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A 45-minute single movement piece for shō, Hammond organ and cello, exploring ways of combining the differing tuning systems inherent in the instruments.
A double CD for one of the late monuments by Morton Feldman: Violin and String Quartet, a 140-minute work composed in 1985, two years before the American composer's death. A work of extreme maturity, in which Feldman pushes his aesthetics of duration and sonic rarefaction to their ultimate consequences, creating a suspended space-time where every sound acquires an almost physical presence.
Apartment House – the London-based ensemble specialized in experimental and minimalist repertoire – offers …
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the letters in these names were assigned to notes on the keyboard according to a fixed system. Each sound has to be played softly and as long as possible. After the attack, all sounds should fade away into silence...
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
Natural World by Laurence Crane offers an expansive and quietly subversive study in sonic ecology, blending piano, soprano, and field recordings. Written for Juliet Fraser and Mark Knoop, the piece unfolds over three movements, combining encyclopedic texts, birdsong, and elemental musical motives in a measured fifty-five-minute reflection on beauty and environmental fragility.
Evening Star, Vesper Bell by Magnus Granberg with Apartment House is a nearly hour-long meditation bridging composed structures and improvisational nuances. Drawing on remnants from Schubert and Cole Porter, the ensemble crafts an intricate tapestry of sound, embracing openness, patience, and detailed interplay. It is a work that rewards repeated, attentive listening and the discovery of subtle, shifting textures.
Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
Stiebler is one of Germany's most consistent explorers of sustained tones and minimal structures - his work hovers in that magical space between sound and silence. Here paired with Kanitz for an intimate dialogue. Patient, luminous, endlessly rewarding listening. Music that demands - and rewards - your full attention.
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
*2023 stock* This LP by German synth music pioneer Hans-Joachim Roedelius features almost no synthesizers at all. When they do appear (most prominently on "Über den Wolken"), they're a background instrument, supporting his piano. At other times, Roedelius duets with saxophonist Alexander Czjzek. But the primary instrument is his grand piano, and the pieces aren't the droning marathons of 1970s German "kosmische" music, they're three- and four-minute vignettes (some tracks are in the six-minute r…
Tom Johnson uses numbers as base material, turning formulas, combinations and other mathematic phenomena into music. And somehow, this music becomes poetry, sometimes like a haiku, sometimes like a sonnet, sometimes descriptive and clear, often enigmatic but always beautiful.
Another young composer who you’ve probably not heard of, but whose music you really should get to know. Four stunning pieces, three played by Apartment House, and one by the Rothko Collective. Brilliant music that really shouldn’t be possible from someone so young.
Another Timbre is back with yet another incredible statement from the contemporary landscape of experimental sound, “Vesperi”, the debut album by the Italian composer Marco Baldini from the Florence-based ensemble, Blutwurst. A striking series of minimal works for acoustic instruments, drawing their inspiration from early music and North Indian (Hindustani) classical music, and executed by two remarkable ensembles - a quartet of two cellos and two double bass, and a trio of cello, double bass, a…
*In process of stocking. 2023 stock* "No matter how weird, how outrageous, how experimental or how avant garde musicians and composers try to be, it’s a pretty good chance dear Great-Grandfather John Cage did it first. And it’s a pretty good guess that even the most willing listeners and seasoned DJ’s may get pushed to the edge listening to some of his compositions. This makes me smile. I’ve been pushed and came back and forced myself to go farther and farther. Growth is hard. Endurance and stam…
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
Swiss composer Jürg Frey and Dutch pianist/composer Reinier van Houdt are reunited on this triple CD, 'lieues d'ombres', after their successful collaboration on 'l'air, l'instant - deux pianos' (elsewhere 014), during which the two built a close rapport.
'lieues d'ombres' contains seven of Frey’s solo piano works, written from 1984 – 2018, including one previously unreleased work, ‘Three Piano Pieces’. All seven pieces were recorded by Micha de Kanter at The Muziekcentrum van de Omroep (MCO) in …