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The racist stereotyping of blacks in the minstrel shows that enjoyed such enormous popularity during the latter half of the nineteenth century might be considered reason enough not to resurrect this material, but anything with so much cultural impact…
George Rochberg seems an unlikely revolutionary, yet it was he, more than anyone else, who dealt the crushing blow to serialist orthodoxy. A student of Gian Carlo Menotti at the Curtis Institute in Philadelphia, Rochberg began as a modern mainstream …
Perhaps from the habit of our nineteenth-century parlor-music tradition, perhaps from the frustration of trying to get orchestral works performed, American composers seem to have remained more active in the genre of the chamber sonata than their Euro…
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter's Riconoscenza is a short work for unaccompanied violin imbu…
The music of Charles Martin Loeffler (1861-1935) was a rarity in the United States. Much admired for its artistry, it was yet so individual and its Symbolist aesthetic so unusual that Loeffler acquired a reputation that set him apart from other Ameri…
John Harbison's music draws together gestures and ideas from musical worlds that reflect such favorite composers as Robert Schumann and Heinrich Schutz, the songs of George Gershwin, and the hieratic qualities of Igor Stravinsky. His work has always …
The Piano Concerto was Peter Lieberson's first orchestral work and was, from the outset, conceived with Peter Serkin in mind as the soloist. He wrote it after a long period of immersion in the study of Tibetan Vajrayana Buddhism. Throughout what Lieb…
This is the premiere recording of Samuel Barber's Antony & Cleopatra, written for the opening of the new Metropolitan Opera House at Lincoln Center in 1966. Along with Vanessa, it is one of the peaks of Barber's output and one of the great American o…
Vincent Persichetti's choral music plays an important part role in his output. In many ways his Mass is an orthodox a cappella Mass, its Renaissance heritage reflected in its use of a Gregorian chant as the unifying theme, and in its reliance on imit…
Brass bands flourished in mid-nineteenth century America and were an integral and indispensable part of the social, cultural, and political life of the land. Regimental bands assumed tremendous importance during the Civil War whilst civic bands suppl…
Comet-like radiance, conviction, fervent intensity, penetrating thought on many levels of seriousness and humor, combined with breathtaking adventurousness and originality, marked the inner and outer life of Stefan Wolpe, as they do his compositions.…
3 Phasis is the companion disc to the Cecil Taylor Unit, both set down over four miraculous days in April 1978. It too is a testament to the perfectionism and unpredictability that are hallmarks of Taylor's music. As always, he is the instigator and…
Music of the Federal Era is an excellent overview of late 18th and early 19th century compositions by Benjamin Carr, Oliver Shaw, Raynor Taylor and others, performed on period instruments. The variety of styles represented on this disc reflects two k…
In aboriginal times the coastal Indians of Northern California shared a tremendous wealth of food, clothing, and material goods. From Trinidad, California, to the Oregon border, the forests almost touch the Pacific Ocean, which gave the people the bo…
Of the numerous settings of Walt Whitmans poetry, and this poem in particular, Sessions's is generally agreed to be one of the very finest and most sensitive. His mature style - a highly personal, instantly recognizable mix of severity and control w…
The naive romanticism of the Jazz Age, when, as F. Scott Fitzgerald saw it, "people danced in a champagne haze on the rooftop of the world," was nowhere more clearly reflected than in America's popular music of the 1920s. The banal optimism, the desp…
An evergreen for Fourth of July festivities, this reissue of music from the American Revolution restores to the catalog a classic of the original Recorded Anthology of American Music. It is a scholarly and well-programmed musical recreation of a defi…
American society was much less homogeneous during the Great Depression (1929 - 1941) than it became after World War II. There were still quite sharply defined classes, divided along economic, geographic, and ethnic lines. Each group was affected by t…
The great age of the American march can be bounded by the years 1876 and 1926. This record gives a representative sampling of the American march during those halcyon years with a deliberate emphasis on some of the period's lesser-known and hard-to-fi…
This compendium of American piano music of the last half of the nineteenth-century is a potpourri of popular salon pieces and works of more serious aspirations. Together they conjure a characteristic portrait of the society for which they were compos…