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Compositional /

Excavation Patterns
*300 copies limited release* Originally released in a tiny CDr edition in 2005 on the now impossible-to-find and almost literally named Vanished Records imprint, Excavation Patterns is a uniquely pervasive touchstone of Adelaide’s music culture, and has since put down roots around the world among devoted aficionados of minimalism, ambient music, and improvisation. At 52 sprawling minutes in length, it has been lovingly Direct Metal Mastered and exquisitely pressed by RAND in Leipzig, in a hand-n…
Vom Klang Des Lebens / Of The Sound Of Life, Stundenbuch / Book Of Hours, Buch Der Sterne / Book Of Stars (Edition Of Contemporary German Piano Music)
Vom Klang Des Lebens/ Of The Sound Of Life features pianist Roger Woodward on a Steinway model D, playing Peter Michael Hamel's cycle of works composed for and dedicated to his wife and new son. The producer/engineer for the recording sessions in January 2006 was Ulrich Kraus. Long before he discerns the light of the world, still in the womb, nascent man begins to sense the sounds of life. Long before his spirit attempts to differentiate experiences, develop ideas or make his mark on the path of…
Visions
Yamila reveals her most intimate catharsis in Visions, an album that brings together and provokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. This album is a journey that prodigiously unites baroque accents, Spanish folklore –such as flamenco– and contemporary electronic music. Her voice and music –sometimes torn and others buoyant– could resemble the score for a biblical passage (…
Bayou-Borne / Jitterbug
*300 copies limited edition. In process of stocking* 'In 2017 Maze gave a stunning interpretation of Jitterbug at the Tactile Paths Festival in Berlin, full of subtle detail and fluid energy. That they have returned to the work now - and have also created this beautiful realization of bayou-borne, for Pauline - is something for which I am deeply grateful. Both works draw on improvisation and are guided by graphic imagery: of a river system in Texas and of rocks from the Continental Divide in Mon…
Kristine Scholz Plays Otte And Cage
*In process of stocking* Featuring the Sweden-based pianist, new music pioneer, and former Merce Cunningham-collaborator Kristine Scholz, the album "Scholz plays Otte and Cage" is focusing the music of two composers who over time came to mean a great deal to one another: Hans Otte (1926-2007) and John Cage (1912-1992). On the album, four movements from Otte's seminal work "Das Buch der Klänge" (1979-82) is combined with a stunning interpretation of Cage's "Music for Piano 4-19" (1953). As the ex…
John Tilbury plays Terry Riley
There are certain works by minimalist pioneer Terry Riley that are rightly celebrated as classics, paradigm-shifting masterpieces that exerted a wide influence within classical music, but also well beyond its often hermetic borders. Hello, “Baba O’Riley!” But there is so much more in his repertoire deserving the same accolades. On “Terry Riley: Keyboard Studies”, released by Another Timbre, one of the premiere contemporary music labels of our time, three mid-1960s masterpieces are interpreted by…
Landmarks
Eight collaborative compositions for organ and percussion by the longstanding Canadian duo, who also appeared on Isaiah’s previous, and now sold out, CD ‘Bow’.
Hope Lies Fallow
Six pieces developed by Johnny and Keir from music by Hildegard van Bingen and Orlando de Lassus. Three violin duets, + three tracks for violins and the voice of Celeste Oram.
Tehran Dust
Three chamber pieces by the Austrian composer Klaus Lang, plus two arrangements by Klaus of early music by Johannes Ockeghem and Pierre de la Rue. Played by Trio Amos with Klaus Lang
The Pankow-Park Sessions
What happens when a composer starts improvising in his mid-80s… Duo from Berlin for cello and piano.
Trois Mémoires Discrètes
*300 copies * 'Another fantastic Af Ursin release. Af Ursin is Timo van Luijk’s solo project. The first piece, Sylphide, is a side-long wonder. Long drawn out brass tones with some other accompaniment. I could listen to this music all day. The closest parallel I can think of is Davide Mosconi’s divine LP of foghorn recordings. But Sylphide has a bit more of a musical element. This will be my go-to last side of the night for my (rare these days) late night Salons. The second side features two tra…
Gold
* Digipack CD* The lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy & Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.” Gold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid …
Michael Pisaro​-​Liu: Radiolarians
*In process of stocking* Radiolorians (2018) finds Pisaro-Liu drawing inspiration from another gifted observer of this world-in-variation, the German zoologist, naturalist, and philosopher Ernst Haeckel (1834–1919), who promoted and popularized evolutionary thought via extensive monographs and artful renderings of insects, animals, sea creatures, and embryos. For Radiolarians, Pisaro-Liu creates what he terms “transcriptions” of individual radiolaria species depicted in Haeckel’s drawings. Radio…
World in World
Black Truffle is pleased to announce World in World, the latest solo offering from prolific Berlin-based guitarist-composer Julia Reidy. Where the recent trilogy of LP releases – brace, brace (Slip, 2019), In Real Life (Black Truffle, 2019), and Vanish (Editions Mego, 2020) – focussed on increasingly lush electronic settings for Reidy’s propulsive fingerpicking and auto-tuned vocals, arranged into wide-ranging side-long epics, World in World finds Reidy refocusing on the core elements of their a…
Usableness Of The List / Portfolio
*In process of stocking* The album features two pieces for solo piano that occupy - each in a different way - a central position in Petr Bakla´s output, as the composer explains in the elaborated liner notes. As pianist, Miroslav Beinhauer focuses on contemporary music. Besides, he is probably the only person in the world to master Alois Hába´s sixth-tone harmonium, for which instrument he encourages new repertoire.
In Otherness Oneself
Kaja Draksler states that “as a person who speaks and understands different languages, I have an impression that my identity is multifaceted, I have to lose something in myself in order to let the “spirit” of a new language inside me. So in this way I am constantly becoming in otherness myself.” In building this album pianist and composer Kaja Draksler worked on developing specific musical languages for each piece. She attempted to restrict herself to maintaining each language although as she po…
Caspar
This habit some experimental musicians have of applying forced context or stories to what is essentially pure improvised music does sometimes perplex me. Here Janek references Kaspar Hauser with the title and in the sleeve notes. He also states the intention “…to de- and reformulate the idea of beauty”. When referencing the case of Kaspar Hauser, I assume Janek sees himself as “…set free…” from traditional technique, and aims, on this disc at least, to “…redefine by discover[y] and recover the p…
Two Extended Pieces for Four Pianos
Building on the back of their stunning release of Ensemble 0’s rendering of "Femenine" issued earlier this year, Sub Rosa returns with "Two Extended Pieces for Four Pianos", featuring brand new recording of two seminal works composed by Julius Eastman between 1970 and 1980 - "Evil N*gger" (1979) and "Crazy N*gger" (1980) - realised by Nicolas Horvath, Melaine Dalibert, Stephane Ginsburgh, and Wilhem Latchoumia.
Spirits Of Absent Dancers - Music For Solo Vibraphone And Percussion
Created out of adversity and artistic longing, this is a wondrous, evocative diversion.
The Monk Watches The Eagle
A BBC recording released under licence by Discus Music