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With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.
Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…
Recorded in 1966, Os Afro-Sambas is a groundbreaking album that fuses traditional samba with Afro-Brazilian spiritual rhythms from candomblé and umbanda. The collaboration between virtuoso guitarist Baden Powell and poet Vinícius de Moraes creates a deeply evocative soundscape, blending haunting melodies, rich harmonies, and intricate arrangements. Featuring the vocal harmonies of Quarteto em Cy, the album honors Bahia’s cultural roots while expanding the expressive possibilities of Brazilian mu…
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
Image 1983–1998 by Susumu Yokota collects fifteen years of sonic fragments tracing the evolution of his ambient vision. Recorded between early tape experiments and late‑1990s compositions, it bridges lo‑fi intimacy and polished minimalism, revealing the contours of an artist forever balancing wonder and restraint.
With Sakura, Susumu Yokota unveiled an ambient masterpiece that blends sampled fragments of jazz, minimalism, and Japanese melody into a contemplative whole. Released in 1999 on Skintone and later on The Leaf Label, the album turns repetition into poetry, infusing electronic textures with a deep human warmth.
With Grinning Cat, Susumu Yokota continues to refine his delicate ambient universe through a dreamlike balance of melody, texture, and silence. The 2001 album merges found sounds, piano fragments, and vaporous rhythms into an otherworldly narrative of domestic tranquility and imaginative reverie.
A monumental document of Magma at their most powerful! Recorded over two nights during the band's 30th anniversary celebration at the Trianon theater in Paris (May 13-14, 2000), this is the first and only recording to present the complete Theusz Hamtaahk trilogy in its entirety: "Theusz Hamtaahk" ("Time of Hatred"), "Ẁurdah Ïtah" ("Dead Earth"), and the legendary "Mëkanïk Dëstruktïẁ Kömmandöh". Founded by visionary drummer-composer Christian Vander in 1969, Magma created one of the most unique a…
On Ali Toure "Farka", the legendary Malian guitarist and singer presents a nuanced journey through desert blues, crafting hypnotic grooves and lyrical vignettes that connect tradition with a restless creative spirit. Touré's mastery lies in the interplay of voice and guitar, exploring personal and cultural landscapes across languages and styles.
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection—a rediscovery of autumnal warmth and luminous craft.
Abaete by Abaete is a cult classic and one of the rare treasures from the 1970s Bahian scene—a masterfully woven tapestry of jazz-funk samba, built by a mysterious vocal trio whose only full-length album is now finally gaining renewed attention through reissues. Recorded in 1977 and originally veiled by obscurity, the album is celebrated for its supple grooves, innovative synth lines, and a distinctly Northeastern Brazilian flavor.
Quarteto Novo is the only album from the collective Quarteto Novo, released in 1967. Renowned for fusing northeastern Brazilian baião styles with bebop and folk, the album has earned a reputation as a masterwork that shaped Brazilian jazz’s global evolution. Its acoustic ethos and inventive arrangements forged a bridge between regional tradition and modern jazz, influencing a wide array of subsequent artists and genres.
*2025 Reprint. Edition featuring the album’s artworks directly printed within the vinyl surface.* Over Half a century later, this record still slays; if any album is deserving of the "classic" tag, it's The Velvet Underground & Nico. Lou Reed's affected vocals, Nico's female Lugosi-style recitations, John Cale's droning strings, Moe Tucker's minimal kit - this landmark work laid down paths that musicians today are still trying to follow. Just pick any track: "I'm Waiting For The Man," "Sunday Mo…
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Composed by Ennio Morricone for Francis Girod’s 1974 film Le Trio Infernal, this score fuses elegance and moral decay in dazzling contrast. Through waltzes, grotesque marches, and ironic chanson motifs, Morricone mirrors the film’s mordant humor and gothic perversity, crafting one of his most caustically inventive European soundtracks.
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.
2025 Repress Minami Deutsch was formed by Kyotaro Miula (guitar, vocals, synthesizer) in Tokyo in 2014. Their sound is influenced by both their love for Krautrock legends such as Can and Neu!, and the band members being self-professed "repetition freaks" who heavily listen to minimal techno. The music proceeds straightforwardly with the Motorik beat (Hammer beat), devised by Klaus Dinger (Kraftwerk, Neu!), as its central axis. Humorous, yet bizarre Japanese lyrics are whispered over a hard, cold…
2025 Repress Minami Deutsch is back at it again with their latest LP entitled With Dim Light. Whilst softening their sound and cushioning the blow, you can expect a more profound diversity in their sound, whilst retaining the principle ingredients that make them so great such as their signature fuzz, thumping bass and dream like vocals. There is a heavier experimentation in regards to genre exploration. With hints of post punk and nods to late 60s psychedelic rock, this shows that Minami Deutsch…
2025 repress Kikagaku Moyo 1st self-titled album reissue. Originally released by Cosmic Eye Records in Sep 2013. Kikagaku Moyo's debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. comes with digital download Many evolve out of intense experiences of engagement with the natural wo…