Reissues
DeLuxe
Beautiful legit 2015 reissue on Groenland, truly a brilliant little album from Harmonia – quite possibly their greatest record ever, and a set that's wonderfully balanced between progressive and electronic modes! There's a live drummer on the set – Mani Neumeier of Guru Guru – and although he still plays with a spare, circular mode that recalls the Harmonia rhythms of before, there's also a slight bit of propulsion here too – one that pushes the keyboards and guitars alongside nicely. There's al…
Documents 1975
Grönland casually drop a rocket's worth of virgin krautrock fuel with the previously unreleased 'Documents 1975' tape capturing Moebius, Roedelius, Rother and Eno playing live between their idyllic Forst studio and venues in Hamburg. With likely reams of reels to pick from, they've carefully chosen to highlight four performances best showcasing the group's pioneering work from a variety of aspects. The two pieces recorded at Forst are little short of magick, capturing two sublime and uplifting f…
Phallus Dei
Amon (from the Egyptian sun god) Düül (a German-Turkish derivative of Moon) were a 60s student hippy commune based in Munich, in what was then West Germany. Among their various expressions of free living they occasionally performed rudimentary music where anything went, and being at all proficient was more of a hindrance than a way in to one of their performances, which were mainly for their own amusement anyway. Guitarist and violinist Chris Karrer, frustrated at the lack of direction, along wi…
Yeti
Released in 1970 as a double album, “Yeti“ was a major achievement for Amon Düül 2. In England they won over cult DJ John Peel as friend and supporter; for the readers of the German magazine “Musik Express“ the guys from Munich were the most popular underground band, and “Yeti“ was voted best album of the year. A double album on vinyl, Yeti consists of a set of structured songs and a second disc of improvisations. It's testament to the group's fluidity and improvisational grace that the two albu…
Atmosphere
LP version. Bureau B present a reissue of Adelbert Von Deyen's third album Atmosphere, originally released in 1980. Album number three from electronic musician Adelbert Von Deyen marks the end of his ambient phase. Whilst Atmosphere largely swathes listeners in familiarly vast expanses of sound, the driving analog drums of the opening track (Von Deyen's most successful, as it turned out) signal a shift towards electro-kraut terrain. Atmosphere showcases Adelbert Von Deyen at the peak of his powe…
Je joue pour faire de la fumée L'image éconduite
Much needed release by one of most underrated French electro-acoustic genius, Philippe Mion assembles here a delicious collection of electronic and acoustic sounds, and interleaves them in ways that might be described as fugal. The texture is rich and complex, and yet spare enough to enable each sound combination to be enjoyed to the fullest. This double set features the legendary L'Image Éconduite composition, that was originally a 70-minute composition on 4-track tape (that was trimmed to 57 m…
From the Archives
This unexpected CD premieres 15 electronic music works from Tod Dockstader, “one of the giants in the field” (The Washington Post). Carefully selected from over 4,200 sound files left behind by Dockstader, who died in 2015, these were the last pieces composed by Dockstader, before dementia stopped his studio work. When thousands of files were discovered on Dockstader’s computer, his daughter Tina Dockstader Kinard encouraged a devoted enthusiast, Justin H Brierley, to shift through this extensiv…
Das Tränenmeer
The actor and director Martin Engler has appeared on many stages in Germany and abroad, most recently in the Theater Basel. In addition to acting, he lectures at the Hochschule für Schauspielkunst Ernst Busch Berlin (The Ernst Busch Acting Academy) and narrates and directs radio plays in Germany, Austria, Switzerland and France. He has made a number of short and experimental films as well as working on freelance projects that straddle drama, art and science. He came across Dieter Roth’s texts in…
Hilldrop
Following on from the sun-bleached, decayed atmospheres of Scott's previous 2016 release 'The Carousel' (SKR05), 'Hilldrop' brings together four pieces for piano, FM synth, finger cymbals, autoharp, and clock chime. Recorded in different domestic settings between 2011 and 2016, the four tracks vary in structure and intensity, yet remain united by a common sense of stillness and a lightness of touch familiar to much of Scott's solo and collaborative work. Originally planned as a double 7”, 'Hilld…
Revolver
A bit of an oddball record from Walter Franco, and one we've really come to love over the years! Franco's clearly going for an experimental rock sound here – and while the hard jamming kind of works at odds against that at times, at others, the whole thing gels together nicely in a blend of offbeat guitar work, choppy vocals, and percussion that's almost in the mode of late 70s Peter Gabriel or early 80s Adrian Belew. Judging from the lyrics on the inner sleeve, Franco's been influenced by some …
Jorge Ben 1969
A samba soul masterpiece from Jorge Ben – one of the most brilliant records to come out the fertile late 60s Brazilian scene – and an incredible album that works with the psychedelic flourishes of Ben's contemporaries and a deeper undercurrent of soul & funk! This is one of the most amazing early Jorge Ben LPs, recorded at the end of the 60s, when Jorge was singing with a stone-cold soul sound. The sharp, tight arrangements by Rogerio Duprat & Jose Briamonte made tracks like "Pais Tropical", "Ta…
Live in Stockholm 1969
Raag Chandrakauns in a recording from a private concert in Stockholm 1969 with two of the real giants of Hindustani music, Ustad Zia Mohiuddin Dagar on rudra veena (been) and Pandit Taranath on pakhawaj.
In the spring of 1969 Ustad Zia Mohiuddin Dagar and Pandit Taranath Rama Rao were returning from their first teaching trip to U.S. Z. M. Dagar had been at Wesleyan and Taranathji at Ravi Shankar’s school in L.A. if I remember right. Since I was learning from Taranathji and had stayed in t…
Tabla Jugalbandi For Ustad Samshuddin Khan
This recording from the Puniyatithi (memorial concert) for Ustad Shamsuddin Khan in 1968 is going to be one of the finest authentic and rare tabla jugalbandis (duets) you will ever hear. Shashi & Ravi were the first to introduce tabla Jugalbandi and Sawal Jawab (question and answer between the two artists). from a very young age in the early 1940’s they became two of the most sought after players of their time.
Apart from being a celebration of their great grand guru, the occasion was fur…
Classical Bhajans
The great singer/saint Swamy Haridhos and his followers in a long concert of religious singing from New Years Day 1968. Music and devotion in equal parts. The last tracks will be found on digital-only album CEX14. Not only was Swamy Haridhos an extremely charismatic leader, preacher and singer, head and shoulders taller than ordinary bhajan singers, but as such he attracted the participation of top notch accompanists.
In this recording from Gita Govinda Hall in Bombay you hear him with his…
Ragini Miyan Ki Todi
Our first release with the rudra veena-vocal duet in raga Malkauns was recorded in Ustad Zia Mohiudding Dagar’s house in Chembur on the evening of february 4, 1968. On the very next morning he and his younger brother Ustad Zia Fariduddin Dagar recorded the raga that is the female counterpart of raga Malkauns, Ragini Miyan Ki Todi. The name means Miyan’s Todi and it is said to have been created by the famous Miyan Tansen, one of the 9 jewels of emperor Akbar’s court in the 16th century, as …
Live At Trinity Club – Bombay 1967
The legendary tabla maestro and teacher, Pandit Taranath leads his two young star students Sadanand Naimpalli and Mohan Balvally in a 45 minutes tabla duet in front of a wildly entusiastic audience at The Trinity Club in Bombay 1967.
Pandit Taranath is not represented on record before.
Tabla: Sadanand Naimpalli Tabla: Mohan Balvally Harmonium/recitation: Pandit Taranath
Electronic Works 1958-1995
Triple LP version. Pressed on audiophile grade heavy duty vinyl. Else Marie Pade, born in 1924 in Denmark, is a precious golden gem in the world of contemporary electro-acoustic music. She is a true pioneer of electronic music and musique concrète. Pade is Denmark's first lady of electronic music and her piece "Syv Cirkler (Seven Circles)" became the first electronic piece performed on Danish radio. Pade's fascination with sound began in early childhood. Isolated in her bed for long periods due …
Tim Maia 1971
The second studio album from legendary singer and composer Tim Maia continues the groundbreaking blend of soul and Música Popular Brasileira started with his first release a year earlier. Although 'Não Quero Dinheiro (Só Quero Amar)' was a massive hit (and covered many times over), the album is full of gems, from the tough fuzz funk of 'Não Vou Ficar' to the sweet soul perfection of 'I Don't Know What To Do With Myself.' For the first time, this reissue also includes the single-only hit 'Chocola…
Obnoxius
LP version. 180 gram vinyl with obi strip. Far Out Recordings present a reissue of Jose Mauro's forgotten masterpiece Obnoxius, recorded in 1970 for Quartin. Over the course of the '60s, Roberto Quartin released more than 20 albums in Brazil on his label Forma, by artists including the likes of Eumir Deodato and Quateto Em Cy. Selling the rights of Forma to Polygram in 1969, Quartin struck out for pastures new at the dawn of the 1970s with the launch of his self-titled label. Significant works a…
B85 - Ballabili “Anni ’70” Pop Country
**CD version** Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detai…