Reissues
Red Black & Green
This 1973 album captures Roy Ayers in the midst of a creative evolution toward a sound increasingly influenced by soul and funk, surrounded by accomplished collaborators such as keyboardist Harry Whitaker and Strata-East musicians Charles Tolliver and Sonny Fortune. The album includes outstanding versions of ‘Ain’t No Sunshine’ and ‘Day Dreaming,’ along with original compositions such as ‘Cocoa Butter,’ ‘Rhythms of Your Mind,’ and the superb title track, ‘Red Black & Green.’
In the early 1970s, …
El Pulso Del Acero: Shinkansen
El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and exp…
Lost Themes
The first solo album from the legendary director and composer of Halloween, Assault on Precinct 13, The Snake and many more! With the 15 films he has directed and composed the soundtracks for, John Carpenter has single-handedly defined the sound of the horror genre. The film music alone manages to instantly conjure up, in the musical memory of the devoted fan, the menacing figure lying in wait for the babysitter, the ghost-filled mist, the kung fu fighters with their lightning-fast fists, or the…
Rock För Kropp Och Själ
Expanded Content: Includes a Bonus LP of rare live material from Denmark and Gothenburg. "Rock för kropp och själ" stands as the final, definitve statement from Träd, Gräs och Stenar during their original tenure with the legendary Silence label. By 1972, the band had reached a breaking point. After five years of relentless touring - defined by marathon three-to-four-hour performances delivered four or five nights a week - the collective was physically and creatively spent. The weight of expectat…
Occult Concert
The transcendental guitar master's 1971 debut, remastered for all your sabbath needs. 37 minutes of ambient guitar witchcraft and the perfect soundtrack for third eye awakening, light alchemy, or human sacrifice. You could start a cult with this thing. California mail-order mystic Master Wilburn Burchette was first known from his ads, hidden in the back pages of Fate Magazine, Beyond Reality, and Gnostica News. On offer: Burchette's sevenpart, block-printed "Psychic Meditation Course," designed …
Secos & Molhados
On their self‑titled debut, Secos & Molhados compress poetry, glam‑theatre and electric Brazilian folk‑rock into a 1973 time bomb, turning MPB, Portuguese folklore and queer futurity into a mass‑market hallucination that still feels shockingly present.
Live at Yoshi's 1994
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
Jazz Flamenco
On Jazz Flamenco, Pedro Iturralde forges a taut, singing dialogue between Andalusian cante and modal jazz, letting saxophone and flamenco guitar trade roles as soloist and accompanist in a music that sounds both inevitable and newly invented.
Elis
On Elis, Elis Regina crystallises everything that made her singular: a precision‑tooled voice riding the fault line between control and abandon, bringing samba, MPB and jazz‑tinged arrangements to a rolling boil of drama and nuance.
Vida
On Vida, Chico Buarque folds everyday scenes, political undercurrents and bruised intimacy into a suite of songs where conversational melodies and sly, shifting harmonies turn ordinary lives into quietly explosive dramas.
Louvaçao
On Louvação, Gilberto Gil fuses Afro‑Bahian rhythms, Northeastern folk and sleek mid‑60s modernism into a luminous songbook where liturgical overtones, street poetry and swinging arrangements announce a new, restless MPB imagination.
Domingo
Domingo is the groundbreaking debut album by legendary Brazilian singers Caetano Veloso and Gal Costa, released in 1967 by the renowned Polydor label. This album captures the essence of traditional bossa nova, presenting smooth melodies and sophisticated rhythms that define the genre's timeless appeal. Although Domingo predates the tropicalist movement that Caetano Veloso would later champion, it offers a captivating glimpse into the early artistry and vocal interplay between two of Brazil’s mos…
Discorsi
Raskovich (Giuliano Sorgini) refines a single idea to a razor’s edge: lean jazz‑funk frameworks animated by flute, Rhodes, electronics and blaxploitation‑style orchestration, finally back in circulation after decades as a cult library secret.
Mattanza
50th anniversary limited edition. First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered. His father was an American soldier from North Carolina who left Naples when James Senese was eighteen months old and never came back. What remained was a saxophone, a surname that didn't fit the neighbourhood, and two musical worlds that Italian society had no language to reconcile. Senese found that language himself - first in the soul and R&B of the Showmen in the 1960s, the…
Io Sono Nato Libero - Legacy Edition
** First-ever 24Bit/192kHz remaster from the original tapes. 180g black vinyl, numbered, in a gatefold die-cut sleeve faithful to the 1973 original** Some records define an era. Io Sono Nato Libero is one of them - and perhaps, within the entire canon of Italian progressive rock, the one most resistant to any replica. December 1973. Banco del Mutuo Soccorso - the Rome-based group led by brothers Vittorio and Gianni Nocenzi, alongside vocalist Francesco Di Giacomo, guitarist Marcello Todaro, bass…
Last Live 1983
Double LP ltd to 300, black vinyl, 3 color (silver, dark blue & black) silkscreened jacket with obi (dark blue or paver red), with Miyanishi Keizo notes in French, English and Japanese, lyrics in Japanese and English and a postcard. Onna Last Live 1983 includes the final performance by the original line-up of Onna, the psych-rock project of revered Japanese manga artist, Keizo Miyanishi. Onna's legend has largely rested, until now, on one self-released and self-titled seven-inch from 1983. Reiss…
Africa / Brass
In 1961 John Coltrane joined the newly founded Impulse! label. The great saxophonist was coming off several impactful albums (Giant Steps) and a very notable — even commercial — success: that My Favorite Things which had made his soprano sax one of the “new sounds” that marked a turning year for jazz, the fateful 1959. Some people — despite obvious clues to the contrary — speculated a turn, if not toward commerciality, at least toward more palatable music: a Coltrane in some ways comparable to P…
Emanuelle E Gli Ultimi Cannibali
Back in stock with a brand new edition the score for Emanuelle e gli ultimi cannibali (Emanuelle and the last cannibals), a movie featuring our beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences: we see the Maestro more funky oriented. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude us preparing a variation on the …
Phew
Why did so many of the world’s most forward-thinking musicians gravitate toward Conny Plank’s studio at that time? Released in 1981, Phew was recorded at the legendary Conny’s Studio—home to seminal works by Kraftwerk, Neu!, D.A.F., and Brian Eno—featuring Phew, formerly of Aunt Sally.
The album brings together Can members Holger Czukay and Jaki Liebezeit, whose contributions, combined with Plank’s masterful engineering and Czukay’s innovative editing techniques, result in a strikingly original …
Black & Beautiful / Soul & Madness
Originally released in New York in 1968 on Baraka's own Jihad label, "Black and Beautiful Soule and madness" is a fiery document of the 1960s. It could be mistaken for a lost ESP-Disk release, sitting well between Sun Ra / the Fugs/ and Albert Ayler. The group was vocal in all the ways; sometimes singing, Doo-wop & Soul, sometimes rapping in a Last Poets-style, often doing both at the same time. Emotionally compelling and extremely powerful,we are proud to have it back in print on vinyl for the …