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A cornerstone in European experimental and popular modern composition ! Formed around the core of jazz vibraphonist Christian Burchard and drummer Dieter Serfas, the group started his career in Munich in 1969. More than 300 musicians have passed thru' their ranks, from their colleagues in Amon Duül II (Lother Meid, Chris Karrer, Jimmy Jackson), Xhol (Hansi Fischer), Between (Roberto Detree, Peter Hamel) to renowned jazzmen (Charlie Mariano, Mal Waldron) and countless musicians from around the wo…
Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today.
This reissue re…
This 1971 album by the Hungarian jazz guitarist Gábor Szabó is a smooth jazz-fusion record blending psychedelic jazz, pop, and Latin influences. It includes one of Szabó’s best-known tracks, "Breezin’", later famously reworked by George Benson. The album is marked by melodic guitar lines, cinematic arrangements, and a polished, atmospheric sound typical of early-70s jazz fusion. Szabo also delivers a few stellar originals, showcasing his signature fusion of Hungarian folk music, jazz, psychedeli…
Dino Valente (1968) is the first and sole solo album by American singer‑songwriter Chester (Chet) William Powers Jr., widely known as Dino Valenti or Valente and celebrated as a founder and early leader of Quicksilver Messenger Service. Blending rock, folk and country with psychedelic undertones, the record pairs introspective, evocative lyrics with the quintessential West Coast sound of the era. Though it was largely overlooked upon its original release, the album has since been embraced as a c…
Terry Reid, the British rock icon whose voice has been hailed as one of the most soulful and dynamic of the late-1960s era, sees his seminal debut album Bang, Bang You're Terry Reid return to vinyl for the first time since 1977. This meticulously mastered reissue revives the powerful blend of blues rock, soul, and psychedelia that defined Reid's near-breakthrough moment in rock history.
The 1968 debut studio album by Terry Reid represents a powerful blend of blues rock, soul, and psychedelia, dr…
Get ready to ignite your turntable: Cal Tjader's seminal 1965 Latin jazz masterpiece Soul Sauce is back on vinyl for the first time since 1993. This vibrant reissue celebrates the album's enduring groove, fusing the vibraphonist's shimmering melodies with irresistible Afro-Cuban rhythms like mambo and boogaloo.
A cornerstone of Latin jazz, Soul Sauce captivated audiences with its tight, danceable grooves and accessible yet sophisticated arrangements. Tjader, the vibraphone virtuoso who bridged j…
Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl edition, remastered and available both in standard black and a limited burgundy pressing.
At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the f…
Far Out continues its exploration into the singular catalogue of Argentine guitarist and songwriter Agustin Pereyra Lucena with a special Record Store Day edition of his most celebrated album Ese Dia Va A Llegar. Agustín Pereyra Lucena was one of South America’s outstanding guitarists. Hailing from Buenos Aires but obsessed with the music of neighbouring Brazil, Agustin abandoned his architecture studies to pursue music full-time, earning friendship and collaborations with Brazilian music's grea…
Among the most luminous records ever issued by Popol Vuh, and one of the high points in the singular spiritual arc traced by Florian Fricke across more than three decades of work. Esoteric, reissuing the album on vinyl on July 31st, 2026 in a fresh cut prepared at AIR Studios, London, returns to print one of the essential statements of 1970s German music.
By the time Fricke entered the studio in Munich in 1974 with Daniel Fichelscher on guitars and percussion, Djong Yun on vocals, and Olaf Küble…
A foundational record. The opening chapter of one of the most singular spiritual journeys in European music. Esoteric returns Affenstunde, the 1970 debut of Popol Vuh, to vinyl on July 31st, 2026, freshly cut at AIR Studios in London, with the original cover artwork restored and an accompanying poster. When Florian Fricke brought a Moog III modular synthesiser into a Munich studio in 1970, alongside percussionist Holger Trülzsch and engineer Frank Fiedler, he was working with one of only a handf…
In the late 1960s, the coastal city of Paramonga, just a three-hour drive north of Lima, gave rise to a vibrant music scene shaped by surf, rockabilly, and tropical sounds. Among its protagonists were two musicians, Víctor Ramírez and Maximiliano Chávez, who, with their psychedelic guitars, Fender amplifiers, and wah-wah pedals, would define not only their own sound but also shape the musical identity of the region. Under the mentorship of their manager, Néstor “Romanito” Robles, the two guitari…
Join the Kyle Shepherd Trio on “A Dance More Sweetly Played” as they explore, collaborate and improvise on the ‘songs we like to play’. The album’s title is a dedication to the celebrated South African artist William Kentridge, with whom Shepherd collaborated on a joint-work “Waiting for Sybil” that has toured world-wide. In addition to ten Shepherd originals, perhaps most unexpected is the inclusion of an exquisite reading of Massive Attack’s ‘Teardrop’ and a deconstructed take of Journey’s ‘Do…
*100 copies limited edition* Museum Of No Art is the pseudonym of the artist and musician Mona Steinwidder. The pieces on the album A Serpent Called Emit document a two-year engagement with the clarinet and other woodwind instruments. In the search for simplicity, one encounters complexity. But the Museum discovers connections between the poles and lets them circle around each other. Impurities have found their place in it and hard cuts are intended to underline the volatility of the moment, t…
Across three decades of uncompromising sound, this series of vinyl reissues traces a raw and evolving lineage within Japanese noise. From the mid-1980s underground to the turn of the millennium, these works capture a continuous process of transformation—where noise is not only pushed to its limits, but constantly redefined.
Beginning with Solmania and the 1985 cassette H·A·D·A·Y·R·O, we encounter a foundational moment: a fiercely physical and experimental approach where self-built instruments, t…
Limited edition of 33 copies in black cardboard boxset. 1980. Working alone from his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, Maurizio Bianchi closed the chapter of his earlier Sacher-Pelz project and inaugurated, almost overnight, the body of work that would place him at the heart of European industrial music. Across roughly twelve months he produced an extraordinary run of…
This is where it begins. Recorded in May 1980 and self-released the same year as catalogue number 01, Industrial Tape is the founding document of the MB project, the first cassette Maurizio Bianchi issued under his new name after closing the Sacher-Pelz chapter. Working alone in his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, Bianchi laid down four pieces that would set in moti…
101 Copies. Recorded in July 1980 and issued shortly thereafter on Andrew Cox's YHR Tapes with the catalogue number YHR 005, Voyeur Tape was the first MB cassette to cross the Channel into the British industrial underground, preceding by a matter of months its companion Cold Tape, which would follow on the same imprint as YHR 006 before year's end. Together the pair formed Maurizio Bianchi's decisive entry into the small mail-order network through which European industrial music was circulating …
101 Copies. Recorded in the autumn of 1980 and originally issued the same year on Andrew Cox's YHR Tapes in the United Kingdom, Cold Tape marks the moment Maurizio Bianchi's music first crossed the Channel into the British industrial underground. After a feverish run of self-released cassettes that spring and summer under the MB name, working from his home in the Mantuan town of Pomponesco, Bianchi entered into correspondence with the small network of European cassette imprints that had begun to…
Edition of 101 copies. Recorded in June 1980 and self-issued the same year on cassette, Atomique Tape belongs to the legendary first wave of releases under the MB name, the moniker Maurizio Bianchi adopted that spring after closing his earlier project Sacher-Pelz. Across roughly twelve months, working from his home in the Mantuan town of Pomponesco, Bianchi produced an extraordinary run of self-released tapes that would, almost immediately, place him at the centre of the international industrial…
* Edition of 199 copies * Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno’s personal sound laboratory. At the heart of the album are…