Reissues

German synth mystic Rolf Trostel at the sequencer. 'Der Prophet' unfurls stately, hypnotic electronic patterns: solemn, melodic and deeply Berlin-school. A private-press cosmic gem returned to the light.

'Water in the wind': Roedelius conjures flowing, weightless keyboard music of great delicacy. Melodies drift and eddy like the title, serene, warm and quietly transporting. Solo kosmische at its most graceful.

The sixth Selbstportrait, a musical diary. Roedelius revisits fragile keyboard improvisations, each a small remembered moment: intimate, melodic and deeply personal. The ongoing self-portrait of a kosmische master.

From the vaults: essential early tapes, 1973-78, from Cluster and Harmonia's melodic soul. Home experiments and sketches reveal Roedelius inventing his gentle electronic language in real time, a treasure for the devoted.

Roedelius at the keyboard, alone and unguarded. 'Piano Piano' offers spare, melodic sketches of great intimacy: neoclassical in feeling, ambient in spirit. The quiet, human centre of a pioneering body of work.

A stroll for pleasure. 'Lustwandel' gathers Roedelius's graceful piano-and-synth miniatures, tender, unhurried and quietly luminous, a proto-ambient forerunner of everything gentle in electronic music. Timeless kosmische calm.

'Fly bird fly': Roedelius at his most songful and light. Gentle keyboard melodies flutter and loop with folk-like innocence, the warm, melodic heart of the Cluster co-founder's solo work. Radiant miniature music.

'Through the desert': Roedelius sets out on solitary electronic wandering. Spare, hypnotic keyboard figures and dry, shimmering textures conjure vast imaginary landscapes, early solo kosmische of quiet, questing beauty.

Kurt Dahlke's debut as Pyrolator. 'Inland' collides sequencers, tape and early synths in short, sharp electronic sketches: playful, political and DIY to the core. The inventive nerve-centre of Ata Tak and the NDW.

'Abroad': Pyrolator's imaginary world tour on synthesizer and tape. Kurt Dahlke maps invented territories in bright, restless electronics, witty, inventive and unmistakably Ata Tak. German new wave at its most curious.

The self-titled debut of Jaki Liebezeit's post-Can group. Motorik pulse meets echo, dub and electronic haze: loose, driving and deeply hypnotic. Krautrock's rhythmic genius stretching out on his own terms.

Can drummer Jaki Liebezeit's own vehicle. Phantom Band ride his inexhaustible groove into dubwise, hypnotic krautrock: spacious, propulsive and endlessly funky. Rhythm as pure hypnosis, from one of the great German drummers.

Baumann's brightest solo record. 'Trans Harmonic Nights' sets crisp sequencer motifs against warm melody: the Berlin-school grammar sharpened into concise, luminous electronic pop. Tangerine Dream's pop instinct, distilled.

The Tangerine Dream man's debut solo statement. 'Romance 76' splits between pulsing electronic sequences and orchestral romanticism: lush, melodic and forward-looking. A landmark of the Berlin school stepping toward song.

Tangerine Dream's keyboardist in solo flight. 'Nightfall' glides on elegant sequencer patterns and widescreen synth melody: the Berlin-school aesthetic at its most polished and songful. Cosmic music with a pop pulse.

An unlikely trio: Cluster's Moebius, Guru Guru's Mani Neumeier and Die Krupps' Jürgen Engler. 'Another Other Place' grinds electronics, percussion and industrial edge into taut, exploratory grooves, three generations of German sound in dialogue.

Cosmic bass explorer Michael Bundt goes fully electronic. 'Electri City' rides propulsive sequences and interstellar synth sweep: Berlin-school motion with a rock heart, a lost gem of German space music returned.

Rev's earliest experiments unearthed: cassette recordings, 1973-85. Skeletal drum-machine pulse, raw keyboard drones and proto-Suicide menace, the primordial ooze of minimal electronics, captured as it first formed.

The first solo record from Suicide's synth architect. Rev strips everything to skeletal drum-machine pulse and cheap-keyboard melody, at once brutal and strangely tender. A foundational document of minimal synth.

Martin Rev turns to reverie. 'Les Nymphes' drifts through delicate, looping electronic tone-poems: melodic, meditative and unadorned. The Suicide co-founder in intimate, luminous solo flight.

Rev at his most beatless and beatific. 'Clouds of Glory' floats on cheap-keyboard hymns and shimmering repetition: devotional, lo-fi and strangely sublime. The gentlest, most transporting corner of the Suicide man's solo world.

Suicide's synth architect goes solo and lyrical. 'Cheyenne' trades menace for melody: bright, looping keyboard motifs and toy-box rhythm, naïve and radiant. Minimal electronics with an unexpectedly tender heart.

'Electronic music from Berlin, 1985-87.' Lapre's private-press sequencer explorations glide through classic Berlin-school terrain: pulsing arpeggios, cosmic pads and patient build. A cult synth artefact rescued from obscurity.

The former Kraftwerk man's sharpest solo statement, turning the man-machine aesthetic on media overload: crisp electro-pop hooks, cool precise synthesis, melodic and ironic. The Düsseldorf pop tradition intact.

A Dutch composer's private synthesizer odyssey, 1977. Andriessen conjures a 'trance symphony' on Minimoog and Rhodes: luminous, minimal and quietly euphoric, drawing on Berlin and Düsseldorf electronics rather than the concert hall.

Finland's cosmic showman in early form. 'Sähkömies' pairs cheap analogue gear with sci-fi imagination: lo-fi electro, wonky disco and space-jazz leanings, all delivered with Jimi Tenor's singular deadpan charm. Homemade futurism.

Before Camouflage: teenage demo tapes, 1984-86, from synth-pop craftsman Heiko Maile. Bedroom sequencers and bright melodic hooks capture a gifted talent forming, a charming, revealing document of German synth-pop in the making.

A cornerstone of German cosmic music. Ashra and Klaus Schulze drummer Harald Grosskopf steps out solo, wedding propulsive live drums to shimmering sequencer bliss. 'Synthesist' is euphoric Berlin-school pop: melodic, driving, timeless.

'Open doors'. Roedelius invites the listener into gentle, exploratory keyboard pieces, half-composed and half-dreamed. Warm, unhurried and melodically generous, the Cluster co-founder in intimate, searching mood.

'Happy moments', and it sounds it. Roedelius spins fragile, looping keyboard miniatures of great warmth and melodic grace, the gentler, sunlit side of the Cluster and Harmonia mastermind. Quietly radiant kosmische ambience.

The master of the echo-guitar, alone in the wilderness. Schickert layers cascading, delay-drenched guitar into trance-inducing krautrock ritual: hypnotic, psychedelic and deeply cosmic. Solitary genius from the Berlin underground.

French minimal-wave shadows from the cassette years, 1980-83. Fondation's cold drum machines, brittle synths and noir atmosphere distil an entire underground era: austere, romantic and hypnotic. A coldwave excavation.

The lost album. Recorded in 1974 and shelved for decades, 'Punkt' captures Faust between anarchy and melody: brooding, expansive and strange. A missing chapter of krautrock history, finally heard.

The fourth trove of Faust rarities. Studio sketches, false starts and sudden brilliance from rock's great disruptors, proof that even the offcuts of this collective crackle with fearless, unrepeatable invention.

Volume three of Faust's archival 'snapshots'. More unheard fragments from the krautrock legends' vaults: collage, groove and glorious chaos, the sound of a band that treated the studio as both demolition site and playground.

Snapshots from the Faust vaults, unheard studio moments from krautrock's most anarchic band. Tape collage, motorik grooves and pure sonic sabotage sit side by side, a document of the collective's fearless early-'70s experimentation.

Der Plan sharpen their cracked pop craft. 'Normalette Surprise' fizzes with cheap synths, tape trickery and gleeful absurdity, the Düsseldorf collective turning DIY electronics into surreal, catchy miniatures. Essential NDW.

Der Plan's riotous debut, a founding shot of Neue Deutsche Welle. 'Geri Reig' is anarchic, homemade electronic pop: dime-store keyboards, Dada humour and pure Ata Tak irreverence. NDW at its most inventive and unhinged.

The Ata Tak pranksters score a film. Der Plan's soundtrack to 'Die letzte Rache' is gleeful, cracked electronic pop: toy synths, absurd humour and genuine invention. The mischievous engine room of German new wave.

Solo home electronics from Liquid Liquid's percussionist. Between 1984 and 1988 Dennis Young taped melodic, marimba-tinged synth miniatures, bright, rhythmic and disarmingly personal. A private cache of downtown-NY DIY.