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Dino & Montevideo Blues

Dino & Montevideo Blues

CD

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Among the greatest artefacts of 1970s Latin American music, Lion Production’s first ever vinyl reissue of Montevideo Blues lone, self-titled LP, stands as a rare document of revolutionary music being made in Uruguay, and a crucial counterpoint to the sounds of Tropicália from Brazil. Fusing the rawness of rock with indigos Uruguayan rhythms, not to mention plenty of heavy grooves, it’s easily one of the most captivating records of its day.

* 2021 Stock. First time vinyl reissue of 1972 South American Holy Grail. Grooving and edgy rock with native Uruguayan rhythms. Insert packed with photos, detailed history, and bi-lingual lyrics for this important Uruguayan band * The one and only album by Dino & Montevideo Blues (Macondo GAM 551, 1972) deserves to be a serious contender as one of the most important, and as it happens, most grooving, records ever released in Uruguay. But there is another reason that the album has attained exalted status: the incisive power of the lyrics, which are all the more impressive considering the national turmoil out of which they were created. Montevideo Blues was founded by Uruguayan song-writing legend Gastón “Dino” Ciarlo as a way to fuse the rawness of rock music with obscure native Uruguayan rhythms like malambo, milonga and chamarrita—a logical direction to pursue after Dino had attempted pop/candombe fusions in his solo recordings.

“At the time, we were revolutionary and looking for change,” said Dino. Montevideo Blues demonstrated an unyielding and combative attitude. During live shows in 1971, Dino often criticized the government—a level of political commitment reflected in the lyrics of the songs, some of the most radical ever set to music. Eduardo Mateo, the sacred monster of modern Uruguayan music, was succinct: “You have decided to prune the tree,” he said to Dino. The album opens with one of Dino’s most famous songs ‘Milonga de Pelo Largo’ (‘Milonga of the Long Hair’), a sinuous song transformed by the arrival of the dictatorship into a hymn of Uruguayan popular resistance. The rest of the album tracks have an edgy, atonal quality, with terrific unconventional angular guitar and a kind of ragged glory, all driven along by insistent grooving rhythms, whether from native drums or the clicking of drumsticks. Bonus tracks include beat-rockers ‘Sendero de Rosas’ and ‘Rubio es el color,’ from the rare “La Juventud” compilation album, as well as both sides of Dino’s two early singles for RCA Vik. A 32-page booklet is packed with photos, detailed band history, and lyrics for this important Uruguayan band.

Details
Cat. number: LION 614
Year: 2011

Release notes

Originally released by Macondo in 1972 Tracks 1 to 10 are from LP "Dino & Montevideo Blues" (Macondo GAM 551) 1972 Track 11 is from single Macondo GAM 2575 Tracks 12 & 13 are pre-Montevideo Blues backing band "Dino dira Los Orthicones". They were recorded for the compilation "La Juventid" RCA Vik ULZ 1004 (1968). Tracks 14 to 17 are Dino solo singles.

Tracklist
1Milonga De Pelo Largo3:40
2Para Hacer Mùsica, Para Hacer5:05
3Pongamos Muchas Balas Al Fusil3:51
4Si Te Vas2:28
5Montevideo Blues3:50
6Hermano Americano3:23
7Sentimiento2:46
8Un Color3:37
9Chamarrita El Chiquero3:25
10Hay Veces / Canta, Canta, Canta5:08
Bonus Tracks
11Que Dira El Santo Padre2:58
12Sendero De Rosas1:39
13Rubio Es El Color2:24
14Deja Esa Vieja Tristeza2:38
1519 De Octobre1:57
16Hay Veces2:15
17Canta, Canta, Canta2:33
Credits
Horacio Costa
Bass
Jose Martínez Diaz
Drums
Eduardo Dittamo
Guitar [First Guitar]
Nestor
Guitar [First Guitar] (3, 9), Guitar [Second Guitar], Vocals (4, 7)
Julio César Surraco
Percussion
Gastón Ciarlo
Vocals

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