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**CD Version. Official audiophile reissue. Replica original artwork, including the insert with listening instructions, in Spanish and English** Originally recorded in Mexico, 1981, it offers a mescaline-sharp vision of deep grooving "cosmic ethnography" combining pre-Colombian percussion and wind instruments with electric guitar, tape delay and synths in free-roaming and extended suites. Luis Pérez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the r…
Never released before on LP, here are the complete original soundtracks of French cult film composer François de Roubaix for director Yves Boisset. Two movies that embody the two sides of Francois de Roubaix's approach to recording. For Le Saut De L'Ange (1971) the self-taught composer wrote an orchestration for some fifty musicians playing strings, woodwinds, brass, and percussion with two distinct solo instruments alternating the main theme: Indian sitar on the one hand and accordion on the ot…
**small repress available, clear vinyl edition** Fantome Phonographique present a reissue of Jean-Jacques Perrey's Prélude Au Sommeil, originally released in 1958. Jean-Jacques Perrey was one of the earliest innovators in electronic music, creating a body of work spanning decades that has influenced everyone from Brian Eno to The Beastie Boys. One of the pioneers of musique concrète and electronic tape manipulation, Prélude Au Sommeil ("Prelude to Sleep") is Perrey's debut recording but shows a …
Germany's Sonoton library remains one of the largest independent production music companies in the world. This compilation focuses on psychedelic grooves, synthesized funk and big band belters produced for Sonoton between 1969 and 1981. Founded in 1965 by Rotheide and Gerhard Narholz, Germany's Sonoton library remains one of the largest independent production music companies in the world. This compilation focuses on psychedelic grooves, synthesized funk and big band belters produced for Sonoton …
**very last copies** Private edition, limited to 100 copies "A documentation of a music happening recorded at Judson Hall, NYC. Sept 8-9, 11-13, 1964 with a stellar line-up that includes James Tenney on piano, David Behrman, Max Neuhaus, Alvin Lucier, Allan Kaprow, Nam June Paik, Allen Gingsberg and Jackson Mac Low. The idea, Allan Kaprow director explained, is “a collage of music and action”. The music was electronic, but the action was clearly electrifying as Karlheinz Stockhausen’s Originale …
Yemenite-Jazz legend Tsvia Abarbanel, celebrated on this much anticipated 12" by Fortuna Records. Including two previously unreleased tracks! Throbbing spiritual jazz touched by ancient Yemenite tradition, these 1970 recordings are amongst the rarest of the rare. Until now! Privately pressed by Tsvia in 1970, this was the first ever attempt at combining traditional Yemenite compositions with Funk and Jazz.
A cosmic, phased-out percussion adventure by Shimshon Miel, a lone-wolf hippie from Tel-Aviv who experimented with hallucinogenic psych-folk, and self-released his only album in 1977. Fortuna Records reissues two of the album's killer cuts for the very first time, alongside a late-night club edit by Kalbata. Expect extra trippy percussion soundscapes layered on top of a thumping bass guitar in wild 70's style stereo action. Kalbata's remix is a straight up voodoo ritual, adding much needed 808 s…
Repress on Fortuna Records of Albert Piammenta's spiritual jazz gem Mezare Israel Yekabtzenu. A long-lost, super rare Israeli jazz album from 1973. Headed by
Albert Piamenta and a group of Middle Eastern jazz pioneers, connecting
Arab, Druze and Jewish compositions with the hardcore New-York jazz
sound of the 60’s.
Expect a deep, spiritual experience that will blow your mind whether
you're a music lover, a DJ or a record digger looking for far away
sounds!
Temporary reduced-price offer. Over the last couple of years, Song Cycle has emerged as a definitive champion of historic sound art, issuing long out of print recordings by a diverse range of figures like Christina Kubisch, Michael Snow, and Marcel Duchamp, as well as the legendary Poesia Sonora, Revolutions Per Minute, and Fluxus Anthology compilations. Their efforts have done immeasurable good, bringing this creative territory into wider view. Now, with a releases especially close to our heart…
At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …
Double LP version. Bureau B present a reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound s…
LP version. Bureau B present a reissue of Heldon's fourth album Agneta Nilsson, originally released on Urus Records in 1976. Agneta Nilsson opens with a mind-paralyzing track that proves stillness can have a pulse. "Perspective I" spends ten minutes poring through tectonic layers of heavy sound, piling everything so thick that the song becomes like quicksand for your brain. It's one of the most daunting works in the Heldon catalog, made all the more impressive by how simple it is. It's just soun…
Double CD Edition. Jazzman Record's latest examination of esoteric, modal, and progressive
jazz of the 20th century has taken them to Japan. The liberating force
of jazz has been created and felt all around the world, but few nations
on earth embraced the jazz message with the passion and intensity of
Japan. From the dawn of the jazz age to the present day, Japanese
audiences have been renowned tastemakers, enthusiasts, and champions of
the music -- in the 1980s, Japan was the biggest per …
2018 small repress. Double LP; Part two of two double LP versions. Textured, gatefold sleeve; Obi strip. Jazzman Record's latest examination of esoteric, modal, and progressive jazz of the 20th century has taken them to Japan. The liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of Japan. From the dawn of the jazz age to the present day, Japanese audiences have been renowned tastemakers, ent…
250 hand numbered copies. Comes with Obi strip and printed inner sleeve. Side A recorded in 1964. Side B recorded in 1962. Liner notes by Colin Huizing. Translation by Ed Veenstra. Layout by Johnny van de Koolwijk. Restoration, mastering, photography by Kees van de Wiel.
Herman de Vries, born 1931 in Alkmaar, is a Dutch visual artist who has been living in Eschenau in the Steigerwald region (Franconia, Germany) since 1970. Having started out as an Art Informel painter in the 1950s, his interests…
Edition of 300. Heroin In Tahiti is a duo from Rome, Italy hailing from the Roma Est scene, a sort of local community based in the crumbling and deteriorated neighborhoods which were already eternalized by Pasolini and Neorealist Cinema (think of Pasolini, De Sica, Visconti, etc.) The duo plays a variety of cheap guitars, analog synths, drum machines, and pedals, achieving a dirtiness which is tragically lo-fi and out-of-time at the same time: a "Spaghetti Wasteland", as they call it. In 2012 th…
In 1984, Spacemen 3 made their first-ever recording session and sold a few cassettes at now-legendary, incendiary gigs. Growing out of the dual guitar attack of Jason Pierce and Pete Kember, the band's three-piece line up with Natty Brooker on drums offered a liturgical take on '60s psychedelia, bare-knuckle blues and stunning feedback.This early glimpse into the Spacemen 3 cosmos – crafted by and for all the fucked-up children of this world – captures the band's unorthodox approach to rock 'n' …
Steve Reich's Drumming is regarded as one of the most important musical works of the last century. Distilled through his studies of African percussion in Ghana during 1970 and Balinese gamelan music, Reich revolutionized our understanding of polyrhythms, sculpting a new sonic territory to illuminate the radical potential of Minimalism.Divided into four sections, performed without pause, Drumming is written for eight small tuned drums, three marimbas, three glockenspiels, piccolo and voice. The s…
Red vinyl. Edition of 400. Sub Rosa present the first LP issue of Bass Terror from Bill Laswell and Nicholas James Bullen, originally released as a CD in Sub Rosa's Subsonic series in 1995. Bass Terror Tetragrammaton" is the dark side of Bill Laswell at the peak of his art in 1995 -- he goes into a black trance. The piece is not from a collaboration, it was designed alone, in his studio in Brooklyn. "Bass Terror Tetragrammaton" is also to be linked to an alchemical process. "Nocturnal Crawl" is …
Next One's Called could be seen as the missing link between Slaughter in a Tiny Place (SR 298CD/LP, 2010) and 1982's Europa (SR 372LP) -- the third and final LP report from Pseudocode. All songs here are previously unreleased; Recorded and mixed between 1980 and 1981. Pseudocode were a Belgian electronic improvised music band, active from 1980 to 1982. Featuring Xavier Ess (Thrills), Guy-Marc Hinant, and Alain Neffe (Insane Music, Bene Geserit), the material on Next One's Called sees Pseudocode …