Reissues
1966
2025 stock This compilation documents part of an exciting, and somewhat neglected period in Australasian jazz. Recorded in Sydney (1966), we can hear Bernie McGann was already one of the great Australian jazz stylists. But at the time the only publicly available recording he made was two tracks on the JAZZ AUSTRALIA compilation (1967) (CBS BP 233450). All five tunes are also early recordings of two New Zealand greats - Kim Paterson and Andy Brown, who were living in Sydney at the time. Two years…
Ketchaoua
Recorded August 18, 1969 in Paris with Archie Shepp on soprano, Grachan Moncur III on trombone, Dave Burrell on piano, Sunny Murray on drums plus Arthur Jones, Beb Guerin and Earl Freeman.
Restored & remastered from the original tapes Pressed on 180-gram black vinylInsert featuring insightful essay by author & music journalist Kevin Le GendreLP original gatefold sleeve & artwork faithfully reproduced
Ramblin'
An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity.
Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drummer Barry A…
A Banda Tropicalista Do Duprat
Dated 1968 this Rogerio Duprat album still sounds as a wild mix of pop-rock elements and various forms of Brazilian music. Infectious Latin rhythms, astonishing covers of US and UK hits of the era, easy listening atmospheres and a variety of odd arrangements. A must for all Tropicalists out there!
Vol. 4 Jo Maka
Music-lovers of all lands, rejoice! Here you have the re-release of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4: Jo Maka. But before that, a bit of history: The Intercommunal Free Dance Music Orchestra was created in 1971 by an "old hand" of French free jazz, François Tusques. "Free Jazz" was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François J…
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
French Post-Punk & New Wave: 1988-1990
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 3 of 3, focusing on 1988 to 1990.
French Post-Punk & New Wave: 1984-1987
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 2 of 3, focusing on 1984 to 1987.
French Post-Punk & New Wave: 1980-1983
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
Yugoslavia New Wave & Post-Punk 1980-1989
Another tape reissued in our ongoing partnership with Philly's World Gone Mad. 90mins of post-punk and new wave from former Yugoslavia.
¡Debemos Apoyar Lo Que Es Nuestro! (Punk Sudamericano 1981-1990)
Another mixtape in our series in partnership with Philadelphia's World Gone Mad, this time surveying South American punk and post-punk between '81 & '90 - featuring bands from Colombia, Peru, Ecuador, Chile, Paraguay, Uruguay and Argentina.
Punk From Medellín, Columbia 1987-1992
Our third mixtape in partnership with Philadelphia punk archivists World Gone Mad, this time specifically focused on the late 1980s/early 90s punk & hardcore scene in Medellín, Colombia.
"There are moments in which art perfectly reflects the surroundings in which it was born. This is the case of the entire hc/punk/metal scene in late 80s/early 90s Medellín. It was, at the time, the most violent city in the world because of drug cartels, corruption, oppression & poverty. This violence was the rea…
Dark Wave From Poland 1982 - 1989
Another mixtape reissued by Death Is Not The Enc in partnership with Philadelphia's punk archivists World Gone Mad, a 90 minute overview of rare material from the annals of Poland's dark wave scene, 1982 to 1989.
A Tribute To Jack Johnson
A Tribute to Jack Johnson was originally conceived as the soundtrack for a documentary on the life of the first african american heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on miles's aesthetic, to the superb musicians (including Davis himself - who turns in some stunningly vigorous solos), and in part to the production skills of Teo Macero…
'Round About Midnight
Widely acknowledged by jazz critics and aficionados as a landmark in 'hard bop' and one of the greatest jazz albums ever, Miles Davis' 1956 Columbia Records debut showcased his first legendary quintet featuring John Coltrane.
They Live
*Ultra limited edition consits of 4 different artworks (Buy, Obey, Watch TV, Sleep) - no repress! - Please mind that you will receive a random selection of the artworks - Either Buy, Obey, Watch TV or Sleep. A specific selection cannot be guaranteed -
Full soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth. Blues riffs surf on ambient synth, saxophone and harmonica mingle w…
Peoples Person
A nugget of gold originally released on cassette in 2017 on Team Boro Tapes, now finally on CD in a more generous quantity. Sluggish yet straight forward noise in the more rough Swedish school - any of these tracks would have fitted perfectly on comps such as Underground Sweden, Fuck Money Fuck Life, Piller Thriller etc - but there's just something slightly off with everything Peoples Person does, and therein lies the charm. A nasty brew for sure.
"The split with Stall Man was good and all but t…
Ecophony Gaia
*2025 repress* Deep, deep, earth music from Tsutomu Ōhashi and the Geinoh Yamashirogumi crew. A macrosymphony composed for the International Garden and Greenery Exposition in Osaka, Japan, 1990, Ecophony Gaia, was supposed to be the stunning, aural centerpiece for a light and water performance system echoing the sentiment of the venue: "Harmonious Coexistence of Nature and Mankind". Ecophony Gaia was in its truest essence the final part of a trilogy that began with 1986's Ecophony Rinne, continu…
Egypt & Lebanon: Cosmic Arabic Disco & Searing Dance Floor Bangers 1974-1985
*2025 repress* Egypt & Lebanon: Cosmic Arab Disco & Searing Dance Floor Bangers 1974-1985 is a monumental introduction to some of the hippest proto-electronic music from the Middle East in the 1970s and 1980s. These are some of the prime cuts that electrified dance clubs throughout the Middle East, from Cairo to Beirut, featuring psychedelic synths and organs, break-neck percussion, and mind-bending beats. The music is a flowering of experimentation with synthesizers, complex electronic flourish…
Vain Shapes and Intricate Parapets
Tip! *150 copies limited edition*
All music by Will Long and Takahiro YorifujiRecorded in Tokyo in December 2011Mastered by Stephan Mathieu at SchwebungCover photo by Will LongLayout by Rutger Zuydervelt