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In celebration of The Infinite Mix, The Vinyl Factory release the soundtrack to ‘Thanx 4 Nothing’ by John Giorno. Ugo Rondinone’s immersive video installation features legendary beat poet John Giorno performing THANX 4 NOTHING. In this poem written on his 70th birthday, Giorno looks back at his life – and the people and events that shaped it – with humour and compassion. Performing in a tuxedo and bare feet on an empty stage in the Palais des Glaces theatre in Paris, as well as in a brightly-lit…
Edition of 100 copies on Marbled vinyl. For fans of neglected Italian music, the last year has been among the best on record. We’ve seen reissues of seminal albums by Franco Battiato, Giusto Pio, Roberto Musci,Telaio Magnetico, Zeit, Lino Capra Vaccina, Claudio Rocchi, N.A.D.M.A., Gruppo di Improvvisazione Nuova Consonanza, and a stream of others, each charting the singular path which makes this sonic geography so remarkable and unique. Italian music from the second half of the 20th centur…
The master of twisted noise is adding a new album to his incredible discography. Following his monumental album ‘The Gag File’ on Dais, ‘Switches’ is the next chapter in the evolution of Aaron Dilloway's sound. Created on piano and tape ‘Switches’ is a spiralling journey into the rugged mind and soul of one of the most influential figures in radical modern music.Pressed on 180 g colored vinyl and housed in a reversed board sleeve illustrated with artwork by dutch artist Henri Jacobs on fr…
** Small restock available, nice price **Mindblowing! The last album of what could be called Franco Battiato's "experimental prog" period, L'Egitto Prima Delle Sabbie consists of two sidelong compositions strictly arranged for piano only, without any vocals; and even more intriguingly, neither of the performers on the album are Battiato himself. He limited himself strictly to the roles of composer and producer. After Battiato's many different sonic explorations and efforts throughout the '70s, s…
Since launching six years ago, the ReRVNG series - a curatorial effort by the New York based imprint RVNG, has carved a singular place in the cultural landscape. Dedicated to highlighting remarkable, but overlooked gestures in sonic expression, its effect has been so wide sweeping that the names found within its catalog - Harald Grosskopf, Craig Leon, K. Leimer, Ariel Kalma, Anna Homler, etc, have emerged from the shadows, becoming familiar to most. After a year hiatus, much of which has been sp…
Limited clear vinyl, edition of 100. One of the many characteristics of Italian avant-garde theatre, from the seventies through the eighties, was the overlap of acting with the physicality of movement - reality with fiction and the stage with real life; it was a new poetic language for a multimedia representation. In this new language, the music composed for the stage was an active part of the performances, and the soundtrack from 1985’s “Il Cavaliere Azzurro” is one of its most significan…
180 gram audiophile vinyl pressing, clear vinyl. Seven is the seventh studio album by Soft Machine, released in 1973. Roy Babbington, who had previously contributed to Fourth [MOVLP1601] and Fifth [MOVLP1599] on double bass as a session musician, replaced Hugh Hopper on bass guitar, who left to begin a solo career. Their unique take on jazz rock was groundbreaking. Seven is a highly diverse album combining minimal, spacey elements and some great instrumental jamming. It was also the last of thei…
180 gram audiophile vinyl pressing. While the instrumental Fourth had forayed deep into jazz-rock territory, Fifth found Soft Machine working almost completely in the jazz idiom. As Soft Machine moved further away from rock on Third [MOVLP183] and Fourth [MOVLP1602], drummer/vocalist Robert Wyatt's dissatisfaction with the band's direction grew and, by the time sessions started for Fifth in late 1971, he had left permanently to form Matching Mole. Wyatt's replacement Phil Howard's propulsive rhy…
180 gram audiophile vinyl pressing. Fourth (from 1971) or 4 is the Soft Machine's first all-instrumental album and features a mix of Free Jazz, straight-ahead Jazz, and gong-like psychedelia. It was also the last of their albums to include drummer and founding member Robert Wyatt."Soft Machine's collective skill is hyper-complex and refined, as they are extremely literate in all fields of musical study. Fourth is the band's free purging of all of that knowledge, woven into noisy, smoky structure…
Anthems in Eden is a 1969 album by Shirley and Dolly Collins, with the Early Music Consort of London, directed by David Munrow. The album originally consisted of a 28-minute set of folk songs plus seven other individual pieces performed by the same group. The musical arrangements for these eight pieces included early music instruments, such as viols, recorders, sackbuts and crumhorns.Track one is a suite, "A song-story", lasting 28 minutes, 7 seconds and is the centrepiece of the album. This is …
From the liner notes by Jakob Ullmann (translated by Peter Gebert and Molly McDolan): "It was during a break in the inaugural meeting of the East German section of the IGNM (International Society for Contemporary Music) in March of 1990 when Reinhard Oehlschlägel, the long-standing music editor of Deutschlandfunk in Cologne, suggested taking advantage of the fact that John Cage was to attend the summer courses in Darmstadt as a special guest by inviting John Cage to East Berlin. . . . Making Gia…
The world that inspired Spirit of The Golden Juice nearly 50 years ago has moved on. F.J. McMahon moved on with it. Originally pressed in a small quantity and scattered along the California coastline in 1969, F.J. McMahon’s first and only album, Spirit Of The Golden Juice, is a spell-binding blend of singer-songwriter emotion and spiraling guitar accompaniment with a raw, adventurous character all its own. Well-chronicled and loved since its rediscovery, Spirit Of The Golden Juice is an album co…
Larry Conklin bought his first guitar, a Gibson J-45, in 1970, after he got out of the army. "I taught myself to play. I wrote songs and instrumentals (at that time Bert Jansch was my guiding light). I listened to a lot of people - Leo Kottke, John Renbourn, Django Reinhardt, Lonnie Johnson, Robert Johnson - and especially Rev. Gary Davis, who played only with his thumb and index finger as I did." Larry's first record, Jackdaw was self-released in 1980 and includes beautiful solo 12 stri…
Gentle Wilderness was released as a private press LP in 1978. River Sun River Moon consists of previously unreleased recordings from the same time period. Deitrick came to our attention via Brooks Rice and Michael Klausman, who compiled Imaginational Anthem Vol 8 : The Private Press, which features Rick's "Missy Christa" from Gentle Wilderness.Ohio-born Rick Deitrick took up the guitar at 16 and decided to approach his playing as if he was the only guy on an island and the instrument had just wa…
Tompkins Square is proud to release two solo acoustic guitar albums by Rick Deitrick. Gentle Wilderness was released as a private press LP in 1978. River Sun River Moon consists of previously unreleased recordings from the same time period. Deitrick came to our attention via Brooks Rice and Michael Klausman, who compiled Imaginational Anthem Vol 8 : The Private Press, which features Rick's "Missy Christa" from Gentle Wilderness.Ohio-born Rick Deitrick took up the guitar at 16 and decided to appr…
Texas Songwriter Will Beeley's Rare LPs from 1971 & 1979 Reissued by Tompkins Square. Tompkins Square reissues two albums by Texas singer/songwriter Will Beeley - the self-released mega-rare (only 200 copies) private press LP 'Gallivantin' from 1971, and 'Passing Dream', originally released by Malaco Records in 1979. Recorded in San Antonio, 'Gallivantin' shows Beeley's heartfelt, folky side - a wistful set of original tunes, plus a cover of Bob Dylan's "You Ain't Goin' Nowhere" and a spaced-out…
Fifty years ago, Harry Taussig and Max Ochs were featured on a sampler LP, 'Contemporary Guitar - Spring '67', alongside John Fahey, Robbie Basho, and Bukka White. Both guitarists were "re-discovered" by Tompkins Square in 2005, and have since released new recordings for the label. 'The Music of Harry Taussig & Max Ochs' features newly recorded material, commemorating the 50th Anniversary of the Takoma sampler they first appeared on.
Phil Lewin's homespun debut is a loner folk masterpiece; accidentally psychedelic, lit by heartbreak and timeless in its sadness and hope. 1975 Private-press LP (only 300 signed and numbered copies pressed at the time) now remastered from the original tapes. In his own words, today: in 1967 I began my life in the student union of a university. In other words, I was in school. But, classes definitely took a back seat to people-watching and attempts at relationships. I would not say that I was par…
First-generation American Primitive guitarist Richard Osborn studied with Robbie Basho in the late 60's. 40 years later, Osborn finally recorded, appearing on Tompkins Square's 'Beyond Berkeley Guitar' comp in 2010. 'Endless' is his first widely available solo guitar album. [Osborn has] an unhurried, quiet spirit of adventure, a love of ringing strings and slowly revelatory meditations on the natural world. - Acoustic Guitar Magazine "He's a student of mine and he's better technically t…
Another time, indeed! It's been fifty years since Pearls Before Swine first appeared. A genteel, oft-hushed missive from a far corner of the psychedelic hive mind, One Nation Underground was released on an Independent outlier of a record label, removed from the mainstream and still its spirit came to be widely appreciated by a generation and more. Today, this music has been reissued by labels around the world dozens of times. Tragic, then, that it hasn't been heard properly in decades! The stere…