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Melaine Dalibert, Anastassis Philippakopoulos

Piano Works

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The French pianist and composer Melaine Dalibert possesses an exquisite touch and engagement with his repertoire. On this new album he tackles the stripped-down music of Greek composer Anastassis Philippakopoulos, a key member of the post-Cagean Wandelweiser Collective, tracing out the delicate, sparsely mapped notes from a dozen contemplative, spacious miniatures.  The pieces are built around austere melodic fragments, all of which hang pregnant in the air, unfolding carefully before the next pattern drifts in. In every case the pianist’s timing and use of pedals enhance the resonances of each note. Dalibert never rushes, letting each tone ring out and luxuriously decay into eerie silence before moving forward.

There’s a hint of Erik Satie’s melancholic beauty in the music, but Philippakopoulos prefers to reduce his elegant themes to their raw essence, trusting in the way his elliptical lines generate a quietly enveloping atmosphere. What might feel ascetic at first glance blossoms into a gorgeously meditative environment, transformed by Dalibert’s impressive sensitivity.

Details
Cat. number: ELSEWHERE 010
Year: 2020

Release notes

Recorded at HD Studio in Saint Maugan, Britain, France on July 24, 2019. CD in a four-panel gatefold wallet.

Tracklist
Piano Works
1Piano Piece (2013)2:32
2Piano Piece (2014)3:07
3Piano Piece (2015)3:32
4Piano Piece (2016)2:52
5Piano Piece (2017)3:07
6Piano Piece (2018a)3:27
7Piano Piece (2018b)3:06
Five Piano Pieces (2005 - 2011)
812:39
923:05
1032:26
1142:31
1252:19
Credits
Denis Sorokin
Artwork
Melaine Dalibert
Composed By, Photography By
Taku Unami
Mixed By, Mastered By
Anastassis Philippakopoulos
Piano
Yuko Zama
Producer, Design
David Launay
Recorded By
Hervé Jégaden
Recorded By
Esoteros

“Laying one’s eyes on the vast flow of the waves, forgetting their sound and reimagining it from within: as for the unavoidable partiality of the framed image, the present moment of Philippakopoulos’ music also implies that which is beyond its extremes, it has no enclosed beginning nor end in that it does not narrate, but only contemplates, and in said contemplation its meaning is fulfilled.”