Reissues
Inascoltable
*Special discounted pricing. 2026 stock* In our opinion, what hinders, deceives, and puts traditional musicians off track is that they know how to play, they have a whole set of notions that always push them in the direction of composing in a traditional manner. We'd like to see what happens when you're illiterate, but with a passion for music and the desire to engage with the rock legends we'd internalized, devoured over all those years." (from "Inascoltable, the book," edited by Oderso Rubini …
Mono Tono
*Special discounted pricing. 2026 stock* Skiantos had a void in their minds, and that was all they needed to revolutionize Italian music. They imported demented rock to Italy, drawing on an all-American, nonsensical movement (from Frank Zappa to Devo), fueled by the explosion of English punk. Before Skiantos, the only demented aspects of Italian songwriting had been the perverse (and perverted) obscenities of Squallor, who, while hilarious (sometimes even from a purely compositional standpoint),…
Allegato Sonoro - Amen This Is Religgion N° 2
This 1984 release marks the beginning of the intense split-tape activity that characterized and distinguished the Amen fanzine. From Alessandria, Viridanse debut here with 4 tracks that already prefigure the sound of a band destined to leave their mark on the Italian New Wave scene. On the B side, the debut of The Art of Waiting from Bari, 6 tracks of pure Gothic Rock from one of the cult bands of this music scene.
The Missing Boys - Selection Of Sardinian Wave 1980-1989
*2026 stock* “The Missing Boys” is a film born from the need to tell the story of the emergence and affirmation of a forgotten music scene, like much of the youth movement that spread in metropolitan areas as well as in the provinces more than forty years ago, dealing with the same critical issues of everywhere. It’s a story of mostly unknown bands, who from Sardinia, especially from Cagliari and Sassari, interrupt the blissful isolation of an island, only apparently distant from that revolution…
Live In Gorizia 8/12/1978
*2026 stock* Originally attached to the new version of the book "Skiantos una storia come questa non c'era stata mai prima e non ci sarà mai più" by Gianluca Morozzi & Lorenzo "Lerry" Arabia, now available wiithout the book.
In The Kingdom of Dub
*2026 repress* Hopeton Brown, better known as Scientist, has been a pioneering figure in the world of dub for 40 years. His early love of electronics proved fruitful when (still a teenager) he was hired at King Tubby's studio in Kingston. Brown quickly ascended the ranks and became heir to Tubby's throne, producing imaginative and technically impressive mixes that solidified his forward-looking nickname. Originally released in 1981, In The Kingdom Of Dub remains one of the best early LPs in Scie…
Torino 1994
*2026 repress* Late Lunch Records proudly announces the release of Pink Floyd – Torino 1994, a stunning, limited-edition 3×LP collector’s set capturing the iconic band live at Stadio delle Alpi, Torino, Italy, on September 13, 1994. This high-definition soundboard recording immortalizes one of the most powerful concerts of the The Division Bell tour in a crystal-clear, immersive format.
Recorded directly from the front-of-house soundboard, Torino 1994 transports listeners right into the heart of…
The Boy And The Tree
The Boy and the Tree was composed after a visit to Yakushima Island, an outstandingly beautiful world heritage site off the southern tip of Japan, scored by a deep, lush and ancient ravine, home of the ancient 7000-year old ‘Jōmon Sugi’. Tree. Also the inspiration for Miyazaki's epic anime Princess Mononoke, a conflict between the rampant greed and destructive force of humanity, and the stoic, mysterious fragility of nature.
This fleeting immersion in nature lent the album a profound introspecti…
Automation Studies Volume 1
This triple disc release documents Stefan Goldmann's earliest electroacoustic works. These clear-cut algorithmic compositions, mostly created between 1999 and 2001, were built entirely with the TC Fireworx processor's internal synthesizer and effects. Generated and recorded anew for this release with the original programs, a central component of Stefan Goldmann's sound aesthetic is revisited and becomes available in pure form for the first time. His proprietary Fireworx algorithms feature pr…
Dalbergia Retusa
Extraordinary double LP of solo guitar music by Hans Reichel (1949-2011), curated by Oren Ambarchi. Twenty-three pieces from 1973-1988 documenting Reichel's radical instrumental rethinking: custom-built guitars with additional strings, moveable pickups, special capos. Sounds simultaneously strange and beautiful, from romantic lyricism to alien sonorities. Essential.
Clear Light
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
No Way Out
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, killer covers of Stones material.
Follie del Divino Spirito Santo
Huge Tip! Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussotti, Pietro G…
Universal Light
Debut by a new string trio of Pelt and Elkhorn veterans with the wild card contributions of Kaily Schenker, creating a new variant of supremely pleasing acoustic-psychedelic-drone-Americana etc. “Lullaby>Summer Field” is an aptly named gentle rise, with Sheppard’s fingerpicked 12 string snaking through waves of elongated fiddle and cello. “Triode>Freedom” follows a darker minor-key ostinato with Gangloff’s keening melody over the top. “Freedom>Universal Blues” starts as a dirge and builds to a t…
Death Notes
Together, Samuel Kerridge and Maxim 'Panda' Barron conspire against the living with their electrifying new project, Death Disco. Drawing deeply from the rebellious roots of punk and the DIY ethos, the duo has crafted with their debut album ‘Death Notes’, a sense of urgency and authenticity. Samuel’s fierce vocal work and electronics gives the album an emotional depth that goes beyond its aggressive nature, while Maxim’s pulsating rhythms keeps cutting through the atmosphere with skin-stripping p…
Smoke Time
Blurt was founded in Stroud, UK, in 1979 as part of the post-punk movement by poet, saxophonist und puppeteer Ted Milton along with Milton's brother Jake, formerly of psychedelic group Quintessence, on drums and Peter Creese on guitar. After three albums Creese left the band to be replaced by Herman Martin on synthesizers who, after a year of constant touring left the band, and was replaced by Steve Eagles, former member of Satan's Rats, The Photos and Bang Bang Machine. Shortly thereafter Jake …
Raw Power
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.
Banco
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
Sketches Of Spain
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
The Final Tour: Copenhagen, March 24, 1960
On The Final Tour: Copenhagen, March 24, 1960, Miles Davis and John Coltrane turn a standard club set into a knife‑edge drama, Davis all poised understatement, Coltrane in full escape‑velocity experimentation over one of the greatest rhythm sections in jazz.