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Moebius and Roedelius, aka Cluster, released this album in 1976. While some tracks have early electronic percussion and others are beatless, the album is overall melodic and atmospheric. The blend of electronic rhythms and quirky bubbly sounds combined with piano and a few bits of guitar here and there is pure bliss. Original artwork and new detailed liner notes.
For more than 50 years, Pauline Oliveros has been on a continuing mission: “... to explore new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before.” If those words bring to mind the voyages of the Starship Enterprise from the television series Star Trek, the parallels are more than coincidental. In fact Pauline would be as able a captain of any Starship in the fleet of the United Federation of Planets. A bit of a difference here though, for Pauline Olive…
The world of Krautrock was forever changed in late 1987 when the master tapes for the mythical never-released album by the early 70's trio Damenbart were discovered in Spain by a former associate of the band. The incredible find was whispered about in elite collector circles for months and when the tapes were finally played back publicly for the first time, it quickly became apparent that all of the legend and hype that surrounded these mysterious 1971 recordings had been completely justified. T…
Two extended works by Richard Teitelbaum for shakuhachi and synthesizer with percussion and bass accompaniment. Teitelbaum was one of the founders of the revolutionary MEV group in Rome, which explored live electroacoustic and collective improvisation in the 60's and 70's. Subsequent to that era he began work with the renowned shakuhachi master, teacher and composer, Yokoyama and began on a course of intercultural music. These works express his unique language and nuances of sound color which ha…
The second Deuter album from 1972; this was his last record before moving to India and falling under the guru-ship of Bhagwan Shree Rajneesh. The rock-related moves of D are eradicated, but beautiful atmosphere, echo guitar & experimental form are laid out with ease. Late night pleasure abounds. His first attempt at merging sitars, tablas and flutes to the sounds of birds, wind and water (reflecting Deuter's deep relationship with nature), resulted in an addictive, aesthetic music.
A MEV "theater piece", performed by Alan Bryant (or "Al B" as shown on the cover in "fnetc speling"). Alan Byrant was a founding member of MEV, but this is newly recorded & full of mystery. Not sure of the content, it's supposed to be some kind of conceptual work dedicated to (or inspired by) Samuel Beckett's classic 1957 play "Endgame". The sound is based around solo string ambiance, in a style akin to Alan's classic solo work Space Guitars. Abstract and thrilling.
Esoteric Recordings are pleased to announce the release of Marsupilami's debut album from 1970. This unique masterpiece is a much sought-after collector's item originally released on the Transatlantic label. Initially a folk-based group, the band evolved into one of the most adventurous, if unsung, progressive bands of the early 1970s, producing two stunningly original albums. Featuring a line-up of brothers Fred and Leary Hasson (lead vocals and harmonica and keyboards respectively), Dave Laver…
20-year collection from the pioneer of absolute concrète music. Nowhere: Short Pieces 1983 to 2003, is the centerpiece to this prolific artist's catalog. Housed in a stunning black on black embossed box. Released as a cooperative operation from Blossoming Noise and Gender-less Kibbutz.
LAST COPIES remastered from the original dat master-tapes by tommi keränen under the supervision of t.mikawa. 40 page colour booklet with extensive liner-notes by fumio kosakai, t.mikawa, otomo yoshihide and jim sauter. each disc packaged in an individual wallet cover with original cassette artwork. booklet and discs housed in a solid box. limited editon of 500 copies"i love incapacitants more than anything. my love for them is reaffirmed as i listen again to their many cassette releases. they’r…
The Great Learning plays on the title of the influential score of the same name by the radical 60's composer and musician Cornelius Cardew, who brought music and visual art closely together in this work. The Great Learning [1969–1970] owe their visual eloquence to his practice as a graphic artist, and his improvisational and group work was made with an awareness and connection to Flux art. Facsimile of manuscript, size 420x263mm, 23 pages
2024 restock. Long out of print, subtitled "the Peoples' Liberation Music Tapes & other Songs", the tracks from this CD come from a rare collection of Cornelius Cardew's live recordings and studio sessions made between 1973-78. Plans to issue them on vinyl LP in the 70s never came to fruition (although small numbers of cassettes circulated). The original songs and arrangements are of the 70s and so reflect that time. Some people find it difficult to accept that revolutionary words can be set to …
Featured work: "Treatise (Live Recording, Prague 1967)." Performed by: QUaX Ensemble (Petr Kotik, Director). "This performance of Cardew's monumental 193-page graphic score 'Treatise' was recorded live in Prague in 1967 by the Czech QUaX Ensemble, directed by composer/flutist/conductor Petr Kotik. This historical recording offers a unique perspective to hear 'Treatise' as interpreted by Cardew's contemporaries. Kotik met Cardew in Warsaw in 1962, and they began exchanging scores by mail, includi…
Valerio Tricoli - Amaryllis is the second (I think) release of altered field recordings done at the birthday party of Maria-Amaryllis, this one her third. The previous was a favorite of mine a couple years back. This one sounds far more processed, with party activities only creeping in here and there through a dense organ-y drone. Still, rather nice and dreamy and, appropriately, childlike. Limited to 222 handnumbered copies
1996's SPACED sees the release of long-forgotten tapes that Soft Machine had made in 1969 to accompany a staged "happening" in London. The seven pieces are improvisations of varying length, centered on the electric piano and organ of Mike Ratledge, ... Full Descriptionthe electric bass of Hugh Hopper, and the drumming of Robert Wyatt. The recordings also feature appearances by saxophonist Brian Hopper. Ratledge and Hugh Hopper pioneered innovations that added depth and breadth to the sounds o…
Previously unreleased live concert from 10/25/70 & DVD from their final European tour w/Robert Wyatt in '71, a multi camera crew shot 20 minute set. Both feature the classic SM quartet line up of Wyatt, Dean, Ratledge & Hopper.
Now available in miniature replica gatefold LP style sleeve. On Sill's 2nd album, rather than using an outside arranger for the strings (as she did on her previous album), she did all of the work herself. Her lack of formal training and the immense amount of orchestral overdubs certainly would have made such an outing a hardship for anyone. But the results are outstanding with echoes of Bach supporting the stellar early 70s Laurel Canyon singer/songwriter melodies. The supporting cast of top L.A…
For over 30 years troubadour walier DAN IRETON has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Hints at the classic forms of Dylan's Blood On The Tracks, Buckley's Starsailor & the celestial fug of Sun Ra' third-eye vision to create an approach untraveled yet increasingly influential. Kicks up the most outward bound & staggering approaches to Gus Cannon's "Walk Right In" & Robert Johnson's "Stones In My Passway" …
...and Other Pieces" In 1975 when "Four Principles" was released, Cardew was comfortably within his third stylistic phase of musical development. Unlike the groundbreaking experimental activities introduced through his most famous pieces - "Treatise" & "Great Learning" - the music on here marked a repudiation of the musical avant-garde which Cardew himself had championed in England. 13 solo piano pieces represent a pivotal time in his work & can be heard is a return to the music Cardew knew & un…
When the band Agitation Free came together in 1967 as a result of the merging of two Berlin rock groups, one of the most interesting groups in a dawning independent German music scene was created. With their improvisations between rock, jazz and new music, Agitation Free soon relegated to the not so flattering category of Krautrock made musical forays into areas that few of their fellow German musicians had ever penetrated. At a time when most in Germany were still orienting themselves as closel…
Gorgeous new edition of the third release from this amazing German band. The band had particular popularity in France for some reason. After the band's break up this was released by the French Barclay label and became quite a rarity. It was resurrected into the digital age some years ago by Spalax. This new remastered set comes with a bonus track and a sexy digipak. A great documentation of an ever changing band.