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* 2022 restock, killer price. Last copies * Rome was, of course, the pulsing heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening in the library music world, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side.The Roman style was more connected to the classic and orchestral tradition, but the musicians from Milan adopt…
* 2022 restock, killer price. Last copies * 1983, in the history of synths, is a key year. During the January edition of Namn (the most important music fair in the US), indeed, Miid – the standard protocol for electronic instruments interaction – was introduced to the world. Until then, programming and making synths work together was something practiced by a restricted elite of “wizards”, explorers armed with cables and analog patches, who could create new sonic worlds – but totally temporary, n…
* 2022 restock, killer price. Last copies * Rome was, of course, the pulsating heart of Italian library music – it is the place where tv and movies are made, so editors and musicians tend to gather there. But we must not forget what was happening, at the same time, in Milan – where there was a very active music industry, but leaning more on the pop and jazz side.The Roman style was more connected to the classic and orchestral tradition, but the musicians in Milan adopted a more urban and interna…
2022 restock, killer price. Last copies The early Eighties marked a transition in popular music, especially for a generation of musicians (still heavily influenced by the previous decade) trying to assimilate the changes in aesthetics and technology which were occurring.Disco music is dead, so is prog, synths are still too expensive and unreliable, jazz is lost somewhere and the term “fusion” has become really popular. This the environment in which this album – released in 1981 by library music…
* 2022 restock, killer price. Last copies * Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades.Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, Johnny Do…