Reissues
Oriental suite. The complete orchestral music 1923-1924
Between 13 and 25 December 1923 the Gurdjieff Institute gave a series of eight public demonstrations of the Sacred Gymnastics and Movements at the Théâtre des Champs-Elysées in Paris. The music, composed by Gurdjieff to accompany these dances, was orchestrated by Thomas de Hartmann and performed by an orchestra of thirty-five musicians.In January 1924, Gurdjieff and his pupils sailed to America for a series of public demonstrations in New York, Boston, and Chicago. At Gurdjieff`s request, de Har…
Improvisations
This unique collection comes with an attractive and profusely illustrated 144-page book with many previously unpublished photographs of Gurdjieff and recollections of people who were present when these recordings were made. It further contains several chapters by Gert-Jan Blom about the process of selecting and sequencing the tracks, audio restoration of the recordings, the history of Gurdjieff’s harmonium music, transcriptions of Gurdjieff’s stories and an extensive track notes-section. The boo…
Coplanar
Guillermo Gregorio (b. 1941, Buenos Aires) is an Argentine composer, clarinetist, and saxophonist whose career bridges avant-garde music, visual art, and architecture. Active on the Argentine experimental scene from the 1960s through the early 1980s, he was a key member of groups like Movimiento Música Más (a Fluxus collective), the Experimental Group of Buenos Aires, and the Group of Contemporary Music of La Plata, engaging in Fluxus events, multimedia spectacles, and experimental concerts.
Gre…
One
Comes with 8 page booklet. Originally released in 1973 as a private press LP, 'One' is the first document of GAEB, a mysterious sextet of Californian improvisors. Formed in the late 60's by artist Richard Waters and jazz drummer Lee Charlton, the group made music using Waters's kinetic sculptures. His most important creation was the waterphone, a sort of acoustic synthesizer which used water in its resonators to produce warbling, tone bending vibrations similar to th edeep sea harmonies of humpb…
Gottfried Michael Koenig
Restocked, reduced price: beautifully prepared overview of Gottfried Michael Koenig's work (including early 60s WDR electronic classics), produced in conjunction by the Instituut of Sonologie and NEAR/Donemus w/ Edition RZ. During the early '60s, Koenig began writing a program -- named simply 'Project 1,' or PR1 -- designed to compose and generate music via the computer; when in 1964 he accepted the position of creative director with the Institute for Sonology in Utrecht, Holland, he took the so…
Electronic music of theatre and public activity
Gordon Mumma (born 1935) has played a pioneering role in the development and evolution of 'live-electronic' music. 'Live-electronics' as a concept and practice appears to have originated in the United States in the late 1950s, outside the few institutional electronic studios and often in the context of innovative theatre activity. From its inception, it frequently involved two processes: (1) live performance with accompanying or interacting sound materials on magnetic tape; and (2) the use of el…
Studio Retrospect
A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…
Symphony N°5
Subtitled "Describing Planes Of an Expanding Hypersphere". Recorded in 1984 but held up in a post-production stasis until now, this is music for 5 guitars, mallet guitar, violin, drums, bass, keyboards, that is being touted as the "most dense, cacophonous Branca symphony yet." Glenn's music gets quite often inaccurately described as wall-of-sound/noise/guitars/whatever. A wall exists for the purpose of containment. 'Symphony No. 5' is expansive beyond limits, smashing the wall (at least sonicall…
Subgestuel - Diffluences - Phonophonie
A first monographic compact disc for this composer born in 1951, a pupil of Pierre Schaeffer and Guy Reibel, winner of the Villa Médicis Prize "hors les murs" in 1995, who has also contributed to the musical research activities of the IRCAM, in the Atelier de Recherches Instrumentales (1985 and taken part in the development of the Quatron, the real-time synthesis computing system of the IMCA at Auch (1989-1990).
On 'Diffluences': "The relationship between tape and piano is not the classical one…
Une Saison En Enfer
Composed in 1979 and realized at Conservatoire National Supérieur de Musique (Lyon, France) by Gilbert Amy with the assistance of Daniel Teruggi. Performed with Fusako Kondo (soprano), Edwige Parat (soloist of Maîtrise de Radio France), Jean-Pierre Drouet (percussions).
Giacinto Scelsi
**Comes in glossy gatefold sleeve with 20-page booklet ** Features 6 works by the influential Italian avant-gardist of the 20th century, dating from 1961-1990. Pranam I (for voice, 12 instruments and tape, 1972); Anagamin. Celui qui choisit de revenir ou pas (for 12 strings, 1965); Quattro pezzi su una nota sola (for chamber orchestra, 1959); Quartetto n. 4, (1964); Okanagon (Tam Tam and double bass, 1968); Quartetto n. 2 (1961). "For Giacinto Scelsi, music was above all a manifestation of the e…
The piano works 3
Performed by Aki Takahashi, piano; 2005 recordings. "Giacinto Scelsi (1905-1988) wrote one of the largest sets of piano music in the 20th century. Scelsi was a virtuoso pianist, and even his most experimental compositions in this genre show a marked pianistic conception. Largely ignored during much of his life, Scelsi was basically only 'discovered' in the 1980s. Though a recluse in his later years, there were some artists who worked with Scelsi and gained special insight into the spirit of his …
Music For High Winds
"Ixor" (1956, for clarinet), "Suite" (1953, for flute + clarinet), "Pwyll" (1954, for flute), "Tre Pezzi" (1954, for Eb clarinet), "Rucke di Guck (1957, for Piccolo + oboe), "Preghiera per un' ombra (1954, for clarinet), "Ko-Lho" (1966, for flute + clarinet), "Three Latin Prayers" (1970, for Eb and A clarinet). "This recording presents pieces for woodwind instruments played solo or in duo. The majority date from the 50's, when Scelsi abandoned his classical and 12-tone training to undertake a re…
Les danseurs de la pluie
Either available separately as a 3" CD, or as a bonus disk within the new Tazartes boxset. "Les Danseurs de la Pluie", which gives title to the complete anthology, is a 12-minute mini-CD, presented on creative disc, including four previously unavailable tracks. Two 1977 killer recordings from the 'Eclipse Totale' sessions of a very wild and residential nature; and two colossal new pieces recorded in 2005.
Pondfloorsample
These two discs represent some of Gen Ken Montgomery's sound art and compositional work from 1981-2001. Pondfloorsample is a collection of sonic explorations utilizing common devices meant to hold something other than sound. As with much of his sound work, the sonic material contains many sounds of everyday life. Having composed extensively for multi-channels, Pondfloorsample was specifically designed as a stereo audio piece enabling Montgomery to reach a larger audience."His work always begins …
The complete gamelan in the new world
This is the first proper re-release of two legendary recordings by the innovative Gamelan Son of Lion. This New York performance group has counted as its founding members Fluxus pioneer Phillip Corner, electronics composer Daniel Goode (Tzadik), and core member Barbara Benary. Equally inspired by the resonant decaying sounds of New York school composers like Morton Feldman, the stunning pacific gamelan music of its namesake & the wild antics of Fluxus, their sound is trancelike and beautifully i…
1st (Live)
This is where it all began. One of the first releases on the then fledgling PSF label was a DLP by FUSHITSUSHA, Keiji Haino's ultimate rock unit.
Eien no houga saki ni te o dashitanosa
From 1978, the earliest group recordings by Fushitsusha yet to be released. A vital document for understanding the Japanese underground and the truest, most exciting rock group of the contemporary era. Now here's something unexpected and utterly fascinating. The earliest years of Fushitsusha have long been shrouded in mystery, palely illumined by only the dimmest of rumours and half-facts. As a live entity the group seems to have begun sometime in 1978 (also the year that Friction, Japan's first…
Freedom Of The City 2001 - Small Groups
Highlights from small group recordings from the 2001 Freedom of the City festival featuring artists such as Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton, and more in various arrangements.
Speechless
This is one of the most important experimental guitar-based titles from avant guitarist and founding Henry Cow member Fred Frith. Frith's second solo album, Speechless, includes appearances by Etron Fou Leloublan, Massacre, and Bill Laswell.
This is a studio Frankenstein of live clips and found sounds. While Frith attests to the occurrence of many "happy accidents," the album comes across confidently and more often more coherent than merely challenging. This is often cited as Frith's best sol…