Reissues
African Jazz Invites O.K. Jazz
The evolution of Congolese popular music in the 1960s and 70s is generally classified into two major schools: African Jazz & OK Jazz. The main representatives of those schools are Joseph Kabasele alias Grand Kallé, founder of African Jazz, and Franco Luambo, co-founder of O.K. Jazz. Two temperaments and ambiances, one commonly referred to as ‘fiesta’, the other as ‘odemba’, both seeking their own sublimity or ideal.
For the very first time, a compilation brings together explicitly the main prota…
Where Are We Going
*200 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…
Schedars
Emerged from the heart of Japan’s underground scene, Schedars is an incredible five piece band with an explosive sound rooted in the Post-Punk-No-Wave aesthetic. Previously self-released and now reissued on a world-wide scale, this is their first full album. A hyper-active blend of sharp singing, psychotic guitars and organs, snaky saxes, infectious bass lines and nervous drums beats.
Fans of bands like D.N.A, The Contortions, Phew or early The Ex will find themselves enthralled by Schedars’ unc…
![Forming Haze [Recordings 1985/86]](https://cdn.soundohm.com/data/products/2025-05/CrippledFlower_FormingHaze_Tape_01-jpg.jpg.500.jpg)
Forming Haze [Recordings 1985/86]
"The Crippled Flower was a post-punk band from Düsseldorf - and they arrived late. However, unlike many young, unsuspecting, hairsprayed hopefuls from that time, in 1985 they could sense that the end of their era was approaching. They knew too much to want to take the world by storm. They were four individualists searching their own way. Each of the band members only found their calling after the time that they had spent together – but that's exactly what makes The Crippled Flower still seem rea…
Star Rover
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
Music Written For Monterey 1965, Not Heard, Played In Its Entirety At UCLA
** Rare original copies. Second pressing on Jazz Workshop from the mid '70s (estimated) of this impossible to obtain album, the original issue being available only as a mail-order release. Unplayed copies from a dead-stock, possible wear due to ageing on covers ** On September 25, 1965, at UCLA’s Royce Hall, Charles Mingus took the stage with an octet of some of the most forward-thinking jazz musicians of the era. The occasion was not just any concert, but a determined response to an earlier set…
Mingus Dinasty
Recorded in jazz’s golden year of 1959, Mingus Dynasty is often overshadowed by Mingus Ah Um, but it stands as one of Charles Mingus’ most ambitious works. Expanding his regular band with additional players, he pushed his compositions into more intricate territory. With a lineup featuring Richard Williams, Jimmy Knepper, John Handy, Booker Ervin, Roland Hanna, and Dannie Richmond—plus guests like Benny Golson and Jerome Richardson—Mingus crafted a dynamic set blending gospel-infused grooves (Slo…
The Composer Of Desafinado, Plays
Antonio Carlos Jobim’s first American album is a masterpiece of understated elegance, presenting a dozen songs that would become bossa nova standards. Despite claiming to be out of practice, Jobim’s sparse, single-hand piano style lets his flowing melodies shine. Claus Ogerman’s signature arrangements—airy flutes, brooding strings, and lush harmonies—enhance timeless gems like Desafinado, Corcovado, The Girl from Ipanema, and One Note Samba. A defining moment in bossa nova’s global ascent.
Federico Fellini's 8½
The complete original soundtrack to Federico Fellini’s iconic 8½ features music by the legendary Nino Rota. The film, starring Marcello Mastroianni, Anouk Aimée, and Claudia Cardinale, won two Academy Awards, including Best Foreign Language Film, and received three additional nominations. Recognized by the New York Film Critics Circle as the best foreign language film, 8½ remains a cinematic masterpiece, complemented by Rota’s unforgettable score.
Dame Café
“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining ac…
El Sonido Niebla de Los Texao
Discover the groundbreaking sound of Los Texao, a legendary Peruvian rock band that helped shape the music scene in the 1970s.
Their music fused the energy of psychedelic rock with Latin American influences, captivating audiences across their native Peru. Los Texao’s psychedelic phase was marked by experimentation with new sounds and instruments.
This release comprises their complete recordings, including all their singles and also covers of some of the most influential rock bands of the era, mo…
La Venganza / Torta De Pan
Two awesome Latin jazz-funk gems for the dance floor, blazing with the rich brass section and percussion. Both songs are taken from mega-rare Venezuelan LPs released in 1976. Reissued on a 45 for the first time.
Winter/Music for Zeitgeist Fighters
*300 copies limited edition* In 2021 US label Helen Scarsdale Agency released Kleistwahr's 'Winter' album on vinyl in an edition of 300 now more or less sold out, while 'Music for Zeitgeist Fighters' preceded it by a few years on Egypt's Nashazphone imprint also as an LP limited to 300 and equally hard to find these days.
Both albums are brought together on this limited edition 2CD release and feature, between them, five bonus tracks not previously made available elsewhere. Anybody paying enough…
Irreversible Entanglements
Irreversible Entanglements’s self-titled debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly/NY/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Bruta…
Chicago Waves
The 2018 live performance captured on Carlos Niño & Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side."
The two musicians were keen to use their time in Chicago to not only support Ma…
The New Breed
Jeff Parker’s 2016 album The New Breed was a turning point for both Parker and International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Jo…
Album No 1 (Id Ed Was)
Wewantsounds is delighted to continue its Algerian music reissue program with the release of Les Abranis' coveted 1983 LP, Album No. 1. Originally recorded in Paris and privately pressed by the group, the album is now being reissued for the first time. Curated by Cheb Gero, who recently compiled the Sweet Rebels Rai set for Wewantsounds, Album No. 1 is a masterful blend of Kabyle grooves, funk, and hints of reggae. Also known as Id Ed Was, the album is reissued with its original artwork, remaste…
Plays Hallucination
2025 stock Los Angeles, not unlike other great cities such as Detroit, New York, Chicago, and Philadelphia, has given birth to and nurtured many great musicians. One of those young, versatile musicians Los Angeles has produced was Wayne Powell. In High School he played percussion & tuba in the concert band, later he switched to baritone horn. Shortly after Wayne heard Lionel Hampton play vibraphone at the Paramount Theater in downtown Los Angeles, he purchased his own set of vibes. In 1965, Wayn…
No Pussyfooting
2025 stock In August 1972 King Crimson guitarist Robert Fripp was producing some material for Robert Wyatt. Brian Eno - then a member of Roxy Music, came to the studio to add synth to the same sessions. Fripp and Eno found common cause. The 21 minutes piece of music that resulted, 'The Heavenly Music Corporation' became one of the most significant and influential pieces of electronic music ever recorded. The other track on the album 'Swastika Girls' was not recorded until over a year later in au…
Moonmadness
2025 stock Moonmadness was originally released in March 1976. It was their fourth album and the last to feature the band's original line-up (Latimer, Bardens, Ferguson, Ward). After the success of the tightly structured, instrumental The Snow Goose in 1975, the band added vocals to their music again. The tracks that comprised the album were conceived as a loose concept based on the individual personalities that made up Camel; Air Born about Andrew Latimer, Lunar Sea about Andy Ward, Chord Change…