered field recordings, the album constructs immersive, detailed soundscapes where watery environments, caves, and forests intertwine with dig…
Alene Et
On "Alene Et", Michaela Turcerová, a Copenhagen-based, Slovakia born musician, takes minutiae — the tiniest scrapes and breathiest hums — and distorts them into sprawling, collaged webs that barely resemble the instrument in its natural state. Each shard, when pieced together, makes a rhythmic, undulating sound born from the subtlest motions
Kuma Cove
“Music is my forever cove,” writes Portland, Oregon’s Luke Wyland of the ideas that give shape to Kuma Cove, his latest album under his own name. Though named after a real place on the Oregon coast, Kuma Cove casts its gaze far beyond the sightseer’s line of vision. Recorded live in the studio and blurring obvious lines between computer-based composition and electro-acoustic instrumentation, it is an album about flow, borders, transitory states, and shelter. Composed of discontinuous ripples and…
Duos
*300 copies limited edition* The first duo recording between towering free jazz saxophonist Paul Dunmall and the highly creative saxophonist Kevin Figes, sees them perform ten improvised pieces using an assortment of instruments, including various saxophones, clarinets and flutes. With no pre-composed themes or motifs, what you hear are two master musicians in the moment of creativity. The wholly improvised conversations seem to encompass and distil the history of jazz, moving between free and c…
Happy Apples
*300 copies limited edition* 'Happy Apples’ presents a collection of improvised duo exchanges between legendary free jazz vocalist Julie Tippetts, whose spell-binding vocals intermingle perfectly with saxophonist Kevin Figes’ atmospheric playing. Both musicians supplement the recording with an array of percussive devices, including the quirky tinkling 1970s toy that lends the album its name. The epic opening track “The Third Harmony” sets the mood for the recording as Tippetts displays a dazzlin…
And the Sky Breaks Open
These works were recorded late at night during long solo improvisations. A small table lamp illuminated the Moog guitar laid flat on a table surrounded by assorted found objects and guitar pedals whose multicoloured lights blinked delicately in the near shadows. Time moved slower. A sense of stillness and solitude provided a quiet contrast to the sounds pulsating around the room. Each take made as if it were an actual performance, the rule being always to finish the set. As much about training t…
Without Blinking
Angelo Harmsworth's lands on Warm Winters Ltd. with his newest album titled 'Without Blinking', imbued, as usual, with a kind of gentle de(con)struction. Comprising of two longer compositions and a shorter piece featuring Felisha Ledesma, 'Without Blinking' is music on the verge of collapse, barely held together by its syrupy textures, intoxicated rhythmic gestures and characteristically raw emotionality. It's Harmsworth trying to map the limits of the senses, playing with our perceptions of tim…
Ghost Meditation
*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
L’humeur Des Non Jours
Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it. For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …
Only Good Dreams For Me
On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…
Solar Motel (Expanded)
*2024 repress* Over the last two decades Philadelphia-based guitarist Chris Forsyth has released over a dozen critically lauded albums that have established him as one of today’s most unique and acclaimed guitar player /composers – a forward-thinking classicist synthesizing cinematic expansiveness with a pithy lyricism and rhythmic directness that makes even his 20-minute workouts feel as clear, direct, and memorable as a 4-minute song. In retrospect, Forsyth’s career can be divided into two per…
Rhythmetic: The Compositions of Norman McLaren
Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music. Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic s…
The Bloody Lady
Electroacoustic composer Claire Rousay (US) presents her new album, ‘The Bloody Lady’, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century. Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2…
Performs Monument Maker
The debut recording from the duo of multi-award-winning Scottish author David Keenan and Bruce Russell, the guitarist from the greatest underground rock band of the late 20th century, New Zealand’s the Dead C., was recorded live in Christchurch, NZ, as part of the Word festival in August 2023. A series of live improvised settings that pair readings from Keenan’s monolithic and critically-acclaimed modernist masterpiece, Monument Maker (White Rabbit 2021), with guitar and electronics from Russell…
Devonanon
10 years after their debut, City Of All Times audio-visual enquirers John B McKenna and Richard Greenan re-appear as Devonanon, to share the findings of a decade-long sonic experiment. Like its predecessor, Richard & John is a living, breathing collection of field recordings and compositions, gathered gradually from remote corners of the pair's lives. Familiar waypoints - interwoven microtonal synths, regurgitated live performances, polite whispering, and the gurgling hum of vehicles (land and s…
The Way Out of Easy
January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business. Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band th…
Ploutonion
*150 copies limited edition* "One to Many, Brightness to Darkness, Memory to Oblivion.Pluton Helios or Apollo Helios? When Massimo Pupillo and ILIOS visited the ancient site of Eleusis, Greece in 2019, Ploutonion (the entrance to the underworld) was their final destination. Recordings of the Ploutonion project started right after and were heavily inspired from the juxtaposition of the ancient and current state of things. The entrance to the underworld does not produce any poisonous emissions any…
Red Hot Ice
Dunmall continues his run of very special releases on Discus Music. Working with a nine piece group centered around his Birmingham based colleagues, and which includes double keys and electronics, Dunmall delivers a swirling mix of spacey big band music which breaks down into atmospheric and exciting open ended improvisations from time to time. Paul considers this to be a milestone release, and one which is unlike anything else in his extensive discography. Edited and produced with respect, love…
Recording Rites
“For me this music felt like coming home. Or perhaps I should say this feels where I should really be; proud to be associated with it.” - Sam Richards
It Was Always Time
It Was Always Time, the debut duo release from Berke Can Özcan & Jonah Parzen-Johnson out November 1 on We Jazz Records, is a refreshing and full-throated expression of joy and curiosity. In a year when 76 countries hold national elections and we find ourselves in an existential battle against apathy and cynicism, this effortlessly authentic album offers an innocent reminder that the antidote to stagnation is curiosity and the fuel for change is the joy of building something transformative toget…
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