Reissues
A Virgem De Saint Tropez
A totally wonderful little soundtrack from the Italian golden era, originally released as 'Magia Erotica' in 1974 on Aguamanda Records, an Italian label active in the seventies, founded by Augusto Martelli / the style is a great mix of Italian and Brazilian, modes run from some of the cooler, larger arrangements you'd hear from Marcos Valle – especially in his early 70s years – to some moments that are a bit more spare, and mix in rootsy percussion, sweet keyboards, and jazzy touches on Fender …
Echoes From Ancient Caves
2016 reissue. Probably one of the most underestimate artists of electronic music from the early '80s, has been lately rediscovered. An expert modulator of electronic and natural sounds, with this work JD Emmanuel seems to recall and reflect extensively on the poetics of the cyclic and mantric sound investigated by other pioneers such as Terry Riley and La Monte Young. The microtonal patterns of the compositions are animated by dense and minimum pulses that amplify the hypnotic and meditative dim…
Musique Barbare
CD in six-panel digipak with 24-page booklet. First reissue of Karel Appel's masterpiece Musique Barbare. In 1963, Dutch abstract expressionist painter Karel Appel (1921-2006), who cofounded the avant-garde Cobra movement in 1948, booked time in the Instituut voor Sonologie in the Netherlands to compose music for a documentary that cinematographer Jan Vrijman was making on Appel's work. Musique Barbare was born. Originally released by Philips, this masterpiece of musique concrète is a real …
Effetti Musicali
Effetti Musicali is a 1968 Piero Umiliani homemade album that exposes his art and his versatility. Listening to this album seems to show him among his keyboards and other implements to overlap sounds and create situations with no outside producer influence, in full artistic freedom. The result is an experimental psychedelic electro-acoustic album. From the original Umiliani family master tapes. Limited edition of 500 copies in a glossy cover.
We all love a bit of Umiliani, and here on this excep…
Habitat
The Fine Machine are Oscar Lindok (Giacomo Dell’Orso), Donimak (Nico Fidenco) and Proluton (Gianni Dell’Orso). An album more than ever representative of the variety and quality of Italian library music composers and its impeccable interpreters. There are all the elements that characterize the style and uniqueness of the sound produced in Italy at the beginning of the 70s. This is from 1972. There are a bunch of breakbeats, lots of percussion and liberal use of flute, piano/organ and electric gui…
Oriente Oggi
Eastern tinged Italian library music by Rino “Awake” De Filippi. Recorded in 1972 at Orthofonic Studio in Rome by historic RCA sound engineer Pino Mastroianni, with collaborators including the drummer Vincenzo Restuccia and Bruno Battisti D’Amario on stringed and ethnic instruments. Includes the mid-tempo funk-break tune “Oriente Contemplativo”. Limited edition of 500 copies in a glossy cover.
One of the most sought after library LPs, breathtaking east meets west musical ideas by one of the abso…
Infini
Prepared pianos collide with subterranean VCS3 synthesis and mournful ornate strings, spectral choral arrangements ride menacing drones and eldritch bass rumbles in a phantasmic cinematic skin. Recorded between 1970 and 1971(and issued on the esteemed French 'Musique Pour L'Image' Library label in 1972), these sublime and concise symphonies of apocalyptic pulp dread receive their first ever commercial release here and are presented with 4 incredibly rare extra tracks from the original sessions.
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Cathedrale de Strasbourg
The latest transmission from Joachim Montessuis curated Erratum imprint sees the return of the inimitable Charlemagne Palestine, casting a spellbinding invocation of organ ritual music. A self-described “maximalist composer”, Palestine originally developed his organ technique in 1964 with a debut performance as an organist in New York City, after decades of recognition since the 1960s, as a leading Minimalist composer and visual artist. He has long been fascinated by drones, rituals, repetition…
Pazop
Though their music was beyond the ordinary, they were never able to release an album during their short lifetime. Pazop was formed at the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski had just left progressive rock band Wallace Collection, Wuyts had previously been involved with Bogaert, Cogneaux, and Mauer had been in another short-lived prog band,Waterloo. Cognea…
Psychillis of a Lunatic Genius
Though their music was beyond the ordinary, they were never able to release an album during their short lifetime. Pazop was formed at the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski had just left progressive rock band Wallace Collection, Wuyts had previously been involved with Bogaert, Cogneaux, and Mauer had been in another short-lived prog band, Waterloo. Cogneau…
Fall of Saigon
Fall of Saigon was born in 1981 when Florence Berthon (Vocals), Pascal Comelade (Organ, Synthesizer) and Thierry Den (Guitar, Vocals) met at a concert in Montpellier, France. They chose to the name the project Fall of Saigon after a song by UK post-punk act This Heat. They self-released their debut EP in 1983 citing Nico & The Velvet Underground, Suicide and James Joyce as influences. At the time the band formed, Pascal Comelade was an accomplished musician with instrumental sketches composed fo…
En Forme !!
Vinyl reissue! While still in Etron Fou Leloublan, Ferdinand Richard released his first solo-album in 1981. Expect a unique blend of dadaist jazz, art rock and new wave, inviting Ferdinand in the club of the untypical singers chaired by Frank Zappa and Albert Marcoeur.
The World Of Genius Hans
Reissue of the 2nd Moving Gelatine Plates album, originally issued in 1972; with 5 bonus tracks from 1980. "The World of Genius Hans is often given the nod over Moving Gelatine Plates' self-titled debut album as their defining moment, which is surprising considering both albums are extremely close in quality. Certainly, the second release by this band is a continuation stylistically, perhaps more compositionally refined and taken a step further.
The opening title track showcases the band's abi…
More Circles
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Abendland. Zweites Stundenbuch
The new work by Gianfranco Pernaiachi is based on a re- working/re-thinking of a previous piano score: Abendland. This new work, passing thru a series of "actions" and further writings, became a completely different piece. Most important it's became an "open form" piece, expected to be interpretated by different people in different ways and, more important, with different artistic means. This edition contains 5 possible "interpretations": two musical ones, a piano verision by Pernaiachi himself …
Angry Waves Vol.2
Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
Angry Waves Vol.1
Masayuki Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.
I Don't Remember Now / I Don't Want To Talk About It
Very necessary reissue of the minimal wave holy grail: John Bender’s self-released debut.
Call Me Burroughs
Originally released in 1965 by The English Bookshop in Paris and later by ESP-Disk' in New York, Call Me Burroughs marks not only the recorded debut of William Burroughs, but also for many the first encounter with his inimitable voice. While Burroughs has had pervasive influence on counterculture in the past 50 years – from the Beats to punk rock and even hip hop – no other figure today is so widely considered the epitome of cool. Call Me Burroughs features the author reading from Naked Lunch an…