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With their charming look of exploitation LPs, Sexedelic's Sexedelic and it's 'brother' album The Vampires' Sound Incorporation's Psychedelic Dance Party (also reissued on Wah Wah as LPS185) hide the joint works of German composers Manfred Hübler and Siegfried Schwab that were used on three classic 1970 b-movies directed by Spanish film maker Jess Franco: Vampyros Lesbos, The Devil Came From Akasava, She Killed In Ecstasy. Besides the film director and the soundtrack composers, these three films …
With their charming look of exploitation LPs, Sexedelic's Sexedelic and it's 'brother' album The Vampires' Sound Incorporation's Psychedelic Dance Party (also reissued on Wah Wah as LPS185) hide the joint works of German composers Manfred Hübler and Siegfried Schwab that were used on three classic 1970 b-movies directed by Spanish film maker Jess Franco: Vampyros Lesbos, The Devil Came From Akasava, She Killed In Ecstasy. Besides the film director and the soundtrack composers, these three films …
A stunning set of rare and unreleased-before 70s tunes from the legendary Cometa library music vaults, made by names such as Giorgio Carnini, Silvano Chimenti, Enrico Pieranunzi, Remigio Ducros, Walter Rizzati, and more. Limited to 500 copies only. "The world of Italian library music is a confusing, mysterious and expensive one. It's confusing as some tracks appear across different libraries, some appear in the UK or in France, It's mysterious because there is little documentation about anyt…
In Italy, the genre of documentary film has represented a particularly fertile field for a critical review of the musical contribution to cinema at least since as early as the 1950s. The Italian public television RAI used to broadcast disturbing paranoiac dramas, weird documentaries on the bottom of the sea and indigestible so-called “educational” movies. ESP was a television series produced by Rai in 1973, directed by Daniele D'Anza, and aired from Sunday, May 27 1973 to Sunday, June 17, 1973…
*2022 stock* Absolute music composed for keys which sound is processed in order to obtain particular effects, timbre and soundscape. There would not be other words needed to describe “Dramatest”, a release of experimental library music published in 1974 by Fonovideo and signed by Oscar Rocchi (and his moniker Chiarosi) and Fabio Fabor. Rocchi, an excellent pianist and composer, had worked with heavy weights of Italian jazz such as Dino Piana e Oscar Valdambrini (on their amazing album Afrodite) …
Lelio Luttazzi was a multifaceted artist who shined and left his mark as a pianist, musician, conductor and com- poser. A jazz lover, Luttazzi reached fame and success thanks to his brilliant and undoubtable talent. During a career spanning more than 50 years, he established himself as a master of several disciplines such as music, literature and cinema.He started his career in Trieste right after the Second World War. In 1948 he moved to Milan to take on the role of Director at the mythical CGD…
Although library music has always had the purpose of accompanying TV and radio shows, documen- taries and TV news, it is difficult to track down most of these masterpieces composed by some of the greatest composers of those years. Anonymity is one of the distinctive traits of this music genre, being in most cases difficult, if not impossible, to find out where these tracks had been used. The liner notes of these works often spark the reader’s curiosity: the notes are in fact detailed description…
*2022 stock* Given his fascination with obscure and esoteric topics, an interest that lasted throughout his whole career as a composer of library music, Fabio Fabor must have been diabolic and mysterious for real. The Milan-born composer, who passed away in 2011, had always showcased a darker side compared to other fellow musicians of his era. A side that is well portrayed in works like the famous masterpiece “Pape Satan”, or “Satanas”, which is included in the very accessible “B 81” (Serie Usig…
Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude of composers th…
Due to an overwhelming number of reissues and to the steady and meticulous work of collectors and passionate music lovers who have been spreading the word about it, the realm of Italian library music has moved from being some kind of hidden cult to becoming a well defined niche. Authors such as Alessandroni, Umiliani, Sciascia, Tommasi and Sorgini have become more accessible to the uninitiated, while prices of the original presses of their records keep surging.Among the multitude of composers th…
In 1974, when the movie “Il cittadino si ribella” was released in theaters, the so-called ‘poliziottesco’ genre was at its peak, and this film rightfully belongs to the most successful works of the aforementioned kind. Enzo Castellari, as in his previous “La polizia incrimina, la legge assolve”, sets the stage in Genoa and confirms Franco Nero as the main character, this time in the shoes of a simple individual who, finding no help from the police, decides to take justice into his own. Ev…
In the wake of the star-filled A Minute To Pray A Second To Die, The Flesh Eaters' frontman Chris D. assembled a leaner, meaner band to deliver his next unbound vision. Forever Came Today, the group's third full-length album, was originally released on Ruby Records in 1982 and features Don Kirk on guitar, Robyn Jameson on bass, Chris Wahl on drums, Steve Berlin on sax and Chris D.'s unmistakable voice."My Life To Live" and "Shallow Water" are masterfully wrought punk tunes, reverberating with he…
Restocked, reduced price. 180-gram LP version. "The compilation album Heures sans Soleil was originally released in October 1985 in an edition of 1000 copies. It was the fourth vinyl release on LTM, the label I founded while still at school in Edinburgh, and followed on from singles by Minny Pops and A Primary Industry, as well a live album by Crispy Ambulance. . . . I can't claim the idea of an artsy cosmopolitan compilation album was terribly original. I was 19 years old at the time, and still…
Doxy present Michel Legrand's original soundtrack for Eva, directed by Joseph Losey and released in 1962. Michel Legrand, the so-called Mozart of the new wave cinema, was made fully aware that he was actually the director's second choice for Eva's soundtrack. Joseph Losey originally wanted Miles Davis for the project. But Legrand's beautifully constructed jazz score serves as a perfect complement to the charismatic images of the film's Venetian setting. The main character's love of jazz music …
During the years from 1968-70, Fylkingen Records released series of 7 LPs in collaboration with the Swedish Radio, all of which contained material that was presented during the yearly festivals for Text-Sound Composition that Fylkingen arranged during those three years. The yearly festivals continued from 1971-71. A series of records that documented these festivals was planned but, due to economic reasons at that time, they were never made. Fylkingen Records has now, over 40 years later, found t…
XXX is a four LP collection featuring Scorch Trio's recordings. It includes Scorch Trio (2002), Luggumt (2004), Brolt (2008) and a radio session entitled Oval. In Norway, Scorch Trio was greeted with 6/6 reviews in the two biggest newspapers and The Wire said "the scope of their improvisational ideas is breathtaking", in spirit comparing the album to The Mahavishnu Orchestra's The Inner Mounting Flame (1971). Four years after Luggumt, Brolt was to become the final album with Paal Nilssen-Love be…
LP version with bonus CD. Bushman's Fire, Bushman's Revenge's second live album, captures the band at Oslo´s rock den Café Mono at their most cosmic and trippy, taking their prog-jazz explorations into outer space and beyond. With an extended line-up including sax giant Kjetil Møster and Hammond whizz David Wallumrød they stir up quite a storm, with "Total Fucking Marmalade" being a brand new track, "Yoga", an extended workout of "Baklengs Inn I Fuglekassa" from Thou Shalt Boogie! (RCD 2151…
LP version. First pressing of 500. Includes CD. Bushman's Revenge have been called the missing link between Albert Ayler and Black Sabbath and a Marshall amp version of John Coltrane's Interstellar Space (1974). With Jazz, Fritt Etter Hukommelsen, their eighth album, they go all the way back to their humble beginnings and for the first time do what can loosely be dubbed a "proper" jazz album, hence the album title which translates to "Jazz, From Memory" in English. The goal, according to gui…
Accompanying the premiere release of the lost soundtrack to the 1971 film Walkabout, The Roundtable offer a further lost piece of music associated with Nicolas Roeg’s seminal New Wave masterpiece. In addition to John Barry’s spellbinding original score, several pieces of popular music can be heard throughout the film transmitting from a portable radio, an obvious symbol of western civilization as the protagonists wander disorientated in the ancient tribal Australian wilderness. Here we have docu…
The Last Wave (also known as Black Rain in the US) was the final chapter in a trilogy of films scripted and directed by the leading auteur of the Australian New Wave, Peter Weir. Beginning in 1974 with the absurdist black comedy-horror The Cars That Ate Paris, and followed a year later by the lush gothic mystery Picnic At Hanging Rock, The Last Wave was a landmark in existential horror. Sitting alongside other Australian eco-terror films (e.g. Long Weekend) the film featured a haunting electroni…