Composition / Electroacoustic

Sietse van Erve's first album under his own name after 25 years as Orphax: a single still, drone-based piece for electronics and organ with flute, bass clarinet and double bass, played by members of Ensemble MAZE.

Five works by Matthias Krüger (born 1987), from the organ piece conTemp[s]lations to rosebud for dancer, motion sensors and live electronics made at IRCAM, played by Tobias Hagedorn, Claudia Chan, Xavier Larsson Paez and others, with dancer Victor Virnot.

Four works by Swiss composer Stefan Keller, Schaukel, Breathe, Stück für Klavier and hybrid gaits (2017), played by Ensemble Ascolta conducted by Yalda Zamani, with the composer on live electronics. Mostly SWR productions, 2023.

Amen Feizabadi's chamber opera Deep Siesta, on a libretto by Dilek Mayatürk about two artificial beings, with Neue Vocalsolisten Stuttgart and Zafraan Ensemble conducted by Yalda Zamani, plus AI voices and electronics. A Deutschlandfunk Kultur coproduction.

Portrait CD of Eloain Lovis Hübner: crunch modes 1.0 and 3.0, [untitled] and Trauma und Zwischenraum 1-3, played by Schallfeld Ensemble, Spółdzielnia Muzyczna, AuditivVokal Dresden, airborne extended, the Arditti Quartet and Lange//Berweck//Lorenz.

Portrait album of Misha Cvijović: nine works from full orchestra to minimoog and tape, played by the Rundfunk-Sinfonieorchester Berlin under Enno Poppe, Ensemble Musikfabrik, Sebastian Berweck and the Trio Splitsignals Berlin.

Portrait CD of Yongbom Lee: five works for ensembles, sampler and electronics, played by Ensemble Modern, IEMA Ensemble and ensemble recherche, Broken Frames Syndicate and the cellist Kyubin Hwang, recorded in Frankfurt (2023) and Cologne (2024).

Portrait CD of Sergej Maingardt: Rush for orchestra, ensemble and electronics, Flower's silence in empty guns for piano, electronics and Wii sensors, and Declare Independence, with the Bundesjugendorchester under Lothar Zagrosek, Paulo Álvares and Ensemble electronic ID.

Eight electronic works by Ludger Brümmer on two CDs, made with granular synthesis and the physical-modelling software GENESIS and produced for up to 42 channels; a ZKM Karlsruhe production in Edition ZKM, 2022.

Allan Nilles of the Berliner Philharmoniker on viola and Tom Schneider on sampler, recorded in the Kammermusiksaal of the Philharmonie: every sound starts from or returns to a single viola.

Portrait of Bengt Hambræus, no. 20 of the Caprice Composers Series: Rota II for multi-channel loudspeakers, made from processed bells and organ, the orchestral Ricordanza and Symphonia Sacra for choir, winds and percussion.

Second album by The Peärls Before Swïne Experience, a live set of new pieces by David Lang, Annie Gosfield, Anders Hillborg, Tristan Murail and others, with the audience sounds between works reworked by Sten Hanson.

The Swedish ensemble Sonanza plays Schönberg’s Pierrot Lunaire, Anders Nilsson’s Reflections, written in its wake, and Magnus Lindberg’s Ur for five musicians, live electronics and two Macintosh computers.

Music from the Fools Trilogy of Nya Kulturkvartetten (Jan Bark, Fuzzy, Thord Norman, Folke Rabe), the Swedish inter-media group of 1983-1997: specially built instruments, live playing and pre-recorded electronic sounds.

Dawning is a collaboration between Chicago creative music mainstay Damon Locks and burgeoning Black chamber music collective D-Composed, featuring violinists Khelsey Zarraga and Anya Brumfield, violist Seth Pae, and cellist Lindsey Sharpe. The album was recorded live in the auditorium of The Land School, Rebuild Foundation’s headquarters in a reconstituted former elementary school on Chicago’s south side, where D-Composed & International Anthem have been creative partners-in-residence since its …

Celebrated Czech musicians Floex & Jan Šikl present Directors, a collaborative album exploring neoclassical composition, electronic experimentation and chamber ensemble performance. Across four movements, Directors reveals a musical language where classical formality and electronic spontaneity exist as equal voices due out on via Minority Records. The dream of melding classical music with contemporary music, electronic in particular has been a cherished if not always successful one – it is as if…

Three new LPs from the two labels run by Timo van Luijk, Metaphon and La Scie Dorée, offered together. Robert Nasveld's self-titled LP (Metaphon 029, Signature Series III) collects the only three tape pieces the Dutch pianist and radio producer ever made, realised between 1974 and 1984 at Ton Bruynèl's studio at the Utrecht Conservatory and at the Institute for Sonology: Collage voor Anja, Soundscape and I Touch You. Edition of 300 copies. Pierre Mariétan's Musique d'été (SCIE 4126) was first pu…

The works on this CD were realized in collaboration between the composer Germán Toro Pérez and the musicians of PHACE – Petra Ackermann, Mathilde Hoursiangou, Ivana Pristašová-Zaugg and Roland Schueler – over a period of 15 years. They reflect two aspects of composition that have shaped Toro Pérez’s music from the outset: on the one hand, the question of how musical form emerges from the interplay between construction and perception; and on the other, an exploration of language as a means of con…

Two duos with piano by composer Eric Wubbels: Field of Action, made with Charmaine Lee on voice, microphones and electronics, and contraposition for trombonist Weston Olencki and prepared piano.

*100 copies limited edition* Jukka Rintamäki composes music for video games, films, and theater. He has a background in indie music with the band Silverbullit and has composed music for the video games Battlefield 3 and Battlefield 4. In recent years, he has also produced and performed live with the band Kite. The music is mostly acoustic, featuring the piano, cello, and alto horn. However it also incorporates some electronic music. “The album is inspired by the book Terre des hommes by Antoine …

Tip! *300 copies limited edition* Robert Nasveld (born 1955) studied piano at the Utrecht Conservatory and specialized in the twentieth-century repertoire, with a particular focus on Dutch, Russian, and American music. He thoroughly immersed himself in the piano works of the American composer George Crumb with concerts in Europe, Russia, and the United States. As a composer he also studied electronic music with Ton Bruynèl and recorded a handful of tape pieces which are collected on this LP. The…

*Handmade textile sleeve* British composer Simon Goff interprets space, both within ourselves and the objects that surround us with Interior Realms - vol.1; a wondrous, contemplative work of electronic chamber music. The idea first came from the philosophical idea underpinning the book Interior Realms, published by Theatrum Mundi in 2021. In it, a collection of essays reflects upon architecture’s influence on the human spirit. It challenges us to think not only about music as space, but also abo…

*250 copies limited edition* At low tide boats near the shore are no longer carried by the water but rest aground. Only after high tide recurs do they function in the way they are intended to. Boats may touch ground while approaching the shore at unknown depths. This is something to be avoided in order to keep the boat sound and safe. A boat moving towards the shore where the ground comes nearer and nearer was the image for me at the time of writing the score. It became the title of the piece – …

Few have ventured to record Philip Glass’s twenty piano etudes in their entirety. Even fewer have attempted to remix them.

*50 copies limited edition* itself between, of saying farewell is an opera in two parts by Bridget Ferrill, Áslaug Magnúsdóttir and Olivia Rivière. Written through harp, electric harp, clarinet, voice, microphone, clavichord and electronics, the work moves through a strange and intimate parable of attachment, pain and release. At the centre of the libretto are three figures: Shoe, Foot and Nail. Shoe is in love with Foot. Foot is leaving to find the House of Bliss. Shoe convinces Nail to impale …

Bionic Environments by Qba Janicki is an illustrative sonic work in which organic matter and mechanical intelligence merge into a single, continuously evolving organism. Composed for amplified soundboard, electronics, electromechanics, extended voice, and string orchestra, the piece unfolds as a cinematic yet deeply material journey through hybrid environments suspended between biological mutation and synthetic architecture. The composition is based on controlled aleatorism and open improvisatio…

*200 copies limited edition* "A Moment Beyond" is the result of a dialogue between Gunnar Smoliansky's photographs (who passed away in 2019) and the composer and musician Danny Clay, initiated by IIKKI, between February 2026 and May 2026. Danny Clay is a composer who often utilizes classical instruments, open forms, found objects, analog media, and digital errata in his work. He has collaborated with musicians and ensembles throughout the US, including Kronos Quartet, Eighth Blackbird, Third Coa…

With Continuous Interior, Abby Fisher unveils a solo album that reimagines percussion and electronics. The album includes two immersive works that explore scale, space, and perception. The title track – the evocative Continuous Interior by New York composer Robert Honstein – draws inspiration from the modern experience of limitless, bounded spaces – shopping malls, airport terminals, vast warehouses – and translates that feeling into waves of resonant sound, where vibraphone tones sparkle above …

Forests have inspired composers from Schubert to Messiaen, but Christopher Shultis takes it one step further with Waldmusik, a sonic chronicle of fourteen years of walking and listening. This cycle of compositions traces a personal and artistic evolution sparked by solitary walks in woodlands and mountains across the globe. The genesis of Waldmusik dates to a 2003 residency in Taos, New Mexico, where its core idea—”walking in woods / listening … / what I hear”—became a lifelong creative mantra. …

This album is intended to be a retrospective view of Luigi Manfrin’s compositional journey. Rather than following a chronological order, it identifies loops that run through his musical production: recurrences, foldings and returns that never replicate the same pattern, but instead reactivate structural tensions in different contexts. At the core is the idea of sound as an immanent experience. The unity of the album lies not in the identity of its materials, but in the constant questioning of th…

*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …

*300 copies limited edition* Combining the lyricism of chamber music, the raw tones of punk and metal, the clarity of post-rock, and the abstraction of electroacoustic music, Dionée offers a unique, cinematic musical journey. The trio, with its colorful instrumentation, delivers with Mille-feuilles an astonishing, orchestral‑sounding work in which oboe, accordion, and electric bass converse with a range of electronic instruments and effects.

*100 copies limited edition* Virginie Reid announces the release of Mille Soleils à l'oeil nu, a luminous new album that explores the delicate intersection of acoustic intimacy and boundless sonic imagination. Recorded with a keen ear for texture and a fearless commitment to improvisation, Mille Soleils à l'oeil nu invites listeners into a world where small gestures expand into vast, cinematic landscapes. Mille Soleils à l'oeil nu traces a journey through light and shadow. Reid's compositions ba…

anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of these are then ‘unbound’ over the course of the piece by changing continuity in a variety of ways outlined in the score. This interpretation of the score is a live performance that features prepared reed organ, electromagnetic pick-ups, sand, pedals, D…

'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, 'Spaces' was recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. The decision to select takes that have people coughing and cell pho…

In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern release awakens memories of a tradition that seemed lost in the digital age we live in. Born in 1987, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a wor…

Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…

Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…

Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion.  Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org.  These recordings were first heard on Echoes Radio in Fall 2009.  The other part of Little Windows was recorded…

Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master.  "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…