Reissues
Hi Scores
Boards of Canada's 1996 Skam EP, the duo's first widely available release, back on vinyl for its 30th anniversary: six tracks including Turquoise Hexagon Sun and Everything You Do Is A Balloon, in a gatefold sleeve with four 12-inch prints.
One
*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…
Globe Unity 60
Markus Müller's 288-page history of the Globe Unity Orchestra at sixty: Schlippenbach's liner notes, photographs by Gérard Rouy and Cristina Marx, interviews with Schlippenbach and George Lewis, new texts by Corbett, Lake and Gustafsson.
Harumi
Somewhere between 1967 and 1968, at the very nerve of the psychedelic era, Japanese singer and composer Harumi recorded in New York an album that today sounds like a lost manifesto of cosmopolitan psychedelic pop. Harumi is a rare example of delicate, almost fragile psychedelia - where Eastern melodic sensibility meets soft American folk-rock and the studio imagination of the late 1960s. Recorded with New York musicians, the album moves between dream-pop long before the term existed, baroque pop…
Ryo Fukui in New York
With confident touch, a solid sense of swing, and emotion seeping through its dynamism, Ryo Fukui lands in New York and approaches the essence of bebop alongside the rhythm section of his mentor, Barry Harris.
Ryo Fukui, who passed away in 2016 after releasing only five albums, recorded this fourth work in 1999. Featuring bassist Lyle Atkinson and drummer Leroy Williams—the longtime rhythm section of Barry Harris this New York‑recorded album captures the full appeal of Fukui as a bebop pianist. …
Seychelles
Seychelles is the debut solo album by Japanese guitarist and composer Masayoshi Takanaka, released on Kitty Records in July 1976. Named after the Indian Ocean archipelago, it introduced the bright, melodic fusion sound that would become his signature.
Across eight tracks, Takanaka blends jazz fusion, funk, Latin rhythms, reggae textures, and early Japanese city-pop sensibility. His guitar leads are fluid and sunny, moving from the playful groove of “Oh! Tengo Suerte” and “Tokyo Reggie” to the ex…
An Insatiable High
An Insatiable High is the third studio album by Japanese jazz-fusion guitarist Masayoshi Takanaka, originally released by Kitty Records in 1977 and reissued in 2024. The album blends polished jazz fusion, disco, city pop, and sun-soaked West Coast funk, showcasing Takanaka’s fluid guitar work and effortlessly breezy production.
This edition was released on August 23, 2024, pressed on clear yellow vinyl as a Japanese import. It features contributions from major Los Angeles session musicians of th…
Piano Solo
Fred Van Hove alone at the piano: Prosper, recorded live at Flöz in Berlin in 1981, and Die Letzte, recorded at Studio Casablanca in 1986, the two SAJ solo LPs on one CD.
Und? ...Plus
Radu Malfatti on trombone and Stephan Wittwer on guitar in Innsbruck, February 1977: the duo LP Und? plus Untitled?, a fourteen-minute piece from the same tapes released here for the first time.
Wolke in Hosen
Peter Brötzmann solo on clarinets and alto, tenor and bass saxophones, recorded at the FMP studio in May 1976: the twelve pieces of the LP Brötzmann/Solo, from 27 seconds to ten minutes.
Messer und...
Irène Schweizer, Rüdiger Carl and Louis Moholo: the LP Messer, live in Moers and in the FMP studio in 1975, followed by Tuned Boots, the twenty-minute trio piece recorded in Graz in 1977.
In Berlin
Steve Lacy in Berlin: the 1975 solo soprano recordings of the Stabs LP, plus the 1977 quintet with Steve Potts, Irène Aebi, Kent Carter and Oliver Johnson playing Esteem and Follies at the Workshop Freie Musik.
ReComposed
Recomposed by Carl Craig & Moritz von Oswald is an extraordinary album that combines classical music and electronic sound art in a fascinating way. The two electronic music pioneers draw on recordings of Ravel’s Boléro and Rhapsodie espagnole, as well as Mussorgsky’s Pictures at an Exhibition, conducted by Herbert von Karajan and performed by the Berlin Philharmonic, and use them to create an original, cohesive musical work.
In doing so, Craig and von Oswald do not simply juxtapose classical and…
Mount A
Originally released in 2006, Mount A is Hildur Guðnadóttir’s debut solo album. Recorded alone with her cello and released under the pseudonym “Lost in Hildurness”, it marked the beginning of a deeply personal body of work created as a space to “hear my own thoughts”. Twenty years later, its music continues to resonate, inspiring new orchestral reinterpretations on This Will Be Us. This edition also marks the album’s first-ever release on vinyl.
The Voice That Is!
Drawn from two September 1964 sessions at Rudy Van Gelder’s studio with producer Bob Thiele, The Voice That Is! features vocalist Johnny Hartman in his third and final album for Impulse! following a celebrated collaboration with John Coltrane. The album blends two sessions arranged by Bob Hammer: one pairing Hartman with pianist Hank Jones, bassist Richard Davis, and drummer Osie Johnson, and another for octet, with English horn, flute, marimba and Latin percussion flourishes throughout. The rep…
Structurally Sound
Best known for his association with Charles Mingus, the Texas-born tenor saxophonist Booker Ervin was a distinctive soloist with an assertive and immediately recognizable sound. One of Ervin’s pinnacle statements as a leader was the first of his two Pacific Jazz albums, Structurally Sound, which he cut in 1966 shortly after returning to the U.S. from a two-year period of living in Barcelona and working across Europe. Featuring Ervin fronting a top-shelf quintet with Charles Tolliver on trumpet, …
Hub Cap
Trumpeter Freddie Hubbard burst out of the gates taking the jazz world by storm with his Blue Note debut Open Sesame in 1960. Within 14 months he had recorded three more hard bop classics—Goin’ Up, Hub Cap, and Ready For Freddie—each one a showcase for his dynamic playing. Recorded in April 1961, Hub Cap was the first of his Blue Note dates that also highlighted Hubbard’s growing skill as a composer, with four of the album’s six pieces coming from his pen including the hard-charging title track,…
Dear John C.
Cut on February 23 and 25, 1965, at Rudy Van Gelder’s studio and released later that year on Impulse!, Dear John C. marks drummer Elvin Jones’s first album for the label as a full-fledged leader, boldly looking forward while honoring his transformative contributions with the John Coltrane Quartet since the beginning of the decade. Produced by Bob Thiele, the sessions feature alto saxophonist Charlie Mariano, pianists Roland Hanna and Elvin’s brother Hank Jones, bassist Richard Davis, and Jones o…
Meditations
Following the genre-redefining revelations of A Love Supreme in 1965, John Coltrane began a dramatic shift toward spiritual free jazz, abandoning familiar forms in favor of a more abstract sonic palette and bold questions he'd spend the rest of his life and career pursuing. Meditations, released by Impulse! in 1966, continues that emotional throughline while retaining, for the last time in full, the classic quartet that propelled Trane to greatness: pianist McCoy Tyner, bassist Jimmy Garrison an…
Dimensions & Extensions
A saxophonist of striking originality, Sam Rivers’ music had a strong avant-garde undercurrent though he kept a foot planted firmly in post-bop and the blues, a sound heard to great effect on his masterful 1964 debut Fuchsia Swing Song. The last of Rivers’ four highly-distinctive Blue Note albums, 1967’s Dimensions & Extensions, is fascinating for the presence of trumpeter Donald Byrd who makes a rare foray into the avant-garde alongside Rivers on tenor saxophone, soprano saxophone, and flute, J…