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*2022 Stock.* In Freundschaft features Suzanne Stephens performing three solo works for clarinet and basset-horn (alto clarinet). In Freundschaft (a 3-layer polyphony arranged for a single soloist) is a popular recital work, and has been arranged for many different instruments. It was written as a clarinet solo for woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In…
*2022 Stock.* Harlekin / Der Kleine Harlekin features the clarinet and dance of woodwind player Suzanne Stephens. These two pieces for soloist are each based on a single formula theme, but with elements and limbs of the theme expanded and transformed at length in different textural explorations. An over-arching narrative theme enfolds the works in a dramatic scenario. Harlekin is a work for a costumed solo clarinetist with a substantial element of performer movement in its score (dance and mime …
*2022 Stock.* Atmen Gibt Das Leben is a semi-theatrical choral work, with the second half accompanied by orchestral background textures. The melodic vocal elements here have a somewhat humorous, folk-like feel to them. Atmen Gibt Das Leben (Breathing Gives Life) is essentially written for a capella mixed choir, but Stockhausen also includes a somewhat secondary orchestra part (usually played as a tape accompaniment) which is used to color the unaccompanied choir. There are 2 sections to this wor…
*2022 Stock.* Inori is a large scale work for orchestra which portrays the formation of a theme, one parameter at a time (rhythm - dynamics - melody - harmony - polyphony). Essentially, slow-moving sound masses in the beginning evolve into dramatic, complex gestures by the end. Two dancer-mimes are listed as soloists, but obviously they can't be heard on the CD. Inori is a further development of the formula concept Stockhausen first began exploring in Mantra,and would eventually be fully explore…
*2022 Stock.* The Stockhausen Edition 21st CD features 2 performances of the open-form work YLEM, which musically portrays the birth and death of the universe through the progressive motion of handheld instruments through a performance space (or in this case, the stereo field). The word "ylem" ("eye - lum") comes from a 1940's science term for "matter", specifically the sub-atomic plasma initially created at the Big Bang which continues to spread outwards forming the boundaries of the universe. …
*2022 Stock.* "Am Himmel Wandere Ich..."documents a cycle of 12 mystical male-female vocal duets based on traditional American Indian song texts. Am Himmel Wandre Ich's text-influenced melodies could possibly be viewed as Stockhausen's version of the madrigal tradition, mixed with ancient ritual and a glorification of nature (I suppose the fact that they are typically performed between a man and a woman makes them come across as love songs as well). The idea of having almost innumerable possibl…
*Limited edition of 300 copies.* Music by Masami Akita. Recorded and mixed at Bedroom in Tokyo, August 2007. Originally this album was released by Quasi Pop Records in 2007 in Ukraine. Full of ice-breaking analogue feedbacks over dense overdrived textures, some beasty, pulsing rhythmic elements on the background and rollercoaster's LFO spazmes of analogue synth. This is the bright example of modern "post-analogue-post-laptop era" sound of Merzbow: these compositions are wild at heart as the wild…
*Limited edition of 300 copies.* Dedicated to an independent Chechnya. On the front cover, there is a Coat of Arms of the Chechen Republic of Ichkeria during the first First Chechen War for Independence. 'Chechnya Over Dub' was originally released by Staalplaat as a part of Fatah Guerrilla in 1996.
*Limited edition of 300 copies.* Written, recorded & performed by Muslimgauze, this album was withdrawn by Bryn Jones, and replaced by the "Betrayal" album, in fall 1993. This is the album in its original form, as intended by Jones. The material was recovered from a cassette copy of the album as the original DAT was reused. It has been released on CD in 2019 by Hong-Kong based label Ultra-Mail Prod.
*2022 repress, Limited edition of 300 copies, 3 digital bonus tracks, incl. download.* "October Language" is the debut album by New Orleans based duo Belong, comprised of Turk Dietrich and Mike Jones. Since it's release in early 2006, Belongs debut masterpiece has accumulated a dedicated cult following, with comparisons to the work of Christian Fennesz and Gas, with some claims that it plays like My Bloody Valentine's "Loveless" sans the songs. While these comparisons are useful for filing this …
*2022 Stock.* The Stockhausen Edition No.19 contains two recordings of the enigmatic orchestral work Trans, which highlights sometimes comic soloists playing against a backdrop of percolating winds and slowly-modulating strings. The imagery and general sonic characteristics of Trans came to Stockhausen in a dream he had in 1970. The result was an orchestral work where the most active members of the orchestra are hidden from view, and a slow-moving wall of string players hosts several comically b…
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are also highlighted in the mix as they migrate from one group to another. This 2 CD recording features members of the English new music groups Intermodulation and Gentle Fire, as well as Annette Meriweather (vox), Harald Bojé (synth), Michael Vetter (vox,…
*2022 Stock.* Für kommende Zeiten is a relatively contemporary recording of some intuitive music pieces from Stockhausen's second collection of text scores, recorded by the Ensemble for Intuitive Music Weimar (Michael von Hintzenstern (piano/harmonium), Matthias von Hintzenstern (cello), Hans Tutschku (synthesizer), Daniel Hoffmann (trumpet)) on May 28, 2005. During a period of personal upheaval and crisis, Stockhausen wrote a set of texts, Aus Den Sieben Tagen, which are essentially verbal inst…
*2022 Stock. Includes 124-page booklet in German and English.* “Stimmung” was a commission from the City of Cologne, for an ensemble at the Rheinische Musikschule; Collegium Vocale Köln. It was written early 1968, in February and March, in a house on Long Island Sound in Madison, Connecticut, where Stockhausen and his wife Mary Bauermeister and their children lived a couple of months. This commission for a vocal work took on a completely new direction when Stockhausen – out of consideration for …
*2022 Stock. Includes 32-page booklet in German and English.* On volume no. 5 in the ongoing Stockhausen Edition we meet large-scale orchestral works for the first time in the series. The first piece on this CD originates in a commission that Stockhausen received from the WDR, but nobody – perhaps not even Stockhausen – could foresee the kind of music that would eventually come out of this commission. The end result was no less than revolutionary, in its totally new concept of music moving in sp…
*2022 Stock.* The best, most efficient way to hear Stockhausen's works is through his official record label and publishing house. The Stockhausen Edition CDs are meticulously assembled with often voluminous booklets in English and German, filled with sketches and other documentary artifacts. Almost all of the recordings originally released on Deutsche Grammophon, Wergo, Nonesuch and other labels were reacquired by Stockhausen, and then remastered and repackaged under the Stockhausen Edition cata…
*2022 Stock.* Starting off with a merry, but very cautious fairytale melody, the little figures trip down a spiral staircase, then move in sudden rash movements across the stage, hide behind a tree or a rock, stick their heads out in a peek-a-boo-manner, look cautiously around with big apprehensive eyes, then dart forth again, to the next hiding spot – until they feel more at ease, and expose themselves center stage, holding hands or arms, dancing around, still looking and listening, in the spot…
*2022 Stock. Includes a 32-page booklet in German and English.* This first volume of the Complete Edition highlights voice-driven student works and two chamber works. Kreuzspiel (Crossplay) is probably Stockhausen's first "key work". Although these works were composed in the early 1950s, these premier recordings are comprised of performances from the 1970s. Listening to the first works being issued in the large-scale the Stockhausen Edition series, one might expect some give-aways as to a possib…
Strings Revisited revives and revamps the sound of Strings, a now-classic recording of Henrik Otto Donner´s compositions by tenor saxophonist/flautist Juhani Aaltonen together with a jazz group and strings that was originally released in 1976 and has become one of the cornerstones of modern Finnish jazz. Strings Revisited was born from the idea of building on the music of the original album in order to create new music. Three compositions from it were recorded as new contemporary arrangements an…
Killer! 1st pressing, already sold-out at the label. A duo live recording of Takehisa Kosugi and Mototeru Takagi held at Kunteki Shrine in Kochi City on January 19, 1985. Kosugi radiating a roaring sound using violin, electronics, and voice together with Takagi's sharp saxophone