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2025 stock Ken Kesey's ultra rare 1966 studio recording of the Acid Test with The Grateful Dead. Legendary documentation of the 1965-66 Bay Area Acid Test scene from 14 hours of the actual trip (recorded in a studio). Lots of amazing mind games and word play with Ken Kesey and Ken Babbs in good form, ad libbed poetry, fractured harmonica solos, tape loops and the Grateful Dead lurking in the background. Originally released in March 1966. Originally released in 1966.
** Deluxe edition, Tip-on jacket, 24 pp booklet ** Sam Records continues its essential reissue series of Transition Records' visionary catalog with Jazz By Sun Ra Vol. 2, the companion piece to Sun Ra's landmark 1957 Jazz by Sun Ra Vol. 1. Originally intended as Transition TRLP-28 but left unreleased when the label folded, these recordings remained in limbo until Bob Koester rescued them for Delmark in 1968 as Sound of Joy [DS-414]. Now, over half a century later, this crucial document of the Ar…
** Deluxe edition, Tip-on jacket, 24 pp booklet ** Did you know that the short-lived Transition label released the first LPs, or first sessions as leaders of three of the greatest performers in modern jazz? Donald Byrd – Byrd Jazz – Transition TRLP 5; Sun Ra – Jazz by Sun Ra Vol. 1 – Transition TRLP 10; Cecil Taylor – Jazz Advance – Transition TRLP 19. Tom Wilson, its founder and manager, was undoubtedly a man of taste more than a businessman as the label had to close its doors after only two ye…
Herpes Ö DeLuxe’s Kielholen dives headfirst into the murky waters of industrial decadence. With Hinterzimmer as its unsettling core, the record dissects German cold wave through rusted machinery and post-human irony, a claustrophobic yet hypnotic experience simmering between performance art and corrosion.
** Deluxe edition, Tip-on jacket, 12 pp booklet ** Sam Records returns with a significant archival gem: the long-awaited reissue of Donald Byrd's Byrd Jazz, originally released on Transition Records in 1955. Capturing the Donald Byrd Sextet's electrifying performance in Detroit on August 23, 1955, organized by the New Jazz Society under the impetus of Kenny Burrell, this recording stands as a crucial document of both Byrd's emerging artistry and the vibrant Detroit jazz scene of the 1950s.
The r…
Blending heartfelt lyricism with a deep-rooted groove, Evidence For Real sees Lord Shepherd explore themes of faith, truth, and resilience. Through organic instrumentation and soulful delivery, the album captures an authentic soundscape where spiritual reflection meets contemporary musical expression.
A bold statement in jazz, rock, and soul fusion, Definitely What! finds Brian Auger & The Trinity crafting intricate grooves with magnetic energy. Hammond organ brilliance, inventive arrangements, and fearless experimentation make this album a compelling testament to the group’s genre‑defying spirit and enduring creative fire.
A landmark in jazz-rock fusion, Straight Ahead captures Brian Auger & The Trinity at the height of their creative synergy. Blending soulful grooves, Hammond organ power, and fearless improvisation, the album stands as a timeless showcase of musical spontaneity and expressive freedom.
** Second reprint limited edition to just 110 hand-numbered copies ** The 1990s were a fascinating moment for music and new idioms of experimental music began to bubble in the underground. While often belonging to highly localized scenes and thus overlooked by a broad listenership in the moment, many of these gestures have proven to be profoundly important and influential and have left an indelible mark on the musical landscapes that have followed in their wake. Particularly notable among others…
Liz Harris's debut as Grouper returns—the album that established her approach to ambient music as something other than comfort. Songs that refuse to be remembered, fog that won't lift, secrets kept just on the other side of the speakers. Kranky reissues the 2005 original.
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
*Limited Edition of 99 copies. Purple vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Framed by Almodóvar’s saturated, performative world, Ryuichi Sakamoto’s score for Tacones Lejanos (High Heels), newly reissued by Quartet Records, layers melancholy minimalism and luminous melodrama, offering ornament rather than excess, with bolero and chanson threading through Sakamoto’s reflective atmospheres. The soundtrack’s architecture is subtle, emotionally surgical, quietly powerful in its dialogue with Luz Casal’s iconic voice.
Deluxe 2LP Three-sided with etched artwork on Side 4. Raven Chacon begins by listening. The Diné composer, born in Fort Defiance, Arizona within the Navajo Nation in 1977, describes himself simply as a listener, but the attention he gives to sound encompasses far more than what's immediately audible—it includes what has been deliberately silenced. Yucca Alta Records now presents the first vinyl edition of Voiceless Mass, a three-sided double LP featuring Chacon's 2022 Pulitzer Prize-winning titl…
The tape Wildlife & it’s Results by Sue Fishbein, reissued by Counter Culture Chronicles, captures a collage-based soundpiece from early 1980s San Francisco. A key figure in the mail art network, Fishbein constructs an aural patchwork where found sound, irony, and cultural debris converge into a sharp yet playful critique of everyday noise.
From the archives vol. 13, released by Counter Culture Chronicles, gathers rare recordings from key figures such as Lawrence Weiner, Ulises Carrión, Michael Gibbs, and others. This collection traces the porous boundaries between conceptual art and sound, where language, gesture, and environment intersect in works both fleeting and resonant.
This tape by Dick Higgins, released by Counter Culture Chronicles, documents a 1977 interview conducted by Michael Gibbs in Barton, Vermont. A crucial Fluxus figure, Higgins reflects on intermedia, publishing, and experimentation, creating a vivid self-portrait where personal recollection and artistic theory flow into one another.
The tape Afrikan Klavierkonzert by Rolf Julius, recorded in 1980 and now reissued by Counter Culture Chronicles, reveals the German artist’s delicate approach to sound: sparse piano textures, environmental resonance, and a restrained poetics of listening that dissolve boundaries between music, silence, and space itself.
The cellist who became a living sculpture. Four decades of performances with Paik, Cage, Chiari — from WBAI broadcasts to the TV Cello. Now: 4CDs, 154-page book, 16 festival posters, plus a previously unreleased LP featuring answering machine messages and rare performances. Edition of 80.
The self-titled tape by Ulises Carrión, reissued by Counter Culture Chronicles, revisits his elusive Trios & Boleros, a work once privately circulated. Here, Carrión reimagines popular form through a deconstructed lens, where fragments of music and voice are refracted into conceptual gestures that linger between intimacy, satire, and radical sonic experimentation.