We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
You know it's Bollywood time again when you find classic Hindustani music, tinges of fuzz guitar and acid pop plus and a dance orchestra mixed for an album with epic anthems captivating and accessible at once. The musicians play with passion and the singers really chant their souls out to summon Krishna or just rave about tragically broken relationships and other problems of all day's life. This album really paints majestic pictures into your mind and lets you become part of a colorful mo…
"Musica amore" is an extraordinary album (1972) by Maestro Piccioni which includes songs from various soundtracks showing his many facets. He utilizes the gorgeous voice of Shawn Robinson in "Right Or Wrong" and "Once and Again" (from giallo thriller “...Dopo di che, uccide il maschio e lo divora” aka "Marta” e "La Volpe Dalla Coda Di Velluto” aka "Eye Of The Hurricane”), the choir I Cantori Moderni di Alessandro Alessandroni, the band of I Marc 4 (M. Majorana, A. Vannucchi, R. Podium, C. Pes) a…
Originally published between 1961 and 1965 by Tuli Kupferberg and Sylvia Topp’s Birth Press, this volume reproduces all ten issues of YEAH magazine as individual facsimile editions, housed in a single box. Kupferberg described the magazine as “a satyric excursion; a sardonic review; a sarcastic epitome; a chronical of the last days,” and throughout its pages he acts as both editor and artist, threading the needle of leftist politics with the sarcasm and sharp creative wit for which he became kno…
Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
"Psychedelic music from Wisbaden, with some jazz elements. Recorded in 1969. After the Germanofon bootleg, here is the legal re-release with a 32 page color booklet and their two 7" tracks as a bonus." First legit CD reissue of the legendary first Xhol album, first issued on Hansa in 1969. This was their first of 3 albums, Hau-Ruk and Motherfuckers GmbH & Co. would follow on the OHR label in '71/'72, concluding one of the strangest chapters in the Krautrock scene of this period. Electrip has…
First legit reissue of the 1st Xhol album (post Xhol Caravan), originally released by the legendary OHR label in 1971. Previously bootlegged in poor fashion by Germanofon, this comes with one 22-minute bonus track (from 1974) and the usual thick booklet of liner notes and photos by Garden of Delights. This album followed Electrip and precedes Motherfuckers GMBH. One of the more confounding pieces of the Krautrock puzzle, Xhol played long, wasted lounge-blues excursions, much favored by the…
A landmark recording that is one of Jorge Ben's best albums ever! The album is a perfect realization of the way that Jorge mixes Brazilian rhythms with choppy Afro grooves – and the result is a masterpiece that yeilded some of his biggest tracks ever. Included here is the great choppy funk track "Ponta De Lanca", plus loads of other goodies like "O Filosofo", "Xica Da Silva", "A Historia De Jorge", and a great remake of "Taj Mahal" – probably his greatest cut ever. Great all the way through – an…
Travaux inattendus, systèmes aléatoires" (rotor0064 | Rotorelief) is the first and unreleased album ofLa Division Technique recorded from 1983 to 1987 sounds like electronic oldschool, soundscapes, minimal synth, industrial-ambient, with analog synthezisers, filters, voices & space sounds recordings which could be (un)defined with words like minimal synth, experimental, coldwave, noisy ambient, with an industrial approach
Released as a vinyl-only album on Sterile Records in 1986, Controlled Bleeding's Headcrack is a monumental album of industrial-noise meets ambient soundscapes. The original record is hopelessly out of print, and Toronto-based Artoffact Records reissues it with remastered audio and updated cover art for the first time. Essential listening!
**In stock this week** “In der Pause” (During the Pause) was the title of the last track on the b-side of “ “, the first album by Die Tödliche Doris. “In der Pause” was pause music, as well as the announcement of the interval between their debut album, released in 1982, and the box format project ”Chöre und Soli” that followed in 1983. The original sounds of “In der Pause” survived on a single audio tape dating from 1981. Now, about 35 years later, Chris Dreier and Wolfgang Müller have used the …
**2020 small repress** Black Truffle present the premier recordings of two recent works by legendary American experimental composer Alvin Lucier. Lucier has been crafting elegant explorations of the behavior of sound in physical space since the 1960s and is perhaps best known for his 1970 piece I Am Sitting In a Room (LCD 1013CD). He has written a remarkable catalog of instrumental works that focus on phenomena produced by the interference between closely tuned pitches, often using pure electron…
2009 release. "With several connections to the early Kraftwerk history and formed in the Rhineland area in 1971, Ibliss was a quintet formed by percussionist Basil Hammoudi (from Organisation, the band before Kraftwerk), drummer Andreas Hohmann (also from Kraftwerk), brothers Wolfgang and Norbert Büllmeyer (bass and guitar respectively) and Rainer Büchel on sax and flute. With the help of Conny Plank, they recorded their one and only LP at Hamburg's Windrose-Studios: four long instrumental track…
Four Flies Records keep on researching Alessandro Alessandroni’s limitless archive, compiling this time an LP of tracks composed between 1972-1978, All the tracks were previously unreleased and are presented here for the first time - a truly ‘Lost & Found’ treasure that sees the light for the first time!After the incredible success of Afro Discoteca (Four Flies Records, 2017), Pierpaolo De Sanctis compiles a 15-tracks LP of forgotten soundtracks and library music treasures from the Italian Maest…
Four Flies Records is proud to present the first vinyl reissue of the original soundtrack to Io Emanuelle, Cesare Canavari’s 1969 erotic-drama starring Italian scream-queen Erika Blanc.The score was composed and arranged by maestro Gianni Ferrio, who created one of his most famous and iconic soundtracks ever, with music that perfectly follows the neurotic character of the young protagonist – from moments of intimacy and introspection, to those of insanity and madness.The result is a terrific coc…
The latest release on Canada's Seance Centre label focuses on the work of long-serving Dutch experimentalist Michel Banabila, gathering together examples of his "excursions into otherworldly and imagined realms". The first record boasts tracks recorded between 1987 and 2017, shuffling between humid, percussion-led workouts, exotic ambience, dark and creepy soundscapes and sticky electronic/acoustic fusion. The second record (clips of which are not featured here) replicates the track list of the …
Staubgold present a reissue of Atarpop 73 & Le Collectif Le Temps Des Cerises's Attention L'Armee, originally released in 1975. 10 December 1974. 200 conscripts exited the casern of Draguignan in order to demonstrate in the streets of the city. They made part of those clandestine soldier committees multiplying themselves all over France with a view to unite the young activists of the extreme left with the anti-militarists. This dispute was a backwash of the student manifestations in spring…
Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.
**US import** Ian Fenton’s Frozen Reeds label finally unveil this epic, years-in-the-making the release of Roland Kayn’s fourteen-hour masterpiece, A Little Electronic Milky Way of Sound, as a sixteen-CD boxed set. Mind-bending. Edition of 750. Audio restoration by Jim O'Rourke. Sweet jeezus...Roland Kayn was a composer who rejected composition, a human who gave machines the benefit of the doubt. A German who began making music in the twentieth century with a pencil and paper, Kayn ended up spen…
Nearly a decade ago some serious Russian synth music communities on the web rediscovered a couple of electronic themes from the music score to the soviet drama «Flights in dreams and reality», which appeared on the screens back in 1983. One of them, often named as "dance at the sculptor's party" after a corresponding movie scene, was of particular interest due to its rather simple but memorable space tune with a pulsating disco beat. Since the soundtrack was too diverse, including different genr…
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.