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Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Philip Corner was an active member of Fluxus, a founder of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion. The musical opportunities that these ensembles and their performances offered Corner ensured that he was both prolific and had or developed a deep understanding of the important artistic influences of that time. Corner uses a variety of scoring methods. He is truly the equal of John Cage in forcing us t…
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
An expanded version of the previous rz LP by Jani Christou. All works by Christou, the late, legendary "freely-atonal" Greek composer. Features: "Enantiodromia" (1965-68, for orchestra); "Praxis" (1966-69, for string orchestra and piano), "Epicycle" (1968, for instruments, actors and voices); "Anaparastasis III" (1968-69, for soloist, ensemble and continuum [tapes]); "Mysterion" (1965-66, for narrator, actors, 3 choirs, orchestra and tapes)"Jani Christou tried to use and incorporate philosophica…
Jakob Ullmann's music realizes an infinite variety of gradations in all areas of musical formation. That the music of the "catalogue" is nearly always played very softly leads to the ear noticing the smallest differentiations; the listener is put into a state of constant, acute attentiveness. The musical stream is constantly subjected to small irritations, sometimes its flow quickens, sometimes there are brief splashes like those caused by pebbles thrown into water. Performers: Ensemble Oriol Be…
Three amazing works for pure waves and instruments. Lucier has pioneered in many areas of music composition and performance, including the notation of performers’ physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. His recent works include a series of sound installations and works for solo instruments, chamber ensembles, and orchestra in which, by means of close tuni…