Reissues
Hölderlins Traum
"Debut album by this legendary German folk outfit centered around the family core of brothers Christian and Jochen Grumbcow and including Christian's wife, Nanny, as the band's lead singer. Another sample of Dieter Dierk's talent for turning otherwise average folk albums into something else, their album for Pilz was a refined and complex work which included such remarkable guests as Bröselmaschine's Peter Bursch on sitar or Walter Westrupp on flute. A German progressive folk master opus which to…
Operation
Reissue of the second record from this legendary Berlin krautrock band on the original Ohr label. Produced by the well-known photographer Didi Zill in Hansa Studios in 1971. Birth Control's second album "Operation" has a fine heavy rock based sound with subtle jazzy arrangements, top notch deep organ action and some thundering rhythms.
Broselmaschine
Debut album of this band led by skilled master-guitarist Peter Bursch, which went to record this magical piece of psychedelic folk for the Pilz label in 1971. Guitars, flute, mellotron, congas, tabla, sitar & the magical voice of Jenni Schaecker make the ingredients for a very special record, recorded & mixed by Dieter Dierks in his unique fashion. Full of Eastern promise, this is regarded by many as the best German folk-rock album ever! 'The ideal companion to Emtidi's Saat and Hoelderlin's Tra…
Opal
The Munich band Embryo was founded in 1969. "Opal" was her first album. Released on the OHR label in 1970. The band led by Christian Burchard (2018) combined numerous genres into one huge crossover project. Jazz rock, folk, blues, soul, contemporary music, and world music. Even if "Opal" doesn't sound as perfect as later recordings, the album is considered to be very influential. Embryo themselves describe their style as follows: Pop music is the appropriate level of communication for Embryo, ju…
Blackdance 2017 Remastered
*Released in Digipak. Includes a 16-page booklet.* Blackdance is one of Klaus Schulze's best albums. There are lots of predictors that point to where his career would go. The tempo changes are smooth and sure and the sequences are varied -- some are deep and strong, others are long on atmosphere. Schulze mixes these elements seamlessly with experimental timbres and spatial textures. He adds an organ drone to give the disc a Baroque attitude and sinister overtones. This is more atmospheric than m…
Mirage 2017 Remastered
*Issued in gatefold digipak with clear tray and 16-page booklet.* 'In the long run, this album will establish Klaus Schulze as an outstanding composer of electronic music', said the reviewer of Record World back in 1977 when he heard Mirage. Mirage is a masterpiece. Schulze's flexibility in terms of spirit and final production is shown here in a bizarre electronic winter landscape. The music used for this re-release was carefully transferred from original old analog master-tapes to digital equip…
X 2017 Remastered
*Released in 6-panel Digipak. Includes a 24-page booklet.* This re-release has some little differences from the formerly available CD version. The former CD of "X." was altered in sound and some tracks were a bit shorter as on the original vinyl album. The music used for this re-release was carefully transferred from original old analog mastertapes to digital format. There is a version of "Ludwig", played and recorded live in concert in September 1978 during a show by Klaus Schulze who was accom…
Picture Music 2017 Remastered
*The CD re-release includes the 33-minute bonus track "C'est Pas La Meme Chose" as well as a 16-page booklet.* "Picture Music" is Klaus Schulze's fourth studio album. It contains two tracks, "Totem" and "Mental Door", which were recorded towards the end of 1974. The LP was released in January 1975 on the legendary Brain label. A British journalist attested to the publication's "hypnotic quality" at the time. In addition to the strong rhythm emphasis, the chirping, rising and falling synthesizer …
Moondawn 2017 Remastered
With "Big Moog" and Harald Grosskopf on drums: The cult album from 1976. For many fans of cosmic music from Germany, Schulze's sixth album "Moondawn", originally released in 1976, is considered a highlight in the musician's oeuvre, which is not exactly lacking in showpieces. Its cult status was due in particular to the use of a "Big Moog" for the first time, which draws attention to itself with a particularly fat sound. Furthermore, "Moondawn" was the first Klaus Schulze production to be made as…
Timewind
*Released in 6-panel Digipak. Includes a 16-page booklet.* Award-winning Wagner homage from 1975 – the hour of birth of "classical Schulze". With the two titles "Bayreuth Return" and "Wahnfried 1883", Klaus Schulze clearly dedicated his fifth album to Richard Wagner, his great musical role model. Released in August 1975, Timewind was awarded the Grand Prix Internationale du Disques by the French Charles Cros Academy in 1976. This award is similar to the German Record Prize and is usually reserve…
La Vie Electronique 8
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* The eighth part of "La Vie Electronique" contains a selection of titles that were created in the years from 1977 onwards, outside of the productions for the albums "Mirage", "Dune" or "Dig It". These showed a significant change in Klaus Schulze's way of playing and composing. This was not least due to the renewal and expansion of his instrument pool. This gave Schulze the opportunity to play and record his music wit…
La Vie Electronique 7
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* "Re: People I Know" is the first of two long pieces that Klaus played at his concert in Düsseldorf on September 30, 1977, similar to the impressive piece that Klaus Schulze performed in Brussels the same year at "St. Michael's Cathedral". has played. "Avec Arthur": During the long tour in 1979, Klaus played a long solo piece that filled the first half of the concerts as usual. After the break, Arthur Brown joined fo…
Ao Vivo
Vinilisssimo present a reissue of Mutantes' Ao Vivo, originally released in 1976. Those who fell in love with Os Mutantes after listening to their Tropicália work in the late '60s, embracing both psychedelia and Brazilian music influences, should be aware that only one of the original band members, Sérgio Dias, is responsible for this late album, and when it came out the band's sound had changed enormously after almost ten years since their debut LP was released in 1968. The good news is that Ao…
Weltuntergang
*Limited Edition of 200 copies.* Autopsia is a cult art project dealing with music and visual production. Its art practice began in London in the late 1970s and continued during the 1980s in the art centers of the former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. Above all Autopsia is not concerned with music. What is Autopsia? Art? Theory? Framing? Projection? Gaze? Autopsia is language is image is sound. Autopsia is atombstone on the grave of time. Autopsia is arch…
Ache
The Ache album was originally released in 1982 on JG Thirlwell’s Self Immolation label, whilst he was resident in London. It was recorded at Lavender Sound Studio in South London and engineered by Harlan Cockburn. On its release it was acclaimed by the music press, John Peel and even cited by Leonard Cohen on more than one occasion. Over the years the album has become a highly sought-after collectors item.
Into Dark Water
Following on from the excellent "Scene In Mirage" reissue that broke O Yuki Conjugate to a whole new crowd, Emotional Rescue return to the archives of the over-looked Nottingham "dirty ambient" outfit. Their second LP "Into Dark Water", originally released in 1987, is just as powerful as the first - a hypnagogic journey fuelled by a global stew of sound, feeding into elegant, evocative pieces. Fans of classic Jon Hassell will find much to enjoy here, but equally those appreciating the exotic pos…
Nahuel Jazz Quartet
Like some musical virus, jazz spread across the world in the 1920s. It was, in a very real sense, the first global 'world' music. Due in part to the improvisatory and open form of jazz, it lent itself very easily to merging with, and adopting to, local musical styles, structures and instrumentation; its protean nature meant that it was coopted and embraced by musicians across the world, from Japan in the far east, the northern expanses of Scandinavia, down to the myriad of cultures across Africa…
La Vie Electronique 6
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
La Vie Electronique 5
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
La Vie Electronique 4
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…