Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Veiled Erosion is not about resolution but about staying with paradox—where sound becomes a trace of relation, and music a gentle method of knowing otherwise.