Roger Sessions, Boston Symphony Orchestra, Seiji Ozawa
When Lilacs Last In The Dooryard Bloom'd (CD)
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Of the numerous settings of Walt Whitmans poetry, and this poem in particular, Sessions's is generally agreed to be one of the very finest and most sensitive. His mature style - a highly personal, instantly recognizable mix of severity and control with passion and serenity - projects the poetry now in simple chordal declamation, now in the long, high-arched melodies of which he is the master, conveying wonderfully the feel and variety of Whitman's lines. Over the years, Sessions's elegy has taken its place as one of the cornerstones of the American choral repertory.
Format
℗ 1977 © 1977 Recorded Anthology of American Music, Inc.
Release notes
℗ 1977 © 1977 Recorded Anthology of American Music, Inc.
| When Lilacs Last In The Dooryard Bloom'd | |||
| A1 | Part One | 5:35 | |
| A2 | Part Two | 16:09 | |
| B | Part Three | 20:25 | |
- Larry Rivers
- Artwork [Cover Art]
- Dominic Cossa
- Baritone Vocals
- Tanglewood Festival Chorus
- Chorus
- John Oliver
- Chorus Master
- Roger Sessions
- Composed By
- Seiji Ozawa
- Conductor
- Elaine Sherer Cox
- Design [Cover Design]
- Don Van Gordon
- Edited By [Tape Editor]
- David Satz
- Engineer
- Jobst Eberhardt
- Engineer
- John Hampton
- Engineer
- Ted Brosnan
- Engineer
- Buddy Graham
- Engineer [Mixing Engineer]
- Jerry Bruck
- Engineer [Recording Engineer]
- Justin Kaplan
- Liner Notes
- Michael Steinberg
- Liner Notes
- Florence Quivar
- Mezzo-soprano Vocals (A2,B)
- Boston Symphony Orchestra
- Orchestra
- Fay Foto, Boston
- Photography
- Milton Feinberg
- Photography By
- Andrew Raeburn
- Producer
- Esther Hinds
- Soprano Vocals
- Walt Whitman
- Words By [Poem By]



















































